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Talking with Pete Van Dyk

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Content provided by Dewvre podcasts & such. and Dewvre podcasts. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Dewvre podcasts & such. and Dewvre podcasts or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.

Ready to decode the legacy of The Tragically Hip and the enduring impact they've had on Canadian music and culture? Promise us your ears and we'll share an exciting exploration of the band's influence, creativity, and unique place in the hearts of their fans. Today, we're joined by the Emcee of Longslice Presents: Getting Hip to the Hip - An Evening for the Downie Wenjack Fund, Delhi stand-up, Pete Van Dyk. Today he plays the host on his podcast, "Live from the Dutch Hall." And he's invited jD, Pete, & Tim along for the ride. Together we reflect on our personal connections to The Hip, discuss the band's Canadian roots, and consider why their sound may not have resonated as widely beyond Canada's borders.

Make sure to get your tickets for Longslice Presents: Getting Hip to the Hip - An Evening for the Downie Wenjack Fund today: https://bit.ly/GHTTHTickets

Transcript

0:00:10 - Speaker 2

Long Slice Brewery presents Getting Hip to the Hip.

0:00:27 - Speaker 3

Hey, it's JD here and I am sans Pete and Tim at the moment, but they'll be joining us in just a few minutes. I am here to set up what is a new series within Getting Hip to the Hip. It's called Getting to Know Your MC And there will be a second installment of this called Getting to Know Your Band, And basically these episodes are designed to allow you to get inside of Long Slice Presents Getting Hip to the Hip an evening for the Downy Wend Jack Fund before that event even occurs. That way, when you buy your tickets and you can buy them at GettingHipToTheHipcom and clicking on the ticket button From there it's easy peasy you just have to show up at the event. So there's that.

I would say that Pete van Dijk is a great stand-up comedian and he will be emceeing us. He's also a podcaster, hosting a show called Live from the Dutch Hall, And just recently he had Pete and Tim and myself on as guests And he graciously gave us a copy of the tape. He had it flown in live from Delhi and I'm going to put it up on our feed. It's going to be well. It's going to come up to you in just a second, So why don't I stop Blither Blathering and we'll get to Live from the Dutch Hall with Pete van Dijk and our friends Pete and Tim, as we discuss the podcast on Live from the Dutch Hall.

0:02:41 - Speaker 4

Hey, hey, hey, hey. Welcome everybody to the Dutch Hall. We're coming to you live from the Pool Shed in Pine Grove, ontario, for episode 445, believe it or not. 445 times we have done this stupid thing, and this time we have roped two people from different parts of the planet and one person who was from here but had to come back here on a long journey today. That's right, and I'm very happy to have them in. All first timers, all Dutch Hall virgins, and they're here to promote a podcast, which is a really interesting concept, especially for a guy like me from Southern Ontario.

The hip is really was really a band that was pivotal, pivotal, pivotal Is that right? That's right. Pivotal to a kid like me. It came up at the right time. They were like hitting it the same time that I was getting in to be in the most awesomeest part of my life, you know, and these guys, two of these fellas have no such experience at all. One of these fellas would have a very similar one, and the idea of the podcast is to let these two guys understand what us two guys feel about this band. And so I entered with these myself. Yet, jamie, yeah, you haven't really now.

Oh well, i'll start off by introducing myself. I am the host of the show. In two time You're supposed to say two time, two time. There you go. President's Club Award winner, pete Van Dyke No applause, no applause. And our guest today, the one that's come from Waterford, ontario. He's a. He's a Waterford native, that's right, norfolk County boy. But he's moved to the big city and he's made a life for himself. First time here in the Dutch Hall, ladies and gentlemen, say hello to Jamie, do everybody, jamie do.

0:04:40 - Speaker 3

It is great to be back. Great to be back to Norfolk. I mean great to be back in Ontario's garden. Oh yes, Thank you.

0:04:49 - Speaker 4

Shout out to us and our guests And you're going to have to help me, jamie, on the last names here, let's try, i will. From San Diego, california, is Tim Lion, lion, everybody, i'll take it Yeah.

0:05:07 - Speaker 5

Happy to be here. Thanks for having me.

0:05:10 - Speaker 4

Thank you, Tim, And coming from Malaga, Spain.

0:05:14 - Speaker 3

Malaga, spain. This is Pete from Spain. He doesn't have a last name. Yes, of course he does Marchica, pete, marchica, everybody.

