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The History of Synchronized Swimming

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Manage episode 431296161 series 2934593
Content provided by Kelly Therese Pollock. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Kelly Therese Pollock or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.

When the 1934 World’s Fair in Chicago was looking for an aquatic act to complement their new underwater lights, organizers turned to physical educator Katherine Curtis, who put together a wildly popular show called the Modern Mermaids. No one could quite figure out what to call it, trying out water ballet and figure swimming until a radio announcer landed on “synchronized swimming.” Soon synchronized swimming teams were forming and competing, but while the Amateur Athletic Union (AAU) quickly embraced the sport, the International Olympic Committee (IOC) resisted, with the president of the IOC sneeringly referring to the sport as aquatic vaudeville. Finally, decades after the origin of synchronized swimming, the IOC voted to include it in the 1984 games in Los Angeles. Joining me in this episode to tell this history is writer and masters synchronized swimmer Vicki Valosik, author of Swimming Pretty: The Untold Story of Women in Water.

Our theme song is Frogs Legs Rag, composed by James Scott and performed by Kevin MacLeod, licensed under Creative Commons. The mid-episode music is “Come Take a Swim in My Ocean,” composed by Gus Edwards with Lyrics by Will Cobb; this recording was performed by the Haydn Quartet in New Jersey on June 4, 1909; it is in the public domain and is available via the Library of Congress National Jukebox. The episode image is “Swimmers,” Harris & Ewing, photographer, 1936; the image is in the public domain and is available via the Library of Congress.

Additional Sources:

Synchro Routines:

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166 episodes

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The History of Synchronized Swimming

Unsung History

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Manage episode 431296161 series 2934593
Content provided by Kelly Therese Pollock. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Kelly Therese Pollock or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.

When the 1934 World’s Fair in Chicago was looking for an aquatic act to complement their new underwater lights, organizers turned to physical educator Katherine Curtis, who put together a wildly popular show called the Modern Mermaids. No one could quite figure out what to call it, trying out water ballet and figure swimming until a radio announcer landed on “synchronized swimming.” Soon synchronized swimming teams were forming and competing, but while the Amateur Athletic Union (AAU) quickly embraced the sport, the International Olympic Committee (IOC) resisted, with the president of the IOC sneeringly referring to the sport as aquatic vaudeville. Finally, decades after the origin of synchronized swimming, the IOC voted to include it in the 1984 games in Los Angeles. Joining me in this episode to tell this history is writer and masters synchronized swimmer Vicki Valosik, author of Swimming Pretty: The Untold Story of Women in Water.

Our theme song is Frogs Legs Rag, composed by James Scott and performed by Kevin MacLeod, licensed under Creative Commons. The mid-episode music is “Come Take a Swim in My Ocean,” composed by Gus Edwards with Lyrics by Will Cobb; this recording was performed by the Haydn Quartet in New Jersey on June 4, 1909; it is in the public domain and is available via the Library of Congress National Jukebox. The episode image is “Swimmers,” Harris & Ewing, photographer, 1936; the image is in the public domain and is available via the Library of Congress.

Additional Sources:

Synchro Routines:

Advertising Inquiries: https://redcircle.com/brands

  continue reading

166 episodes

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