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Jazz at 100 Hour 27: Un Poco Loco - The Intensity of Bud Powell (1946 - 1953)

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Content provided by wtju. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by wtju or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.
Mentored by Thelonious Monk, Bud Powell became the first great piano innovator of bebop. “It would be hard to overstate Powell’s impact. His ingenious technique and originality as an improviser and composer established the foundation for all pianists to follow. Long after bop had faded, Powell remained a source of inspiration for pianists as varied as the harmonically engrossed Bill Evans and the rhythmically unfettered Cecil Taylor. In other words there is jazz piano Before Powell and After Powell. While his left hand played a neutral backdrop of chords, his right hand would explode into a blindingly intricate improvisatory cascade, rivaling (and even surpassing) Parker and Gillespie in rhythmic imagination.” – Gary Giddens & Scott DeVeaux
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2513 episodes

Artwork
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Manage episode 185601776 series 1280885
Content provided by wtju. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by wtju or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.
Mentored by Thelonious Monk, Bud Powell became the first great piano innovator of bebop. “It would be hard to overstate Powell’s impact. His ingenious technique and originality as an improviser and composer established the foundation for all pianists to follow. Long after bop had faded, Powell remained a source of inspiration for pianists as varied as the harmonically engrossed Bill Evans and the rhythmically unfettered Cecil Taylor. In other words there is jazz piano Before Powell and After Powell. While his left hand played a neutral backdrop of chords, his right hand would explode into a blindingly intricate improvisatory cascade, rivaling (and even surpassing) Parker and Gillespie in rhythmic imagination.” – Gary Giddens & Scott DeVeaux
  continue reading

2513 episodes

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