0:05:22 - Speaker 4

Pete Marchica.

0:05:26 - Speaker 1

My middle name is is is from Spain. What's your middle?

0:05:29 - Speaker 4

name From Spain. Oh, i'm joking, i'm your. You know, actually I have a. I have a nephew and his middle name, his name is this is seriously, his name is Adrian adventure Pitaski And, like it's just so, he could go around his parents name on that So he could tell people my, my adventure is my middle name, right? Wow, i love it. That's my nephew, that's real, that's my nephew, like that's that is cool.

Like you want to get named. It's like your parents just made you James Bond, yeah Right. Like it is major, coolest. No, this kid's got to live up to that middle name. He's got to live life, yeah Right, yeah, hopefully he's not trepidatious of everything, yeah.

0:06:10 - Speaker 3

What if he's just like an accountant, You know?

0:06:14 - Speaker 4

it'll probably be cooking the books. Yeah Yeah, the name like adventure.

You know that's a, that's just a gift, that's a gift from your parents, so uh, I think it's a little bit of a, a little bit of a, a little bit of a. It's a gift, that's a gift from your parents. So, uh, i want, I hope so, yeah, yeah, i hope so, or curse, or curse. Um, i wanted to say the band we're talking about is tragically hip. That's right. The band, uh, that, uh, if you the credit tragic lips, from Kingston, ontario, and for some reason the tragically hip have been a band that have uh made it in Canada. They were enormous in Canada, but as much as we tried to explain them to the rest of the band, we tried to explain them to the rest of the world, the rest of the world just didn't get them.

0:06:57 - Speaker 3

No, Would you agree with that, Jamie? I would agree with that. And uh, these two are the avatars for the rest of the world.

0:07:03 - Speaker 4

Yeah, And now is there a. Is there a band, uh, either in the United States or in Spain, that you would say would be like a band that is beloved in your country, but the rest of the world doesn't get it, You know.

0:07:21 - Speaker 1

Tim, you want to take that one for the US Oh tough one, Yeah that is a tough one for US actually.

0:07:26 - Speaker 5

Yeah, yeah, i have no idea, because I feel like if you break, i'm going to have to do some homework.

0:07:31 - Speaker 3

I feel like if you break in the US, part of that breaking in the US is breaking internationally.

0:07:37 - Speaker 4

Yeah, like the rest of the world will like what you guys like. Yeah, there's not much that you guys like, unless there's some guy like you know, like what's the name of that fella? He's, like you know, proud to be an American, or like the, or like one of those country guys who were really like patriotic and over the top. That might be a little bit. That's the country singer.

0:08:00 - Speaker 3

What's his?

0:08:00 - Speaker 4

name. That might be too much for like people outside the States.

0:08:04 - Speaker 1

Yeah, that's true. No, I know what you're saying.

0:08:07 - Speaker 4

You know what's the guy's name The big? Yeah, i know who you mean. See, that's me. We're from Canada. We don't know the guy's name? Danim Vast. Yeah, we got tons of them. You know how? about Spain?

0:08:22 - Speaker 1

You know there's a band here called Los Planetes, which translates to the planets, if you will, and you know they're extremely popular. I mean they've got like there's a couple of the members have spinoff bands. I mean you can't you can't go to any corner of this country and not know somebody who knows Los Planetes. So they're like sort of as an indie rock band, sort of like I guess you'd say the hip did. But but yeah, dude, outside of if you mentioned Los Planetes outside of Spain, nobody knows what they're talking about.

0:08:54 - Speaker 3

Yeah, i've never heard of them, yeah.

0:08:56 - Speaker 4

I know that the tragically hip themselves were friends with the band the real statics out of England because they had the same issue as them. They were huge in England but the rest of the world Real statics are from the town. No, not real statics, stereophonics They say those bands were on. Oh, it was about to correct. Yes, i apologize. The real stacks actually open for the hip, yeah, but the stereophonics, and so they'd always, if they came out with an album, the hip would give an album to the stereophonics, stereophonics would give an album to the hips when they came out with a new one, because they had this mutual like kind of like, you know, like sister cities and stuff like that.

0:09:36 - Speaker 3

It was like the same thing, but like sister bands, you know, i feel like the last time stereophonics played in Toronto it was post score dying and they played a hip song. Yeah, that would make a huge sense And I didn't. But I didn't know that there was that connection.

