))
François Matarasso: A Restless Art
Manage episode 351197978 series 3431530
Content provided by Pierre d'Alancaisez. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Pierre d'Alancaisez or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.
A Restless Art
How participation won, and why it matters
François Matarasso
Published by Calouste Gulbenkian Foundation (open access), 2019
ISBN 9781903080207
It is almost twenty years since contemporary art took a ‘participation turn’. Now, just about every museum or theatre company has a participation or engagement department. It is nothing short of orthodoxy that one of art’s core roles is to reach out to audiences beyond art institutions – and paradoxically it is often art institutions that mandate this function. How can we reconcile the somewhat forgotten history – and ongoing practice – of the community arts with the recent rise of participatory art, social practice, or outreach and engagement?
François Matarasso speaks to Pierre d’Alancaisez about his long-term engagement in community art practice, the meanings of participation and cultural democracy, and his proposals for thinking about cultural and artistic participation as a fundamental human right. We talk about the history of the community arts movement in the UK, his influential 1997 paper Use or Ornament, ways of supporting cultural democracy through projects like Fun Palaces, and reaching peak culture.
François Matarasso is a community artist, writer, and researcher, and one of the co-creators of the 2020 Rome Charter.
*************
Find many more interviews, projects, and my writing at https://petitpoi.net/
You can sign up for my newsletter at https://petitpoi.net/newsletter/
Support my work: https://petitpoi.net/support/
55 episodes
Share
