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Offbeat: Sounds Of La La Land

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Content provided by CyNar Pictures/American Residue Records. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by CyNar Pictures/American Residue Records or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.

Part of this year's more diversified Academy Award nominations, Ai-Ling Lee and Mildred Iatrou Morgan have been nominated for Best Sound Editing for La LA Land; becoming the first all-female team nominated in the category (Ai-Ling is also nominated for Best Sound Mixing along with Andy Nelson and Steve A. Morrow). As sound supervisors and designers on the project, their job was to lead the teams that brought every sound you hear. With a heavy emphasis on using production sound versus pre-recorded mixes of music; the performances in the film often feel more organic and real, not so decentered from the overall sound of the narrative as is customary with the genre. This approach informs every step of the audio process; a fine balance of imaginary realism, with key components of audio that connect to the makeup of our everyday living.

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73 episodes

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Offbeat: Sounds Of La La Land

The White Whale

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Manage episode 210592055 series 2362883
Content provided by CyNar Pictures/American Residue Records. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by CyNar Pictures/American Residue Records or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.

Part of this year's more diversified Academy Award nominations, Ai-Ling Lee and Mildred Iatrou Morgan have been nominated for Best Sound Editing for La LA Land; becoming the first all-female team nominated in the category (Ai-Ling is also nominated for Best Sound Mixing along with Andy Nelson and Steve A. Morrow). As sound supervisors and designers on the project, their job was to lead the teams that brought every sound you hear. With a heavy emphasis on using production sound versus pre-recorded mixes of music; the performances in the film often feel more organic and real, not so decentered from the overall sound of the narrative as is customary with the genre. This approach informs every step of the audio process; a fine balance of imaginary realism, with key components of audio that connect to the makeup of our everyday living.

  continue reading

73 episodes

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