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The Federal Theatre Project

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Manage episode 422873876 series 2934593
Content provided by Kelly Therese Pollock. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Kelly Therese Pollock or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.

Between 1935 and 1939, the Federal Theatre Project, part of the Works Progress Administration (WPA), employed over 12,000 actors and put on over 1200 productions in 29 states. Led by Hallie Flanagan, the FTP, using only a small fraction of the total WPA budget, employed theater professionals; entertained audiences, some two-third of whom had never attended theater before the FTP; and helped launch the careers of people like director Orson Welles and playwright Arthur Miller. However, despite its success and small budget, the Federal Theater Project, was controversial, both for its supposed communist affiliations and because of the perception that theater wasn’t worthy of receiving federal tax dollars. After four years, Congress axed the project, immediately putting out of work 8,000 people across the country.

Joining me in this episode to tell us more about the Federal Theatre Project is Dr. Paul Gagliardi, Teaching Associate Professor at Marquette University and author of All Play and No Work: American Work Ideals and the Comic Plays of the Federal Theatre Project.

Our theme song is Frogs Legs Rag, composed by James Scott and performed by Kevin MacLeod, licensed under Creative Commons. The mid-episode music is “The Broadway blues,” composed by Carey Morgan, with lyrics by Arthur Swanstrom; this performance was recorded by vocalist Aileen Stanley and conductor Rosario Bourdon on August 10, 1920, in Camden, New Jersey; the recording is in the public domain and is available via the Library of Congress National Jukebox. The episode image is a photograph from A Sailor's Ballad, performed at St. James Theatre in the 1930s as part of the Federal Theatre Project; the image is available in the Library of Congress, Music Division, Federal Theatre Project Collection.

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165 episodes

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The Federal Theatre Project

Unsung History

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Manage episode 422873876 series 2934593
Content provided by Kelly Therese Pollock. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Kelly Therese Pollock or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.

Between 1935 and 1939, the Federal Theatre Project, part of the Works Progress Administration (WPA), employed over 12,000 actors and put on over 1200 productions in 29 states. Led by Hallie Flanagan, the FTP, using only a small fraction of the total WPA budget, employed theater professionals; entertained audiences, some two-third of whom had never attended theater before the FTP; and helped launch the careers of people like director Orson Welles and playwright Arthur Miller. However, despite its success and small budget, the Federal Theater Project, was controversial, both for its supposed communist affiliations and because of the perception that theater wasn’t worthy of receiving federal tax dollars. After four years, Congress axed the project, immediately putting out of work 8,000 people across the country.

Joining me in this episode to tell us more about the Federal Theatre Project is Dr. Paul Gagliardi, Teaching Associate Professor at Marquette University and author of All Play and No Work: American Work Ideals and the Comic Plays of the Federal Theatre Project.

Our theme song is Frogs Legs Rag, composed by James Scott and performed by Kevin MacLeod, licensed under Creative Commons. The mid-episode music is “The Broadway blues,” composed by Carey Morgan, with lyrics by Arthur Swanstrom; this performance was recorded by vocalist Aileen Stanley and conductor Rosario Bourdon on August 10, 1920, in Camden, New Jersey; the recording is in the public domain and is available via the Library of Congress National Jukebox. The episode image is a photograph from A Sailor's Ballad, performed at St. James Theatre in the 1930s as part of the Federal Theatre Project; the image is available in the Library of Congress, Music Division, Federal Theatre Project Collection.

Additional Sources:

Advertising Inquiries: https://redcircle.com/brands

  continue reading

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