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Beating the Bounds

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Manage episode 165037390 series 1301238
Content provided by BBC and BBC Radio 4. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by BBC and BBC Radio 4 or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.

The award-winning artist Grayson Perry asks whether it is really true that anything can be art. We live in an age when many contemporary artists follow the example of Marcel Duchamp, who famously declared that a urinal was a work of art. It sometimes seems that anything qualifies, from a pile of sweets on a gallery floor to an Oscar-winning actress asleep in a box. How does the ordinary art lover decide? In a lecture delivered amidst the Victorian splendour of St. George's Hall in Liverpool, Perry analyses with characteristic wit the common tests - from commercial worth to public popularity to aesthetic value. He admits the inadequacies of such yardsticks, especially when applied to much conceptual and performance art. And he concludes that in his opinion, the quality most valued in the art world is seriousness. Producer: Jim Frank

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302 episodes

Artwork

Beating the Bounds

The Reith Lectures

1,439 subscribers

published

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Manage episode 165037390 series 1301238
Content provided by BBC and BBC Radio 4. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by BBC and BBC Radio 4 or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.

The award-winning artist Grayson Perry asks whether it is really true that anything can be art. We live in an age when many contemporary artists follow the example of Marcel Duchamp, who famously declared that a urinal was a work of art. It sometimes seems that anything qualifies, from a pile of sweets on a gallery floor to an Oscar-winning actress asleep in a box. How does the ordinary art lover decide? In a lecture delivered amidst the Victorian splendour of St. George's Hall in Liverpool, Perry analyses with characteristic wit the common tests - from commercial worth to public popularity to aesthetic value. He admits the inadequacies of such yardsticks, especially when applied to much conceptual and performance art. And he concludes that in his opinion, the quality most valued in the art world is seriousness. Producer: Jim Frank

  continue reading

302 episodes

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