The Modern Art Notes Podcast is a weekly, hour-long interview program featuring artists, historians, authors, curators and conservators. Pulitzer Prize-winning art critic Sebastian Smee called The MAN Podcast “one of the great archives of the art of our time.” When the US chapter of the International Association of Art Critics gave host Tyler Green one of its inaugural awards for criticism in 2014, it included a special citation for The MAN Podcast.
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BonusEp 0.5 - Tamar Avishai interviews Dr. Rachel Saunders, Harvard Art Museums
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Manage episode 298167888 series 1319526
Content provided by The Lonely Palette and Tamar Avishai. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by The Lonely Palette and Tamar Avishai or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.
Like so many of us, Dr. Rachel Saunders had a tough 2020. As the curator of Asian art at the Harvard Art Museums, she was thrilled to co-curate, with professor Yukio Lippit, the exhibition "Painting Edo: Japanese Art from the Feinberg Collection," the largest single exhibition the museum had ever mounted. And then, a month after its opening, it was shuttered by Covid, and remained closed until the entire exhibition came down early last month. But what could have been a bitter disappointment actually became exceptionally educational - perhaps par for the course at a prestigious university art museum, but with far-reaching implications for museums everywhere. Because when we talk about accessibility - and inaccessibility - in this context, we start to think about it in every context. How accessible are museums, ever? How authentically cross-cultural are our conversations? How do art historians wrestle with and decide on narratives? And how do we honor the multiplicity of these objects' histories while still making them present, today? I sat down with Dr. Saunders this past May, the last month that the exhibition was up on the gallery walls but still behind locked doors, and we dove into these issues and more. See the images discussed: https://bit.ly/3kQbAii Music used: The Blue Dot Sessions, “One Little Triumph,” “Sage the Hunter” Tamar’s exhibition review in the New York Review of Books: https://bit.ly/36X64Cg The Lonely Palette episode on Painting Edo: https://bit.ly/3iEFl2Q The HAM page on Painting Edo https://bit.ly/3zrYBY7 Support the show! www.patreon.com/lonelypalette
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117 episodes
MP3•Episode home
Manage episode 298167888 series 1319526
Content provided by The Lonely Palette and Tamar Avishai. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by The Lonely Palette and Tamar Avishai or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.
Like so many of us, Dr. Rachel Saunders had a tough 2020. As the curator of Asian art at the Harvard Art Museums, she was thrilled to co-curate, with professor Yukio Lippit, the exhibition "Painting Edo: Japanese Art from the Feinberg Collection," the largest single exhibition the museum had ever mounted. And then, a month after its opening, it was shuttered by Covid, and remained closed until the entire exhibition came down early last month. But what could have been a bitter disappointment actually became exceptionally educational - perhaps par for the course at a prestigious university art museum, but with far-reaching implications for museums everywhere. Because when we talk about accessibility - and inaccessibility - in this context, we start to think about it in every context. How accessible are museums, ever? How authentically cross-cultural are our conversations? How do art historians wrestle with and decide on narratives? And how do we honor the multiplicity of these objects' histories while still making them present, today? I sat down with Dr. Saunders this past May, the last month that the exhibition was up on the gallery walls but still behind locked doors, and we dove into these issues and more. See the images discussed: https://bit.ly/3kQbAii Music used: The Blue Dot Sessions, “One Little Triumph,” “Sage the Hunter” Tamar’s exhibition review in the New York Review of Books: https://bit.ly/36X64Cg The Lonely Palette episode on Painting Edo: https://bit.ly/3iEFl2Q The HAM page on Painting Edo https://bit.ly/3zrYBY7 Support the show! www.patreon.com/lonelypalette
…
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117 episodes
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