Artwork

Content provided by Zentrum Paul Klee. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Zentrum Paul Klee or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.
Player FM - Podcast App
Go offline with the Player FM app!

Paul Klee - Untitled(Composition with Fruits), around 1940

3:33
 
Share
 

Fetch error

Hmmm there seems to be a problem fetching this series right now. Last successful fetch was on August 03, 2022 00:26 (2y ago)

What now? This series will be checked again in the next day. If you believe it should be working, please verify the publisher's feed link below is valid and includes actual episode links. You can contact support to request the feed be immediately fetched.

Manage episode 174693007 series 1200053
Content provided by Zentrum Paul Klee. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Zentrum Paul Klee or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.
This large-format drawing on packing paper is one of the last works that Paul Klee produced. Klee’s health deteriorated in early 1940. In May he went for a spa cure in Ascona, from which he did not return. Some of his works remained incomplete, or at least untitled and unnumbered, in his studio. The work posthumously entitled «Composition with Fruits» is one of these. With brush and a mixture of pigment and glue Klee draws a chaotic collection of shapes that look like fruits – apples, cherries – and also leaves, twigs, plants or seeds. At the bottom and both the left and right edges of the picture the shapes are outlined in white chalk. Below this there is a structure of lines in reddish-brown, which holds the whole composition together. And below that we see a further level with a confusion of lines. Klee had been interested in creating a composition by overlaying several different strata since the 1920s. This gives his works a complexity in spite of the simplicity of their choice of motifs, and at the same time Klee was able to combine the representational with the abstract, the linear with the planar, drawing and painting. At the end of his life Klee turned to themes of nature, which he related to his life: origin and birth, growth and change, maturity and death. The fruits and plants depicted here embody these ideas. They are signs of nature’s apparently eternal cycle of evolution and decay. In view of his illness, and perhaps his approaching death, Klee recalls his childhood and his life and already looks forward to the afterlife. In the top middle of the picture Klee writes in pencil: «Should all then be known? oh, I don’t think so!» At the end of his life Klee reached the conclusion that the first and last questions of existence with which he had engaged so often could be left unanswered.
  continue reading

36 episodes

Artwork
iconShare
 

Fetch error

Hmmm there seems to be a problem fetching this series right now. Last successful fetch was on August 03, 2022 00:26 (2y ago)

What now? This series will be checked again in the next day. If you believe it should be working, please verify the publisher's feed link below is valid and includes actual episode links. You can contact support to request the feed be immediately fetched.

Manage episode 174693007 series 1200053
Content provided by Zentrum Paul Klee. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Zentrum Paul Klee or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.
This large-format drawing on packing paper is one of the last works that Paul Klee produced. Klee’s health deteriorated in early 1940. In May he went for a spa cure in Ascona, from which he did not return. Some of his works remained incomplete, or at least untitled and unnumbered, in his studio. The work posthumously entitled «Composition with Fruits» is one of these. With brush and a mixture of pigment and glue Klee draws a chaotic collection of shapes that look like fruits – apples, cherries – and also leaves, twigs, plants or seeds. At the bottom and both the left and right edges of the picture the shapes are outlined in white chalk. Below this there is a structure of lines in reddish-brown, which holds the whole composition together. And below that we see a further level with a confusion of lines. Klee had been interested in creating a composition by overlaying several different strata since the 1920s. This gives his works a complexity in spite of the simplicity of their choice of motifs, and at the same time Klee was able to combine the representational with the abstract, the linear with the planar, drawing and painting. At the end of his life Klee turned to themes of nature, which he related to his life: origin and birth, growth and change, maturity and death. The fruits and plants depicted here embody these ideas. They are signs of nature’s apparently eternal cycle of evolution and decay. In view of his illness, and perhaps his approaching death, Klee recalls his childhood and his life and already looks forward to the afterlife. In the top middle of the picture Klee writes in pencil: «Should all then be known? oh, I don’t think so!» At the end of his life Klee reached the conclusion that the first and last questions of existence with which he had engaged so often could be left unanswered.
  continue reading

36 episodes

All episodes

×
 
Loading …

Welcome to Player FM!

Player FM is scanning the web for high-quality podcasts for you to enjoy right now. It's the best podcast app and works on Android, iPhone, and the web. Signup to sync subscriptions across devices.

 

Quick Reference Guide