0:09:47 - Speaker 4

I just thought they were just doing a tribute to oh no, they were big fans of it, like big fans of each other, and they both had the same thing. They could never break in the States and they were like huge in their own countries And even in Canada the stereophonics didn't really make too much of a splash. I just remember that having a stay song. Yeah, i like that band actually. Yeah.

0:10:07 - Speaker 5

I can only think of bands from the U S that have done well outside the U S. You know like bigger tours outside the U S, but there are a ton.

0:10:16 - Speaker 1

There are a ton of like Canadian bands that like have had broken through to me, for Christ's sake. You got Neil Young, you've got the Lannis, you've got Brian Adams, right, nickelback, you know.

0:10:29 - Speaker 5

Nickelback. Yeah, that one band Rush. is that what they're called?

0:10:33 - Speaker 1

Yeah, yeah, i mean one of the greatest bands of all time. It's a real crowd splitter rush.

0:10:41 - Speaker 3

I agree Because. I've never I was never a Rush guy.

0:10:43 - Speaker 4

If you don't, if you like Rush, you really like Rush Big time. I think it's like Bruce Springsteen. You know, bruce Springsteen, the guys that like Bruce, they love Bruce, Like they really like Oh my gosh.

0:10:54 - Speaker 5

Yeah, we have a good friend who follows Bruce and I just Yeah, they're like, they're you and Target on that. God bless Michelle.

0:11:02 - Speaker 4

Yeah, and my cousin's husband is like that, he's traveled all around to see Bruce, eh, and he knows him Like it. Just it means so much to him. Man, i envy that about him, but I just don't get it. Yeah, it just doesn't.

0:11:18 - Speaker 3

I like Springsteen, but I'm not. I wouldn't do a follow along, or Yeah.

0:11:23 - Speaker 4

You're in camp too, like either you love him or you're like oh, he's the boss, you know he's good.

0:11:29 - Speaker 5

Yeah, i like a couple, you know I like it enough It's fine, there's lots of bands I would go see perform live if I got a free ticket.

0:11:38 - Speaker 1

Right, yeah, i got free tickets to see Springsteen. That's the only reason I saw him. But back in the day I think we told this on the pod or I may have mentioned it on the pod when we did some, when we recorded, but back in the day, when I started playing in bands, like 25 years ago, you were, if you were a Rush fan, you were closeted. Like and I'm not even like joking Like in the US like if you liked Rush and you had Rush records, you were closeted. You didn't talk about it. I remember I was playing in a band with a guy named Jason Hirsch and he was our bass player and we played in a band for like seven or eight months and then one day it went over his house and it was like I found a bunch of porno mags in his corner. Like he's like, yeah, dude, i like Rush, and like the same was for Zappa, and I was like, dude, it's cool man, this is a safe space.

0:12:30 - Speaker 4

I have a huge kit set up in the closet. I drummed a new apparel. That's funny man, but it was kind of that. There was like you just didn't know if you're, because they split the room, you either love it, like people hated Rush, or they loved Rush. You know, even in Canada, even in Canada, they're hardcore. I don't get it, you know. I think some It might be musicians though too, because like Rush, right, because they're technically Yeah, i mean because you just.

0:13:01 - Speaker 1

The work of like the musicianship is like the fact that Geddy Lee can play His multi-instrumentalist on stage and singing is fucking stupid, yeah, like you know It's like Radiohead too.

0:13:16 - Speaker 4

Right Like Radiohead, like Yeah, if the musicians get them more than the non-musicians, would you say that's true.

0:13:26 - Speaker 5

I don't think so. I think Rush had a special kind of nerd dump. You know, like, if you ever knew, like a group of kids that played D&D, yeah, yeah, yeah. Like you know, like I don't know, rush has their own collective. Like, i have lots of friends who are radiohead fans and many of whom are not.

0:13:44 - Speaker 1

We now ostracized the Rush crowd from Pete's podcast and now ostracized the D&D.

0:13:55 - Speaker 4

I don't know.

0:13:57 - Speaker 5

I saw D&D. friends, we're all good with each other.

0:14:01 - Speaker 4

I've never played before. Have you done that Never?

