Barry first found music when he borrowed his sister's record collection when he was about eight and was hooked. When Caroline started it was a new beginning, and he listened to all the stations, but Caroline was his favourite by far. Later he became a singer in a band, then started doing discos when he was 18. He joined Caroline in 1977, touring the country with the Caroline Roadshow for 10 years, having great fun. Barry helped with tender trips and worked on the Ross Revenge in '84 and '85. ...
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Vastopol Revisited
Manage episode 151329066 series 1024209
Content provided by http://truefire.com. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by http://truefire.com or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.
John Renbourn continues his exploration into 19th Century parlor guitar, which influenced blues and other rural styles. This time the song is Sebastopol,' later called 'Vastopol,' which was originally played in open-D tuning (D, A, D, F#, A, D). Renbourn's version is in open-E (E, B, E, G#, B, E) - no matter, the intervallic relationships are identical. As usual, the song has quaint charm and a bit of guts. This lesson includes Power Tab and is featured on the following CD compilations: ACOUSTIC U.
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99 episodes
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Manage episode 151329066 series 1024209
Content provided by http://truefire.com. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by http://truefire.com or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.
John Renbourn continues his exploration into 19th Century parlor guitar, which influenced blues and other rural styles. This time the song is Sebastopol,' later called 'Vastopol,' which was originally played in open-D tuning (D, A, D, F#, A, D). Renbourn's version is in open-E (E, B, E, G#, B, E) - no matter, the intervallic relationships are identical. As usual, the song has quaint charm and a bit of guts. This lesson includes Power Tab and is featured on the following CD compilations: ACOUSTIC U.
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99 episodes
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Similar to TrueFire's Guitabulary
Barry first found music when he borrowed his sister's record collection when he was about eight and was hooked. When Caroline started it was a new beginning, and he listened to all the stations, but Caroline was his favourite by far. Later he became a singer in a band, then started doing discos when he was 18. He joined Caroline in 1977, touring the country with the Caroline Roadshow for 10 years, having great fun. Barry helped with tender trips and worked on the Ross Revenge in '84 and '85. ...
…
continue reading
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continue reading
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continue reading
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continue reading
Front left since 2001.
…
continue reading
Join jazz aficionado Don Shor as he explores the diverse and fascinating world of jazz. Jazz After Dark spans the gamut, from roots in boogie-woogie, blues, and ragtime through traditional and straight-ahead jazz, soul jazz, bossa nova, and more.
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continue reading
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…
continue reading
Firebeatz presents Ignite Radio
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