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Why does "4 time" dominate modern western music?

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Manage episode 431048047 series 3566654
Content provided by Ian Forth. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Ian Forth or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.

Turn on commercial radio and what time signature are you 95% likely to hear in the first song? 4 beats to the bar, that's what. Is that just the natural pace of music or is something else going on?
In fact, if you went to a dance in the nineteenth century, it would most likely be in 3 time, or a waltz. Travel to, say, Burundi, Bulgaria, Bengaluru or Bursa and outside of commercial radio, local time is quite different - 11/8, to take one example.
So how did 4 time come to dominate? Was it the classical composers? Radio managers? The Romans? Join me, Ian Forth for a discussion of how we ended up with the ubiquity of 4 beats to the bar.

Be expertly briefed each week on a wide variety of intriguing musical topics.

  continue reading

Chapters

1. Why does "4 time" dominate modern western music? (00:00:00)

2. Introduction (00:00:20)

3. The Medium-Sized Dive; What is a time signature? (00:01:13)

4. 4-Limb Theory; Marching Theory (00:03:41)

5. Cognitive limits to counting (00:06:22)

6. Musical notation: Chicken and the Egg (00:08:05)

7. Why 4 time and not 3 time? (00:11:04)

8. Conclusions (00:14:21)

22 episodes

Artwork
iconShare
 
Manage episode 431048047 series 3566654
Content provided by Ian Forth. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Ian Forth or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.

Turn on commercial radio and what time signature are you 95% likely to hear in the first song? 4 beats to the bar, that's what. Is that just the natural pace of music or is something else going on?
In fact, if you went to a dance in the nineteenth century, it would most likely be in 3 time, or a waltz. Travel to, say, Burundi, Bulgaria, Bengaluru or Bursa and outside of commercial radio, local time is quite different - 11/8, to take one example.
So how did 4 time come to dominate? Was it the classical composers? Radio managers? The Romans? Join me, Ian Forth for a discussion of how we ended up with the ubiquity of 4 beats to the bar.

Be expertly briefed each week on a wide variety of intriguing musical topics.

  continue reading

Chapters

1. Why does "4 time" dominate modern western music? (00:00:00)

2. Introduction (00:00:20)

3. The Medium-Sized Dive; What is a time signature? (00:01:13)

4. 4-Limb Theory; Marching Theory (00:03:41)

5. Cognitive limits to counting (00:06:22)

6. Musical notation: Chicken and the Egg (00:08:05)

7. Why 4 time and not 3 time? (00:11:04)

8. Conclusions (00:14:21)

22 episodes

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