0:14:05 - Speaker 5

I won't touch a 12-side. I tried, like, when it became a thing, i tried with some kids in my neighborhood and I sat down with them and I was like are we going to drink some wine? Or you know, and that was the seventh grade Like it just felt like we were supposed to be naked or I don't know. It was just weird. Yeah, like It was really weird. I was like how far can we take role play right now?

0:14:26 - Speaker 4

Yeah, you were an advanced.

0:14:27 - Speaker 5

There's too much of a tease for me.

0:14:29 - Speaker 4

No, i was like you were saying Dungeons Dragons makes a seemed a little like they was going to get a role. Did people wear costumes for that stuff?

0:14:37 - Speaker 5

Well, no, i just felt like it was this level of intellectualism, you know, like that wasn't it being experiencing games and rush was kind of the same way, and maybe, you know, maybe the hip was too smart for the US, maybe it might be.

0:14:51 - Speaker 4

It might be like there's, but I don't know how smart it was. It was like there's a. It's an interesting thing because I've only because of this podcast started. You know he's kind of reflect on you know I was a hip like, i am a hip fan and it, but I don't know if I'm associating it is just because they were around through a good part of my life. You know what I mean. Yeah, like I was young and having a good time and every show I went to or I could see them a lot, you know. So they were at a lot of like festivals and concerts that I would get a chance to go to.

0:15:25 - Speaker 3

They were always on the bar, like whatever bar you go to, they were playing hip, you know yeah.

0:15:30 - Speaker 1

They were like the LA. They were like Canada's version of X. If you live in LA, right, sure They were. They were still playing Cause like yeah, right, i know, but actually you could like go to any club on a given night in the 80s and 90s and that band was playing, and they're still playing.

0:15:51 - Speaker 4

Yeah, they're still playing, and then I never seen a.

The other thing that I think was was interesting about the hip, when you'd see them live, is like I've seen a lot of bands that would jam, you know, like they would like jam out a song, so it didn't sound like a radio version of it, like, but the hips the only one I can really say that vocalist was doing it too Like where the vocalist was jamming vocals, you know, and so you'd go to see them at a show and he'd be like gibberishing up there, you know, while they were like jamming something else out in the middle of a song, and then you'd go see the next tour and it would actually be a song that was on that album, you know, and like, do you remember seeing that too?

Absolutely, yeah, i was called it breadcrumbs, right, like it was like little breadcrumbs and you're like that's going to be something like. I remember nautical disaster before it was nautical disaster, right, and then like, so, like I thought that was kind of cool, cause you kind of I don't remember another band that kind of let you in on the what's to come, you know, like, and and and let you watch the creative process, like the writing process, on stage, you know as obvious.

0:17:05 - Speaker 5

Maybe the, maybe the doors, yeah, yeah, that's what's good. Jim Morrison did a fair amount of that, but there's not many. I mean, that was like lead singers riffing Yeah, there's not. Not many people are able to do that at all, is this?

0:17:19 - Speaker 4

douchey. It really like it has the potential to go a little bit yourself in grandizing. You know, like, where it's like. Look at me, i'm an intellectual and you know even Jim Morrison and then Gord Downey. They both kind of you know they're like I'm not gonna do that. Their critics could accuse them of that, of being a little bit like you know in their own head or like too impressed by themselves. But I didn't get that impression from either of them but because I liked them.

0:17:47 - Speaker 3

Yeah, me too.

0:17:48 - Speaker 4

But and I like watching the creativity of it, you know, But doors is a perfect example, because that would be, I would say, the closest which I never got. to see them, So yeah.

0:18:00 - Speaker 1

Pete, did you have you? because I don't know how much you dug into the pod, but we you know, one of the things that Tim and I struggle with is that you know, when we did the, when we did the pod, we recorded everything, because everything's recorded up into this point. Pretty much We're just kind of trickling the pods out leading up to the finale.

But like a lot of folks, like you know, we had a week to digest the record and then it was week over week over week over week And, like so many people, like dude had fucking a year or two years to like and it had their whole lives to get to know this band. I think it's, you know, i'm not gonna we'll smoke up my own ass, but maybe I'll hold a little Tim's ass. But we, you know, i think it's, you know, i think it's, you know it's a little bit of a Tim's ass, but we, you know, i'm. I think it's pretty impressive because at this point, now that we're kind of all done, i fucking love this band. I mean, i've gone back and listened to the records we weren't super keen on and they're just dude, they're. I don't know what American rock fans were fucking thinking back in the day when this band was like pinky.

