In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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Ep 109: Marlene Dietrich in Desire (1936)
Manage episode 322347178 series 2163848
Content provided by Sass Mouth Dames. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Sass Mouth Dames or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.
In 1935, Marlene Dietrich was at a turning point in her career. Paramount studio had decided to end her professional collaboration with director Josef von Sternberg. Marlene needed to prove that she could carry a picture without her reported 'Svengali'. She renewed her contract with a provision that she would have Ernst Lubitsch as director, but he was made head of studio production and had no time to direct. Marlene chose Frank Borzage as a replacement. With Gary Cooper cast as co-star, the picture was a critical and commercial success, and demonstrated that Marlene had a knack for light romantic comedy.
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Manage episode 322347178 series 2163848
Content provided by Sass Mouth Dames. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Sass Mouth Dames or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.
In 1935, Marlene Dietrich was at a turning point in her career. Paramount studio had decided to end her professional collaboration with director Josef von Sternberg. Marlene needed to prove that she could carry a picture without her reported 'Svengali'. She renewed her contract with a provision that she would have Ernst Lubitsch as director, but he was made head of studio production and had no time to direct. Marlene chose Frank Borzage as a replacement. With Gary Cooper cast as co-star, the picture was a critical and commercial success, and demonstrated that Marlene had a knack for light romantic comedy.
…
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In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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