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Irene Campolmi, Michelangelo Miccolis, Louise O'Kelly - Space of Intimacy: Curating Performance Post-Pandemic

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Manage episode 335635048 series 3254522
Content provided by Walk&Talk. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Walk&Talk or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.

O podcast apresenta uma conversa entre Irene Campolmi, curadora e investigadora independente e Diretora do Programa de Arte da Enter Art Fair; Michelangelo Miccolis, curador, performer e Diretor artístico do IMMATERIAL, o Programa de Performance da MATERIAL Art Fair na Cidade do México; e Louise O'Kelly, curadora e fundadora do BLOCK UNIVERSE, Festival Anual de Performance Independente em Londres.
Durante a quarentena, os três curadores reuniram-se espontaneamente em reuniões de Zoom para partilhar os seus sentimentos, preocupações e esperanças suscitadas por estarem isolados em casa e terem tempo para pensar nas suas práticas. Os curadores refletem sobre as mudanças que a pandemia trouxe à sua prática curatorial e a sua compreensão do desempenho em relação a um espaço público e social-distante pós-pandémico.
Ao longo dos meses, as suas reuniões de Zoom tornaram-se o seu espaço de intimidade, uma zona onde podiam genuinamente partilhar ideias sobre as preocupações relacionadas com o seu trabalho e as suas reflexões sobre o desempenho. O podcast recolhe pensamentos sobre o corpo performativo pós-pandémico, o público e a proximidade física, a noção de tempo e a sua percepção, o fim da "economia do evento" que caracteriza o mundo da arte, a comunidade artística, a agência da performance e a sua potencialidade para se tornar um campo de ensaio para coreografar futuras comunidades.

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The podcast features a conversation between Irene Campolmi, independent curator and researcher and Head Art Program at Enter Art Fair; Michelangelo Miccolis, curator, performer and artistic director of IMMATERIAL, the Performance Program of MATERIAL Art Fair in Mexico City; and Louise O'Kelly, curator and founder of BLOCK UNIVERSE, Annual Performance Independent Festival in London.
During the lockdown, the three curators have spontaneously gathered in zoom meetings to share their feelings, concerns and hopes raised by being isolated at home and having time to think about their practices. The curators reflect on the changes that the pandemic had brought to their curatorial practice and their understanding of performance in relation to a post-pandemic public and social-distancing space.
Throughout the months, their zoom meetings became their space of intimacy, a zone where they could genuinely share thoughts on the concerns related to their jobs and their reflections on performance. The podcast collects thoughts on the performing body post-pandemic, the public and physical proximity, the notion of time and its perception, the end of the 'event economy' that characterises the art world, the art community, the agency of the performance and its potentiality to become a testing ground for choreographing future communities.

  continue reading

10 episodes

Artwork
iconShare
 
Manage episode 335635048 series 3254522
Content provided by Walk&Talk. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Walk&Talk or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.

O podcast apresenta uma conversa entre Irene Campolmi, curadora e investigadora independente e Diretora do Programa de Arte da Enter Art Fair; Michelangelo Miccolis, curador, performer e Diretor artístico do IMMATERIAL, o Programa de Performance da MATERIAL Art Fair na Cidade do México; e Louise O'Kelly, curadora e fundadora do BLOCK UNIVERSE, Festival Anual de Performance Independente em Londres.
Durante a quarentena, os três curadores reuniram-se espontaneamente em reuniões de Zoom para partilhar os seus sentimentos, preocupações e esperanças suscitadas por estarem isolados em casa e terem tempo para pensar nas suas práticas. Os curadores refletem sobre as mudanças que a pandemia trouxe à sua prática curatorial e a sua compreensão do desempenho em relação a um espaço público e social-distante pós-pandémico.
Ao longo dos meses, as suas reuniões de Zoom tornaram-se o seu espaço de intimidade, uma zona onde podiam genuinamente partilhar ideias sobre as preocupações relacionadas com o seu trabalho e as suas reflexões sobre o desempenho. O podcast recolhe pensamentos sobre o corpo performativo pós-pandémico, o público e a proximidade física, a noção de tempo e a sua percepção, o fim da "economia do evento" que caracteriza o mundo da arte, a comunidade artística, a agência da performance e a sua potencialidade para se tornar um campo de ensaio para coreografar futuras comunidades.

_

The podcast features a conversation between Irene Campolmi, independent curator and researcher and Head Art Program at Enter Art Fair; Michelangelo Miccolis, curator, performer and artistic director of IMMATERIAL, the Performance Program of MATERIAL Art Fair in Mexico City; and Louise O'Kelly, curator and founder of BLOCK UNIVERSE, Annual Performance Independent Festival in London.
During the lockdown, the three curators have spontaneously gathered in zoom meetings to share their feelings, concerns and hopes raised by being isolated at home and having time to think about their practices. The curators reflect on the changes that the pandemic had brought to their curatorial practice and their understanding of performance in relation to a post-pandemic public and social-distancing space.
Throughout the months, their zoom meetings became their space of intimacy, a zone where they could genuinely share thoughts on the concerns related to their jobs and their reflections on performance. The podcast collects thoughts on the performing body post-pandemic, the public and physical proximity, the notion of time and its perception, the end of the 'event economy' that characterises the art world, the art community, the agency of the performance and its potentiality to become a testing ground for choreographing future communities.

  continue reading

10 episodes

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