0:19:14 - Speaker 5

Is that why? Yeah, i really think that a big part of why they didn't quote make it in the US, which they did to a degree, they just weren't selling out stadiums. But I think a big part of it had to do must have had to have been because of ill attempted marketing. Like, like, when bands go on tour, there are people behind the scenes that are doing promotions in every city. They're hanging posters, they're giving away tickets, they're talking about on the radio all of these things. You know everybody in LA who does this for a living And I talked to him briefly about it and he said marketing probably was marketing, i and can't.

And I'm like, oh, you know, and the labels, when the hip was on with labels who weren't promoting them in the US, like, oh, they're gonna play in these six epicenter cities, we're gonna sell out them, sell out them more, maybe if all the Canadians show up, sure, that was, that was what happened. But man, if they were promoted more in a real way, like other bands on their US labels which I can't remember right now, i think they would have totally hit it. When they were on in my house the other day I said to my wife if this was playing in 1992, i would have been totally into it, cause we were talking about bands we were into in 1992. And some of them, like right now, i might have thought they were pretty good back then, but some of them right now I absolutely do not listen to.

But if I would have, heard the hip in 1992, I would definitely be going back to albums right now, I believe.

0:20:48 - Speaker 4

Yeah, it's interesting, that's really all.

but with both what you guys said, it's really interesting cause I it's not what I expected, like number one, you've just let my audience know you've been, you've been through the entire catalog of the hip, which, when you said it takes you time to process a tragically hip album, i mean I remember like in real time, when these things came out and we would like line up at sunrise at midnight to get the new road apples or whatever you know.

And but each album like road apples compared up to here and day for night compared to road apples, or like, or fully, completely, you know they were. they were as soon as you put in the new album you were like, ah, like this is, this isn't as good as the last stuff, and then you'd listen to it like a hundred times and then it would become your favorite album. you know, like totally. And I find Jack White like I'm a huge Jack White fan and it's the same thing with his stuff, cause he's pushing himself and he's growing, you know, and then it kind of takes you a bit to get your head around what he's trying to do And then after a while you start digging it, you know.

That's a good example And I think that's. That's the kind of like I. You never liked the hip album when you first got it. You always liked it a couple of weeks later. You know, Like Is it.

0:22:15 - Speaker 5

Sorry, is that true? Is that true for you, jamie? Were there any albums you just were like just had on repeat, psyched, go, go, go, go listen to it a hundred times a week.

0:22:26 - Speaker 3

I was in love with like from the moment I heard it Like. So There you go, but and fully, completely too Trouble at the hen house. The first time I heard it I was like I'm not sure about this, but you're right, it was, it was, it was different, they were, they were, you're right, They, they were growing and I was stuck behind. Yeah, yeah, now that's like my favorite record.

0:22:46 - Speaker 4

Yeah, yeah.

0:22:48 - Speaker 3

Like like hands down.

0:22:50 - Speaker 4

Yeah, and then, like I, yeah, cause yeah up to here was the only one I would say that I was like I'm in, this is everything's great. And then the only thing is that a lot of songs kind of sounded similar maybe, but but but then everything I was comparing everything up to here And then, and that's just. And then I just wasn't like like you said, i just wasn't developing like the. That's why it takes me a bit just to catch up, cause I'm slow, i'm just. You know, you're just a consumer, you're being fed, fed shit, you only know what you know And then get something new and takes you a bit.

0:23:28 - Speaker 1

But you also never know how long it's going to take. I had a. I had a record I won't need to mention cause it's just not even important, but the record from a band that I really liked And when they're it took seven years. Seven years. It came out in 2007 and it wasn't until 2014 when I picked it up again And I literally thought this was the shittiest record I had ever heard. And I picked it up again and it turns out being my favorite record And it was like like it takes time, but for for what, tim and I? the gauntlet that fucking JD's put us through the last seven months, like how many?

0:24:05 - Speaker 3

albums There's 14, 14 hours, 14 or 15. Yeah wow.

0:24:11 - Speaker 4

And then, uh, yeah, that's crazy, man, that's crazy. So the what was I thinking? Oh, you're to um, you know, david Bowie's black star, that album, last album, yeah, yeah, same thing. I was like you know, i wanted Ziggy Stardust and I got black star. I was upset. And then, uh, you listen to it and you're like this is the greatest thing he's ever done. This is man. That album is incredible. Oh, yeah, and uh, yeah. And then the more you know the fact that he, uh, he doesn't, he, he leaves on an open note Like he doesn't, uh, he doesn't end on the top, on the home note, the number one, the one he doesn't end on, the one you know that's a and he knows he's going to die.

