In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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Episode 342: Happy End (1966)
Manage episode 207051039 series 2321051
Content provided by The Projection Booth and Weirding Way Media. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by The Projection Booth and Weirding Way Media or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.
We wrap up the first Czechtember series with a film from director Oldrich Lipský, 1966's Happy End, an experimental comedy (which is as unusual as that sounds) that puts scenes in opposite order and runs motion backward from the death of our main character (Vladimír Menšík) while he gives the voice-over account of life from birth. Of course, this provides us with constant ironic juxtapositions.
The film was co-written by Lipský and Milos Macourek, the screenwriter behind some of the best comedies out of Czechoslovakia in the '60s and '70s.
Kat Ellinger and Ben Buckingham join Mike to discuss Happy End and other favorite Czech comedies.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Become a supporter of this podcast: https://www.spreaker.com/podcast/the-projection-booth-podcast--5513239/support.
…
continue reading
The film was co-written by Lipský and Milos Macourek, the screenwriter behind some of the best comedies out of Czechoslovakia in the '60s and '70s.
Kat Ellinger and Ben Buckingham join Mike to discuss Happy End and other favorite Czech comedies.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Become a supporter of this podcast: https://www.spreaker.com/podcast/the-projection-booth-podcast--5513239/support.
1430 episodes
Share
Manage episode 207051039 series 2321051
Content provided by The Projection Booth and Weirding Way Media. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by The Projection Booth and Weirding Way Media or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.
We wrap up the first Czechtember series with a film from director Oldrich Lipský, 1966's Happy End, an experimental comedy (which is as unusual as that sounds) that puts scenes in opposite order and runs motion backward from the death of our main character (Vladimír Menšík) while he gives the voice-over account of life from birth. Of course, this provides us with constant ironic juxtapositions.
The film was co-written by Lipský and Milos Macourek, the screenwriter behind some of the best comedies out of Czechoslovakia in the '60s and '70s.
Kat Ellinger and Ben Buckingham join Mike to discuss Happy End and other favorite Czech comedies.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Become a supporter of this podcast: https://www.spreaker.com/podcast/the-projection-booth-podcast--5513239/support.
…
continue reading
The film was co-written by Lipský and Milos Macourek, the screenwriter behind some of the best comedies out of Czechoslovakia in the '60s and '70s.
Kat Ellinger and Ben Buckingham join Mike to discuss Happy End and other favorite Czech comedies.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Become a supporter of this podcast: https://www.spreaker.com/podcast/the-projection-booth-podcast--5513239/support.
1430 episodes
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In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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Our fifth season is Decoding John Ford, a seven-episode series about cinema's most mysterious auteur. Using scores of never-before-heard archival interviews, host Ben Mankiewicz strips back John Ford's self-spun mythology to reveal his brilliance behind the camera – alongside the often ugly, uncomfortable truths about his life and movies, asking whether we can ever truly separate art from the artist. Decoding John Ford starts June 6.
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