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Female Portraitist of Paris

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Manage episode 288119316 series 2898423
Content provided by Tiffany Isselhardt. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Tiffany Isselhardt or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.

When we think of women in the eighteenth century, we don’t often think of professional success and freedom. Yet between 1780 and 1810, many French women defied the domestic stereotype, reaching artistic success despite being denied admittance to classes on life drawing or the artistic academies. Some of them achieved admittance to and exhibited their works at the prestigious Royal Academy of Painting and Sculpture, including Élisabeth Louise Vigée Le Brun.

Today, two copies of Élisabeth’s works, in miniature, are held by the Kentucky Museum. The first is a copy of French actress Madam Molé-Reymond’s portrait from 1786. The second is a miniature copy of Marie-Antoinette à la Rose painted by Élisabeth in 1783.

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29 episodes

Artwork
iconShare
 
Manage episode 288119316 series 2898423
Content provided by Tiffany Isselhardt. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Tiffany Isselhardt or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.

When we think of women in the eighteenth century, we don’t often think of professional success and freedom. Yet between 1780 and 1810, many French women defied the domestic stereotype, reaching artistic success despite being denied admittance to classes on life drawing or the artistic academies. Some of them achieved admittance to and exhibited their works at the prestigious Royal Academy of Painting and Sculpture, including Élisabeth Louise Vigée Le Brun.

Today, two copies of Élisabeth’s works, in miniature, are held by the Kentucky Museum. The first is a copy of French actress Madam Molé-Reymond’s portrait from 1786. The second is a miniature copy of Marie-Antoinette à la Rose painted by Élisabeth in 1783.

--- Send in a voice message: https://podcasters.spotify.com/pod/show/dimestories/message
  continue reading

29 episodes

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