0:24:53 - Speaker 1

You know, that's crazy, That album it's funny because I remember when I bought that album right when it came out, right after he died, because he died a couple of days before my birthday, because he died a few days after his birthday, which is January 8th Mine's a 16th and I bought it and I just didn't. I wanted to get it, i couldn't. And then a friend, when I moved back to Spain, explained to me that it was a lot of the songs are built on flamenco chords, spanish flamenco chords, and I was like get the fuck out of here. And then I we listened to it together and explained it to me And I was like, because a drummer of our band? and I was like, oh, that makes sense. And then the whole record made sense to me.

0:25:33 - Speaker 4

It took years, isn't that great. That's a beautiful thing about music, our art in general. You know like, no matter what kind of the art, the comedy is the same way you can work your whole life. You're never going to know all the risks and all about it You're never going to. It's just so infinite in the amount. So like, that's what I like about it, about it, you know, like you can, you're never going to feel like you've got all the answers you know, when you find art, when you find art like that, that's timeless, that's, that's, that's the best stuff I think you know.

0:26:04 - Speaker 5

Yeah, that's right. Yeah, something you can put on, i mean, just at any point in time. It's just that's, that's. Those are the keepers. Yeah, i don't know if we'll feel the same way. Pete, have you gone back to any any? Bob Rock produced albums.

0:26:18 - Speaker 1

You know it's funny. I haven't yet, tim, but I really am looking forward to it because I think it's going to happen. I think eventually all end up like sending a letter Is Bob Rock still alive?

0:26:28 - Speaker 5

Yes, oh, my gosh Yeah.

0:26:30 - Speaker 1

Okay, then I'll send him like an apology letter and like be like Bob, i'm sorry, cause there are people that love.

0:26:36 - Speaker 3

We are the same now And when it came out it was pretty universally derided. And there are people that absolutely adore that record now And I'm I'm one of them. Like, like, i really did not like that record the first time I heard it. Like I remember meeting Greg in the grocery store We were doing fully and completely at the time And I was like, so I did some pre listening and uh, wow, every song sounds the same. It's all droney, it's you know. And now I think, like depression suite is amazing. I love morning moon, um, queen of the Furrows is like weird and out there. But I but I dig it, but it's not, it's not. It still doesn't feel quite like a hip record because there's no Lang Lawn and St Clair backup vocals. You know it's, it's, it's just different.

0:27:24 - Speaker 4

Yeah, do you hear that? Uh, i think it was at the Gino's or something. Uh, after CORE Downey died, uh, muse filled in and they did um, it's a, she did a cut. No, it's not, it's not. I said the wrong name FIEST, fiest. Yeah, fiest did, uh, did the vocals and it was for it's. Uh, it's a good life if you don't weaken. Yeah, it's a good life if you don't weaken and uh and. But like when the background vocals kicked in and then it was like, then you're like Oh, this is the hip. Yeah, cause before it was just a cover, you know.

And then, as soon as you heard St Clair's backing, it was like Oh man, this is, this is cool, you know, yeah, yeah.

0:28:07 - Speaker 5

Um, yeah, i was. I was asking Pete, because this morning when Amy was making coffee, I was like coffee girl. It just happened. So, bob, bob is coming in. Hey, knock on the door.

0:28:23 - Speaker 4

Hey, i was hoping, uh, we, so this has been. This is really cool. If you guys, uh, who are listening to this show, if you want to check out this podcast and see how these two people were converted to the ways of the tragically hip um, uh, how can they find the show, jamie?

0:28:39 - Speaker 3

go to getting hip to the hipcom and, uh, you can go anywhere that you find your podcasts you'll get getting hip to the hip And it is.

0:28:49 - Speaker 4

It's going to all uh, culminate with a grand finale live show in Toronto on September 1st. Yes, sir, and people can get tickets for the show Same place.

0:29:00 - Speaker 3

Getting hip to the hipcom and, uh, click on tickets and, uh, you know, uh, we'll get a great host for that evening.

