Female Portraitist of Paris
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When we think of women in the eighteenth century, we don’t often think of professional success and freedom. Yet between 1780 and 1810, many French women defied the domestic stereotype, reaching artistic success despite being denied admittance to classes on life drawing or the artistic academies. Some of them achieved admittance to and exhibited their works at the prestigious Royal Academy of Painting and Sculpture, including Élisabeth Louise Vigée Le Brun.
Today, two copies of Élisabeth’s works, in miniature, are held by the Kentucky Museum. The first is a copy of French actress Madam Molé-Reymond’s portrait from 1786. The second is a miniature copy of Marie-Antoinette à la Rose painted by Élisabeth in 1783.
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