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14. Beautiful Cacophony

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Manage episode 357535591 series 3383304
Content provided by Aaron Kahn and Ira S. Murfin, Aaron Kahn, and Ira S. Murfin. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Aaron Kahn and Ira S. Murfin, Aaron Kahn, and Ira S. Murfin or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.

The idea of the collective suggests a set of possibilities that do not rely upon personal vision or independent will. It can expand upon, enable, and obscure individual contribution – sometimes all at once – and, at its best, it surprises everyone. But the collective also requires a certain level of individual sacrifice to larger organizing principles – be they theatre, yoga, or architecture. It can be easy to confuse the collective impulse with a desire for what may actually be its opposite: absolute individual autonomy. All too often that becomes the only opening that those who value neither need in order to exploit others and do harm. Aaron and Ira begin by thinking about the ephemeral processes of collective theatre-making. They end up discussing two very concrete prototype habitats, each built by an unusually collected group of people in the Arizona desert. One of these projects counterintuitively turns out to also have its roots in collective theatre-making, though it is remembered and evaluated as a scientific laboratory. The other is intentionally and explicitly a laboratory, a specifically urban one, in the form of an incipient model city that may or may not still be in progress.

Music:
“Open Up Your Heart” by Roger Miller (a song which features the show’s namesake lyric). arranged and recorded especially for JIALIO by 80 Foots, Chicago’s only End Times Vocal Trio.

“Open Up Your Heart” by Buddy Killen + Roger Miller
Arranged and recorded by: 80 Foots (https://www.facebook.com/80FPM)

  continue reading

19 episodes

Artwork
iconShare
 
Manage episode 357535591 series 3383304
Content provided by Aaron Kahn and Ira S. Murfin, Aaron Kahn, and Ira S. Murfin. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Aaron Kahn and Ira S. Murfin, Aaron Kahn, and Ira S. Murfin or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.

The idea of the collective suggests a set of possibilities that do not rely upon personal vision or independent will. It can expand upon, enable, and obscure individual contribution – sometimes all at once – and, at its best, it surprises everyone. But the collective also requires a certain level of individual sacrifice to larger organizing principles – be they theatre, yoga, or architecture. It can be easy to confuse the collective impulse with a desire for what may actually be its opposite: absolute individual autonomy. All too often that becomes the only opening that those who value neither need in order to exploit others and do harm. Aaron and Ira begin by thinking about the ephemeral processes of collective theatre-making. They end up discussing two very concrete prototype habitats, each built by an unusually collected group of people in the Arizona desert. One of these projects counterintuitively turns out to also have its roots in collective theatre-making, though it is remembered and evaluated as a scientific laboratory. The other is intentionally and explicitly a laboratory, a specifically urban one, in the form of an incipient model city that may or may not still be in progress.

Music:
“Open Up Your Heart” by Roger Miller (a song which features the show’s namesake lyric). arranged and recorded especially for JIALIO by 80 Foots, Chicago’s only End Times Vocal Trio.

“Open Up Your Heart” by Buddy Killen + Roger Miller
Arranged and recorded by: 80 Foots (https://www.facebook.com/80FPM)

  continue reading

19 episodes

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