0:29:08 - Speaker 4

Well, thank you. Yeah, i'll be hosted by myself and uh, we have uh the finale of the podcast and you have uh entertaining the audience of uh. was it 50 mission cap or? 50 mission 50 mission, which is a hip cover band. They'll be playing, and where is it?

0:29:25 - Speaker 3

It's at the rec room in Toronto on Bremner, right across from the sky dome.

0:29:29 - Speaker 4

Oh sweet, it's going to be super fun. So please check us out And, uh, we will be running a uh draw here at the Dutch hall for a listener to get a free uh free ticket to the event. How about?

0:29:40 - Speaker 1

a pair A pair.

0:29:41 - Speaker 4

You can bring a friend. Thank you, that's nice, yeah, and I can even give you a ride if you want, if you're local. So we got all those things working for us, and there'll be details on that at the end of the show, but I don't want to keep these guys any longer doing business. Um does.

0:29:59 - Speaker 1

This is the sky down where the blue jays play. Yeah, Oh fuck, that'd be cool. They're playing a game that they're not, they're out of town.

0:30:08 - Speaker 3

Are we taking a game? for sure, yeah, Hey, pete.

0:30:12 - Speaker 1

Pete, i've been wanting to tell you a joke, man Come tell you a joke, yeah, please do, just to turn After he's done.

0:30:20 - Speaker 5

Then, pete, you play guitar to Pete and see if you guys can trade.

0:30:25 - Speaker 4

Yeah, you have to do that. Okay, I'll trade your talents. I know two chords.

0:30:30 - Speaker 1

So so you know Creedence, right. You know Creed's Clearwater, right. Yeah, yeah, ccr yeah. Yeah, so do you know what the difference between John Fogarty and Marvin Gaye is?

0:30:43 - Speaker 4

No, I don't.

0:30:45 - Speaker 1

So Marvin Gaye heard it through the grapevine, but John Fogarty played it through the grapevine. Yeah right, Tim, just snickered at that one. It's one of my all-time favorites Whoa man, don't tell that at the finale. Pete, let it sit there.

0:31:09 - Speaker 4

Only if I'm really stuck I'm going to pull that one out of the toolbox. You're not going to speak to people like this. No, guys, i want to thank you for spending this time with me and getting to, for taking the time to get to know me and my audience. I really am excited about the podcast And I think it's going to be interesting. Yeah, i hope so. You guys got you guys did kind of shit on them a little bit right. Oh, yeah, they hold back. Yeah, but I think it is interesting to know that even some of the opinions that you held not so long ago may have already changed by the time the finale is going to be For sure. Yeah, Totally have. Yeah, yeah, that's cool, man, and I think that's kind of a testament to why I think they're worthy enough to still be concentrating on.

You know is because this shit can happen. This stuff can really happen where people can be turned on to something new and it's new to them. So who cares if Gord's dead? you know, like these guys, never. You know, if you never heard it, like my daughter's. A perfect example Her and the bass player in her band. The bass player in her band said did you hear. Remember when the hip came out with those new tracks? Yeah, and they were all like 90s era sounding.

0:32:27 - Speaker 3

They were like road apples.

0:32:28 - Speaker 4

Yeah, yeah, they were great, you know, and my daughter's friend brought that to me and they're like, have you heard this? And then they started getting into it and it was brand new to them. Oh, that's hilarious, and so like to watch my kids get into it. What I was into is really a kick. So like, and then like, i think that this is a great example of it.

And one time I went fishing in BC and the guy was Australian. That was like running our tour And I asked him about the question what in your country is the band that you guys would love and nobody else gets? Do they say midnight oil? He did say midnight oil And I go well, we all know midnight oil. You know, like beds are burning. And he goes like fuck that song. You know, like you guys don't know midnight oil. If you think it's beds are burning, look into their back catalog when they're a punk band, you know. And then, and it was way different, really Way different, and nothing like anything that made them popular, but it's so, it's. maybe there's bands like this everywhere. You know you can.

I never knew about like all all that old good soul music because it never played on any radios that I got to listen to. You know, like I just found out about Al Green like five years ago, like that breaks my heart. You know where was Al Green my whole life? But so there is a lot of good stuff out there And I think this podcast kind of shines a light on that. So I think it was going to be, while we're checking out, so getting hip to the hit, check it out. Everybody And Tim, thank you very much for, for, for the, for doing this for me.

