Barry first found music when he borrowed his sister's record collection when he was about eight and was hooked. When Caroline started it was a new beginning, and he listened to all the stations, but Caroline was his favourite by far. Later he became a singer in a band, then started doing discos when he was 18. He joined Caroline in 1977, touring the country with the Caroline Roadshow for 10 years, having great fun. Barry helped with tender trips and worked on the Ross Revenge in '84 and '85. ...
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Kellyn Barnes - Sony Music Publishing - Music Biz 101 & More Podcast
Manage episode 346495940 series 1645214
Content provided by MusicBiz 101 & More and William Paterson University Music Biz. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by MusicBiz 101 & More and William Paterson University Music Biz or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.
Music Biz 101 & More is the only radio show in America that focuses on the business side of the music & entertainment worlds. Hosted by William Paterson University's Dr. Stephen Marcone & Professor David Kirk Philp, the show airs live each Wednesday at 8pm on WPSC-FM, Brave New Radio. In this superb episode, Kellyn Barnes of Sony Music Publishing goes crazy deep in the weeds about how ASCAP and PROs (performance rights organizations) work, how to register songs, and what to do if you're missing information. This is the missing piece for anyone with questions about the PROs. You'll want to listen to this multiple times to understand the nuances and differences between the ASCAP and BMI backends. But this is good. Ready, set, go! Intro song: "Hurts Like Hell" by Gina Royale Exit song: "Cancel Plans" by TimaLikesMusic Like what you hear? Tweet us anytime: twitter.com/MusicBiz101WP Engage and Adore us on The Facebook, The Twitter & Instagram: www.facebook.com/MusicBiz101wp twitter.com/MusicBiz101WP instagram.com/musicbiz101wp/
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311 episodes
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Manage episode 346495940 series 1645214
Content provided by MusicBiz 101 & More and William Paterson University Music Biz. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by MusicBiz 101 & More and William Paterson University Music Biz or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.
Music Biz 101 & More is the only radio show in America that focuses on the business side of the music & entertainment worlds. Hosted by William Paterson University's Dr. Stephen Marcone & Professor David Kirk Philp, the show airs live each Wednesday at 8pm on WPSC-FM, Brave New Radio. In this superb episode, Kellyn Barnes of Sony Music Publishing goes crazy deep in the weeds about how ASCAP and PROs (performance rights organizations) work, how to register songs, and what to do if you're missing information. This is the missing piece for anyone with questions about the PROs. You'll want to listen to this multiple times to understand the nuances and differences between the ASCAP and BMI backends. But this is good. Ready, set, go! Intro song: "Hurts Like Hell" by Gina Royale Exit song: "Cancel Plans" by TimaLikesMusic Like what you hear? Tweet us anytime: twitter.com/MusicBiz101WP Engage and Adore us on The Facebook, The Twitter & Instagram: www.facebook.com/MusicBiz101wp twitter.com/MusicBiz101WP instagram.com/musicbiz101wp/
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Similar to The Music Biz 101 & More Podcast
Barry first found music when he borrowed his sister's record collection when he was about eight and was hooked. When Caroline started it was a new beginning, and he listened to all the stations, but Caroline was his favourite by far. Later he became a singer in a band, then started doing discos when he was 18. He joined Caroline in 1977, touring the country with the Caroline Roadshow for 10 years, having great fun. Barry helped with tender trips and worked on the Ross Revenge in '84 and '85. ...
…
continue reading
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