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Bonus: The Duke of Ellington

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Manage episode 264775825 series 2021348
Content provided by Phil Ford and J. F. Martel, Phil Ford, and J. F. Martel. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Phil Ford and J. F. Martel, Phil Ford, and J. F. Martel or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.

When the quarantine began, professors around the world raced to put their classes online, and for the Jacobs School's big undergraduate music history course (M402 represent!) Phil created a series of solo podcasts, many of which have been appearing on the Weird Studies Patreon site. Our patrons seem to be enjoying them, so we thought we'd publish the first one ("The Duke of Ellington") as an off-week bonus for all our listeners, partly as a teaser for the subscriber-only stuff on Patreon and partly because Duke Ellington is cool. There's a bit of technical music talk in this, but you can ignore it and still get the main point: Ellington's early short film Symphony in Black and his subsequent orchestral suite Black Brown and Beige represent his lifelong project of using his "beyond category" music to articulate a vision of African American past and future.

Please note: this was Phil's first attempt at doing a solo podcast in far-from-ideal circumstances, and the sound is pretty unpolished in places. He got his act together for the later ones; go check them out at https://www.patreon.com/weirdstudies.

REFERENCES

Fred Waller (dir.), Symphony In Black - A Rhapsody of Negro Life
Duke Ellington, Black, Brown, and Beige
Dudley Murphy (dir.), Black and Tan Fantasy
John Howland, Ellington Uptown: Duke Ellington, James P. Johnson, and the Birth of Concert Jazz

  continue reading

187 episodes

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Bonus: The Duke of Ellington

Weird Studies

342 subscribers

published

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Manage episode 264775825 series 2021348
Content provided by Phil Ford and J. F. Martel, Phil Ford, and J. F. Martel. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Phil Ford and J. F. Martel, Phil Ford, and J. F. Martel or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.

When the quarantine began, professors around the world raced to put their classes online, and for the Jacobs School's big undergraduate music history course (M402 represent!) Phil created a series of solo podcasts, many of which have been appearing on the Weird Studies Patreon site. Our patrons seem to be enjoying them, so we thought we'd publish the first one ("The Duke of Ellington") as an off-week bonus for all our listeners, partly as a teaser for the subscriber-only stuff on Patreon and partly because Duke Ellington is cool. There's a bit of technical music talk in this, but you can ignore it and still get the main point: Ellington's early short film Symphony in Black and his subsequent orchestral suite Black Brown and Beige represent his lifelong project of using his "beyond category" music to articulate a vision of African American past and future.

Please note: this was Phil's first attempt at doing a solo podcast in far-from-ideal circumstances, and the sound is pretty unpolished in places. He got his act together for the later ones; go check them out at https://www.patreon.com/weirdstudies.

REFERENCES

Fred Waller (dir.), Symphony In Black - A Rhapsody of Negro Life
Duke Ellington, Black, Brown, and Beige
Dudley Murphy (dir.), Black and Tan Fantasy
John Howland, Ellington Uptown: Duke Ellington, James P. Johnson, and the Birth of Concert Jazz

  continue reading

187 episodes

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