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Berlinale 2021: Last Days at Sea
Manage episode 286409347 series 2739276
Content provided by Ariel Baska. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Ariel Baska or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.
Ariel sits down with Venice Atienza to discuss her film Last Days at Sea, a documentary portrait of Reyboy, a young boy living in the beautiful village of Kerihatag in the Philippines. She discusses her decision to step out from behind the camera to engage in a more collaborative and open process as a filmmaker, and to engage personally with her subject. She talks about her desire to show how climate change and pollution affect the daily routines of the villagers, and articulates the immeasurable benefit added by having a multi-national and multi-lingual team.
220 episodes
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Manage episode 286409347 series 2739276
Content provided by Ariel Baska. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Ariel Baska or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.
Ariel sits down with Venice Atienza to discuss her film Last Days at Sea, a documentary portrait of Reyboy, a young boy living in the beautiful village of Kerihatag in the Philippines. She discusses her decision to step out from behind the camera to engage in a more collaborative and open process as a filmmaker, and to engage personally with her subject. She talks about her desire to show how climate change and pollution affect the daily routines of the villagers, and articulates the immeasurable benefit added by having a multi-national and multi-lingual team.
220 episodes
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Similar to Ride the Omnibus
In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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