Artwork

Content provided by Bernard Stickwell, Tim Merrill, Maurice Bursztynski, Bernard Stickwell, Tim Merrill, and Maurice Bursztynski. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Bernard Stickwell, Tim Merrill, Maurice Bursztynski, Bernard Stickwell, Tim Merrill, and Maurice Bursztynski or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.
Player FM - Podcast App
Go offline with the Player FM app!

See Hear Podcast Episode 92 - Interview with Tom Surgal, director of "Fire Music: The Story of Free Jazz"

1:07:55
 
Share
 

Manage episode 315133160 series 2948598
Content provided by Bernard Stickwell, Tim Merrill, Maurice Bursztynski, Bernard Stickwell, Tim Merrill, and Maurice Bursztynski. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Bernard Stickwell, Tim Merrill, Maurice Bursztynski, Bernard Stickwell, Tim Merrill, and Maurice Bursztynski or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.

Change is difficult. Some embrace it, some resist it. It might seem obvious, but change is inevitable.

Welcome to episode 92 of See Hear Podcast.

Jazz is an art form that never remained stagnant. Through creativity or financial necessity, post-war jazz moved from the big swing orchestras to smaller ensembles and bebop became the dominant form. In the late 50s, some jazz musicians decided that, as exciting as bebop was, they wanted to take jazz music in a different direction with band members not having to rely on a structure – neither rhythmically, melodically, or tonally. Avant garde jazz had its champions over the years including people like Ornette Coleman, John Coltrane, Pharoah Sanders, Cecil Taylor, Carla Bley, Albert Ayler and Sun Ra amongst many others.

Bernie and I speak with drummer and film director Tom Surgal about his great new documentary “Fire Music: The Story of Free Jazz”. His documentary tells the story of how this music was developed and supported over the years. The music had many detractors – music venue owners, jazz publications, and saddest of all, other jazz musicians – those who were afraid of the music's evolution. Given that there appears to be no attempt to put free jazz into its perspective on film (and we speak about who is possibly responsible for that).

Tom was a fantastic conversationalist and we spoke about his own performance background, how musicians took on a DIY attitude when the mainstream rejected them (and probably influenced punk years later), how free jazz musicians formed collectives, angry sounding music being full of love, civil rights, and the music's ongoing legacy. Also, Tom tells a story about Charlie Parker and Miles Davis that would probably find a happy home on Gilbert Gottfried's Amazing Colossal Podcast.

Our huge thanks to Tom for being such a wonderful guest and to Lin Culbertson (who scored the film) for organising the chat.

You can go to the website https://www.firemusic.org/ for all information about screenings and to keep an eye out for the streaming and physical media release.

If you’ve been enjoying the show, please consider giving us a favourable review on iTunes and let your friends know that our show exists. If you don't enjoy the show, tell your adversaries to tune in. We don't care who listens.....

See Hear is proudly part of the Pantheon Network of music podcasts. Check out all the other wonderful shows at http://pantheonpodcasts.com.

Send us feedback via email at seehearpodcast@gmail.com

Join the Facebook group at http://facebook.com/groups/seehearpodcast

Check out the Instagram page at www.instagram.com/seehearpodcast/?hl=en

You can download the show by searching for See Hear on whatever podcast app you favour.

Learn more about your ad choices. Visit megaphone.fm/adchoices

  continue reading

128 episodes

Artwork
iconShare
 
Manage episode 315133160 series 2948598
Content provided by Bernard Stickwell, Tim Merrill, Maurice Bursztynski, Bernard Stickwell, Tim Merrill, and Maurice Bursztynski. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Bernard Stickwell, Tim Merrill, Maurice Bursztynski, Bernard Stickwell, Tim Merrill, and Maurice Bursztynski or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.

Change is difficult. Some embrace it, some resist it. It might seem obvious, but change is inevitable.

Welcome to episode 92 of See Hear Podcast.

Jazz is an art form that never remained stagnant. Through creativity or financial necessity, post-war jazz moved from the big swing orchestras to smaller ensembles and bebop became the dominant form. In the late 50s, some jazz musicians decided that, as exciting as bebop was, they wanted to take jazz music in a different direction with band members not having to rely on a structure – neither rhythmically, melodically, or tonally. Avant garde jazz had its champions over the years including people like Ornette Coleman, John Coltrane, Pharoah Sanders, Cecil Taylor, Carla Bley, Albert Ayler and Sun Ra amongst many others.

Bernie and I speak with drummer and film director Tom Surgal about his great new documentary “Fire Music: The Story of Free Jazz”. His documentary tells the story of how this music was developed and supported over the years. The music had many detractors – music venue owners, jazz publications, and saddest of all, other jazz musicians – those who were afraid of the music's evolution. Given that there appears to be no attempt to put free jazz into its perspective on film (and we speak about who is possibly responsible for that).

Tom was a fantastic conversationalist and we spoke about his own performance background, how musicians took on a DIY attitude when the mainstream rejected them (and probably influenced punk years later), how free jazz musicians formed collectives, angry sounding music being full of love, civil rights, and the music's ongoing legacy. Also, Tom tells a story about Charlie Parker and Miles Davis that would probably find a happy home on Gilbert Gottfried's Amazing Colossal Podcast.

Our huge thanks to Tom for being such a wonderful guest and to Lin Culbertson (who scored the film) for organising the chat.

You can go to the website https://www.firemusic.org/ for all information about screenings and to keep an eye out for the streaming and physical media release.

If you’ve been enjoying the show, please consider giving us a favourable review on iTunes and let your friends know that our show exists. If you don't enjoy the show, tell your adversaries to tune in. We don't care who listens.....

See Hear is proudly part of the Pantheon Network of music podcasts. Check out all the other wonderful shows at http://pantheonpodcasts.com.

Send us feedback via email at seehearpodcast@gmail.com

Join the Facebook group at http://facebook.com/groups/seehearpodcast

Check out the Instagram page at www.instagram.com/seehearpodcast/?hl=en

You can download the show by searching for See Hear on whatever podcast app you favour.

Learn more about your ad choices. Visit megaphone.fm/adchoices

  continue reading

128 episodes

All episodes

×
 
Loading …

Welcome to Player FM!

Player FM is scanning the web for high-quality podcasts for you to enjoy right now. It's the best podcast app and works on Android, iPhone, and the web. Signup to sync subscriptions across devices.

 

Quick Reference Guide