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Alternatives to the Conflict Theory of Fiction

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Manage episode 406540834 series 3363783
Content provided by Craig Chalquist, PhD and Craig Chalquist. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Craig Chalquist, PhD and Craig Chalquist or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.

According to the conflict theory of fiction, as enforced by literary agents, publishers, and Hollywood, your story must feature a Hero or Heroine who runs into or is filled with conflict. In Hollywood, this usually means images of someone tough and earnest holding a gun or sword. Do good stories really require this, or, at least for psychological adults, should they rely instead on complex characters in tension and suspense?

Chalquist.com

  continue reading

58 episodes

Artwork
iconShare
 
Manage episode 406540834 series 3363783
Content provided by Craig Chalquist, PhD and Craig Chalquist. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Craig Chalquist, PhD and Craig Chalquist or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.

According to the conflict theory of fiction, as enforced by literary agents, publishers, and Hollywood, your story must feature a Hero or Heroine who runs into or is filled with conflict. In Hollywood, this usually means images of someone tough and earnest holding a gun or sword. Do good stories really require this, or, at least for psychological adults, should they rely instead on complex characters in tension and suspense?

Chalquist.com

  continue reading

58 episodes

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