this podcast is going to be all about 60's music. the goal with this podcast is to educate a younger generation on one of the greatest decades of music of all time, and to prove to people that Millennials can love 60's music as well and it's not just for Baby boomers. Each week I"m going to review one song by one artist from the 60's and split the podcast into two halfs. first half is going to be my perspective and my opinion on the song and why I think it's so good or why I don't think it's ...
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Podcast #99 - Opäk [FR]
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Manage episode 243797725 series 2405126
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Video : https://youtu.be/JO6KnKtYdqQ Follow and support @opakdj Interview : Virtual Underground: How has this Opäk story started ? Opäk : I made acoustic music since was young. I play drums and I did a conservatory before starting to play blues / rock / punk with my friends! Then when I went to university, these projects ended, we were all in different cities. I made new friends, all techno fan. I did my first techno nights.... During one, when i was in party in front of "I hate models" at his beginnings, I knew that this was somehow the new essence of punk. So after started with playing with my first little pioneer mixing table and a computer, the Opäk project was born. Virtual Underground : Where do you draw your inspiration from ? Opäk : I find my inspiration in all the music that has nourished me from my childhood to here. From rock to metal, from blues to stoner, from EBM to Techno, from Techno to Acid, from industrial to hardcore. I often define myself as a "Industrial Techno " artist but in the end, I think the richness is to open up my influences as much as possible! if I have to name names that I have listened to a lot I will say The Doors, Rage Against The Machine, Official Motörhead, The Rolling Stones, Muddy Waters, Robert Johnson then in techno I Hate Models, RVDE, Gijensu, Ancient Methods, Phase Fatale, Tommy Four Seven, Ansome, Ayarcana, Myler, TWAN and many other artists in the same genre. Virtual Underground : Could you describe your mixing process ? Opäk : For me the role of the DJ is like that of the sculptor, he must shape the atmosphere and take people on his journey. As a story it is important to have a beginning, a middle and a logical end, so the selection is made in such a way as to respect this narrative scheme! Then of course the best is to perceive only slightly the transitions between the tracks and that they bring a new breath to the set. Virtual Underground : Which software/hardware did you use for this set ? Opäk : I used CDJs and a DJM900 and then I equalized the mix on bleachton so that the audio quality and the feeling was pleasant, simply ahaha Virtual Underground : What are your next plans ? Opäk : What I prefer for the moment is the "show and concert" part I like to perform in search of people, their opinions, emotions. This is the area where I am most comfortable and very beautiful dates like the pulse festival, Entente nocturne arrive. I also created my own label: Askorn Records, which I intend to develop, and finally I am working hard to improve and work to release my first EP which should arrive in 2020.
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138 episodes
MP3•Episode home
Manage episode 243797725 series 2405126
Content provided by Virtual Underground. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Virtual Underground or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.
Video : https://youtu.be/JO6KnKtYdqQ Follow and support @opakdj Interview : Virtual Underground: How has this Opäk story started ? Opäk : I made acoustic music since was young. I play drums and I did a conservatory before starting to play blues / rock / punk with my friends! Then when I went to university, these projects ended, we were all in different cities. I made new friends, all techno fan. I did my first techno nights.... During one, when i was in party in front of "I hate models" at his beginnings, I knew that this was somehow the new essence of punk. So after started with playing with my first little pioneer mixing table and a computer, the Opäk project was born. Virtual Underground : Where do you draw your inspiration from ? Opäk : I find my inspiration in all the music that has nourished me from my childhood to here. From rock to metal, from blues to stoner, from EBM to Techno, from Techno to Acid, from industrial to hardcore. I often define myself as a "Industrial Techno " artist but in the end, I think the richness is to open up my influences as much as possible! if I have to name names that I have listened to a lot I will say The Doors, Rage Against The Machine, Official Motörhead, The Rolling Stones, Muddy Waters, Robert Johnson then in techno I Hate Models, RVDE, Gijensu, Ancient Methods, Phase Fatale, Tommy Four Seven, Ansome, Ayarcana, Myler, TWAN and many other artists in the same genre. Virtual Underground : Could you describe your mixing process ? Opäk : For me the role of the DJ is like that of the sculptor, he must shape the atmosphere and take people on his journey. As a story it is important to have a beginning, a middle and a logical end, so the selection is made in such a way as to respect this narrative scheme! Then of course the best is to perceive only slightly the transitions between the tracks and that they bring a new breath to the set. Virtual Underground : Which software/hardware did you use for this set ? Opäk : I used CDJs and a DJM900 and then I equalized the mix on bleachton so that the audio quality and the feeling was pleasant, simply ahaha Virtual Underground : What are your next plans ? Opäk : What I prefer for the moment is the "show and concert" part I like to perform in search of people, their opinions, emotions. This is the area where I am most comfortable and very beautiful dates like the pulse festival, Entente nocturne arrive. I also created my own label: Askorn Records, which I intend to develop, and finally I am working hard to improve and work to release my first EP which should arrive in 2020.
…
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