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ep.#30 Clayton Bailey

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When? This feed was archived on February 29, 2020 13:10 (4+ y ago). Last successful fetch was on August 29, 2019 01:51 (5y ago)

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Manage episode 157909759 series 1236712
Content provided by Brian R. Jones. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Brian R. Jones or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.

Maybe it's that all good comedy comes from the same kind of place: a willingness to be honest but cloaking it in a jest. Realness and comedy, or knowing which side of the joke is up or if the thing that you're seeing is a joke at all (Andy Kaufman). That's where Clayton Bailey comes in. Clayton was this year's NCECA fellow and gave the closing lecture. A California artist, Clayton's worked in a way that both confirms his greatness as an artist and also pokes fun that the field he's been involved in for 50 years. His humor is more tounge in cheek than ironic, dryer than silly. He operated as a teacher at the univeristy level for years and his work was based on pulling academia's seriousness apart...or at least jabbing it for some life. Subversion can be taken any number of ways and Clayton's version of it includes alter-egos, fake science, and asking his audience to join in on the bit (seriously, it's just clay. It's okay to make fun of how uptight we sometimes/always are about it. again, liberals usually don't have a great sense of humor). His body of work is expansive and he's always pushed himself to the next level of what the work should be or where the joke should go. When California ceramics is talked or written about Funk is always included. But the Funk movement operated in that kind of overly academic world that wasn't taken far enough for Clayton. He has worked outside of the common eyesight of ceramics. He has worked backwards, in a way, creating his own world and inviting others to take a peek inside. Enjoy the conversation! I know I did.

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50 episodes

Artwork

ep.#30 Clayton Bailey

The Jonescast

0-10 subscribers

published

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Archived series ("Inactive feed" status)

When? This feed was archived on February 29, 2020 13:10 (4+ y ago). Last successful fetch was on August 29, 2019 01:51 (5y ago)

Why? Inactive feed status. Our servers were unable to retrieve a valid podcast feed for a sustained period.

What now? You might be able to find a more up-to-date version using the search function. This series will no longer be checked for updates. If you believe this to be in error, please check if the publisher's feed link below is valid and contact support to request the feed be restored or if you have any other concerns about this.

Manage episode 157909759 series 1236712
Content provided by Brian R. Jones. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Brian R. Jones or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.

Maybe it's that all good comedy comes from the same kind of place: a willingness to be honest but cloaking it in a jest. Realness and comedy, or knowing which side of the joke is up or if the thing that you're seeing is a joke at all (Andy Kaufman). That's where Clayton Bailey comes in. Clayton was this year's NCECA fellow and gave the closing lecture. A California artist, Clayton's worked in a way that both confirms his greatness as an artist and also pokes fun that the field he's been involved in for 50 years. His humor is more tounge in cheek than ironic, dryer than silly. He operated as a teacher at the univeristy level for years and his work was based on pulling academia's seriousness apart...or at least jabbing it for some life. Subversion can be taken any number of ways and Clayton's version of it includes alter-egos, fake science, and asking his audience to join in on the bit (seriously, it's just clay. It's okay to make fun of how uptight we sometimes/always are about it. again, liberals usually don't have a great sense of humor). His body of work is expansive and he's always pushed himself to the next level of what the work should be or where the joke should go. When California ceramics is talked or written about Funk is always included. But the Funk movement operated in that kind of overly academic world that wasn't taken far enough for Clayton. He has worked outside of the common eyesight of ceramics. He has worked backwards, in a way, creating his own world and inviting others to take a peek inside. Enjoy the conversation! I know I did.

  continue reading

50 episodes

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