5.2 Funny Girl!

The Gospel of Musical Theatre

Isn’t it "people who DON'T need people are the luckiest people in the world?"

Today we look at the role that made Barbara Streisand's early career: the role of Fanny Brice in Jule Styne & Bob Merrill’s 1964 musical Funny Girl and the 1968 film directed by William Wyler.

We talk about:

• The Greatest Star: The phenomenon of the original Fanny Brice, how Barbra got involved in the project, and where the line between ego, strength, and vanity lies.
• The Audience: The sacred relationship between performer and audience and Barbra’s theory of audience (or—in a religious context—a congregation) as a truth barometer.
• The Patriarchy: Nick Arnstein & Fanny Brice's relationship, Barbra & her male collaborators, the creep factor of "You are Woman," and the dangerous myth of romantic love (attention straight people: beware writing your own vows!)
• The Parade: Is "Don’t Rain on My Parade" a feminist anthem?
• The People: What’s the theology of people who need people? Is this just a hymn to extroversion, or does it channel Archbishop Desmond Tutu’s theology of ubuntu?

You’ll hear:

– The 1968 Film Soundtrack: "I’m the Greatest Star," Omar Shariff and Barbra singing "You Are Woman, I am Man," "My Man," "Don’t Rain on My Parade" and—of course—"People."

Continue the conversation with us on Instagram and The Platform Formerly Known as Twitter (@gospelofmt).