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The Cobra, The Fuse and The Woman at the End of The World (with Kiko Dinucci)

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Manage episode 321111934 series 2827616
Content provided by Fil Corbitt and The Wind. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Fil Corbitt and The Wind or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.

Kiko Dinucci: “It's been about 10 years since I've realized that in my music, in all my works and projects, such as Metá Metá, I have been working with something beautiful and something ugly; something violent and something lyrical. And I think Brazil is like that. It is a tropical country with wonderful nature, but it has its past and history marked by death, exploitation, and so on and so on… So we live with many amazing things, especially when we think about our culture and nature; but there's a lot of bad stuff too. Thus, we still have a lot of marks from our colonial period, from slavery, from military dictatorship… so I got used to writing songs in this way: bringing together beautiful and ugly things; lyrical and violent things. I like that mix and I like artists who play with it.”

To support The Wind, become a patron at www.patreon.com/thewind

Subscribe at thewind.org

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41 episodes

Artwork
iconShare
 
Manage episode 321111934 series 2827616
Content provided by Fil Corbitt and The Wind. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Fil Corbitt and The Wind or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.

Kiko Dinucci: “It's been about 10 years since I've realized that in my music, in all my works and projects, such as Metá Metá, I have been working with something beautiful and something ugly; something violent and something lyrical. And I think Brazil is like that. It is a tropical country with wonderful nature, but it has its past and history marked by death, exploitation, and so on and so on… So we live with many amazing things, especially when we think about our culture and nature; but there's a lot of bad stuff too. Thus, we still have a lot of marks from our colonial period, from slavery, from military dictatorship… so I got used to writing songs in this way: bringing together beautiful and ugly things; lyrical and violent things. I like that mix and I like artists who play with it.”

To support The Wind, become a patron at www.patreon.com/thewind

Subscribe at thewind.org

  continue reading

41 episodes

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