Barry first found music when he borrowed his sister's record collection when he was about eight and was hooked. When Caroline started it was a new beginning, and he listened to all the stations, but Caroline was his favourite by far. Later he became a singer in a band, then started doing discos when he was 18. He joined Caroline in 1977, touring the country with the Caroline Roadshow for 10 years, having great fun. Barry helped with tender trips and worked on the Ross Revenge in '84 and '85. ...
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Post Production All Stars | 3rd Annual F.M.M Symposium
Manage episode 358919247 series 2361111
Content provided by Film.Music.Media. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Film.Music.Media or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.
The 3rd Annual Film.Music.Media Symposium concludes with “Post Production All Stars"! Music is just one piece of the puzzle, hear from other professionals who work in post production alongside the composer and the score to see how music and sound is part of their workflows. Featuring Forest Christenson (Additional Composer/Score Mixer, Hunters), Jemma Burns (Music Supervisor, Heartbreak High | Okja), Nathan Ruyle (Sound Designer, Joyland | The Voyeurs) and Yvette M. Amirian, ACE (Editor, The Integrity of Joseph Chambers) An Impact 24 PR & Film.Music.Media Production | Presented By Kaya Savas
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Manage episode 358919247 series 2361111
Content provided by Film.Music.Media. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Film.Music.Media or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.
The 3rd Annual Film.Music.Media Symposium concludes with “Post Production All Stars"! Music is just one piece of the puzzle, hear from other professionals who work in post production alongside the composer and the score to see how music and sound is part of their workflows. Featuring Forest Christenson (Additional Composer/Score Mixer, Hunters), Jemma Burns (Music Supervisor, Heartbreak High | Okja), Nathan Ruyle (Sound Designer, Joyland | The Voyeurs) and Yvette M. Amirian, ACE (Editor, The Integrity of Joseph Chambers) An Impact 24 PR & Film.Music.Media Production | Presented By Kaya Savas
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Similar to Film.Music.Media
Barry first found music when he borrowed his sister's record collection when he was about eight and was hooked. When Caroline started it was a new beginning, and he listened to all the stations, but Caroline was his favourite by far. Later he became a singer in a band, then started doing discos when he was 18. He joined Caroline in 1977, touring the country with the Caroline Roadshow for 10 years, having great fun. Barry helped with tender trips and worked on the Ross Revenge in '84 and '85. ...
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continue reading
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continue reading
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