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Brooke Gladstone

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Manage episode 182588470 series 1459104
Content provided by Maximum Fun and Columbia Journalism Review, Maximum Fun, and Columbia Journalism Review. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Maximum Fun and Columbia Journalism Review, Maximum Fun, and Columbia Journalism Review or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.

This week on The Turnaround Jesse sits down with Brooke Gladstone of WNYC Studio's On The Media. Her interview style is direct and respectful, though you never feel like she hasn't asked the question that you want to hear the answer to. In her interview with Jesse, Brooke shares how such a tightly edited weekly show gets made, and about how she and her team choose to edit their show when cutting down for time and content. She also talks about journalistic objectivity, an ideal that she believes has no business dictating any part of the relationship between the media consumer and producer.

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17 episodes

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Brooke Gladstone

The Turnaround with Jesse Thorn

260 subscribers

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Manage episode 182588470 series 1459104
Content provided by Maximum Fun and Columbia Journalism Review, Maximum Fun, and Columbia Journalism Review. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Maximum Fun and Columbia Journalism Review, Maximum Fun, and Columbia Journalism Review or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.

This week on The Turnaround Jesse sits down with Brooke Gladstone of WNYC Studio's On The Media. Her interview style is direct and respectful, though you never feel like she hasn't asked the question that you want to hear the answer to. In her interview with Jesse, Brooke shares how such a tightly edited weekly show gets made, and about how she and her team choose to edit their show when cutting down for time and content. She also talks about journalistic objectivity, an ideal that she believes has no business dictating any part of the relationship between the media consumer and producer.

  continue reading

17 episodes

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