0:34:03 - Speaker 5

Yeah, thanks, pete.

0:34:04 - Speaker 1

Thanks Pete. Thanks JD, Good to see you guys?

0:34:07 - Speaker 4

Good to see you guys. Yeah, and we will see you on September 1st Sounds great.

See you September 1st, can't wait. All right, take care, guys. Okay, this show would be nothing without our sponsors at CleanFlow. If you'd like to support them, go to cleanflowcom That's K L, e, e, n, f L O dot com and check out all the great products. Lube up your life with clean flow. And if you'd like to support our show, go to patreoncom. slash dutch hall And you can join our queen, jen Husko, and being a part of dutch hall royalty.

And if you're a business that's looking at any sponsorship opportunities, you can also look on Patreon and look at options there. And every time someone on our show gets a little tight ass about what we're putting out on social media, i will put that on Patreon. There was one just recently that Kevin made me not agree not to put out, so I put that on Patreon. And we also have the one that Charter's obviously banned us from putting out. It's on Patreon, so all the band materials on there. So it is well worth the money. There'll be content And you'll also get invited to special events, like my 50th birthday show that's going to be happening in October. This will happen if you are joining our Patreon, or if you even are too cheap to do that. You can go and give us $5 a year. Just E-transfer that to the dutchhallgmailcom and you will become a shareholder of our program, and shareholders get the same rights as the Patreon supporters do. So that's a way you can help us out as well.

And lastly, oh, it goes to Port. Johnny's show at the Lazy Flamingo and Hus Village and Hamilton every Monday starts around 8.39 ish around there. Go to see Johnny at the Lazy Flamingo and I will be headlining there tomorrow. And that is it. That is all of our sponsors. I think you can give us some feedback at the dutchhall gmocom or we are at the tall on Instagram. That is it for sponsors, jamie. That is it for sponsors. I promise that's everything.

And, of course, you got to keep getting hip to the hip. What You got to keep the lights on. I keep the lights on exactly getting hip to the hip and the go get some tickets to the grand finale, the rec room in Toronto on September 1st. Jamie, thanks again for coming in. Thank you very much. It's been really nice And, as I said, you, i've been watching you promote this thing, i've been watching you put it together and the way that you have curated it, the way that you've cared for it and the way that you've, like, put thoughtful effort into every step of it. It shows through This is being done at a high level, and I'm really proud of the effort you put in. So keep it up, and I'm going to continue to support everything you do, cause I'm real happy to know a guy like you. So thanks for coming in, buddy.

0:37:18 - Speaker 3

Thanks for having me. It's great to be here. Finally, yeah, finally We worked it out.

0:37:22 - Speaker 4

Yeah. So everyone that's been our show 445 tele friend shared around, be nice to each other And until next week we will see you and T see you next Thursday.

0:38:01 - Speaker 3

Thanks for listening to getting hip to the hip. Please subscribe share rate and subscribe podcast, some such.


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Ready to decode the legacy of The Tragically Hip and the enduring impact they've had on Canadian music and culture? Promise us your ears and we'll share an exciting exploration of the band's influence, creativity, and unique place in the hearts of their fans. Today, we're joined by the Emcee of Longslice Presents: Getting Hip to the Hip - An Evening for the Downie Wenjack Fund, Delhi stand-up, Pete Van Dyk. Today he plays the host on his podcast, "Live from the Dutch Hall." And he's invited jD, Pete, & Tim along for the ride. Together we reflect on our personal connections to The Hip, discuss the band's Canadian roots, and consider why their sound may not have resonated as widely beyond Canada's borders.

Make sure to get your tickets for Longslice Presents: Getting Hip to the Hip - An Evening for the Downie Wenjack Fund today: https://bit.ly/GHTTHTickets

Transcript

0:00:10 - Speaker 2

Long Slice Brewery presents Getting Hip to the Hip.

0:00:27 - Speaker 3

Hey, it's JD here and I am sans Pete and Tim at the moment, but they'll be joining us in just a few minutes. I am here to set up what is a new series within Getting Hip to the Hip. It's called Getting to Know Your MC And there will be a second installment of this called Getting to Know Your Band, And basically these episodes are designed to allow you to get inside of Long Slice Presents Getting Hip to the Hip an evening for the Downy Wend Jack Fund before that event even occurs. That way, when you buy your tickets and you can buy them at GettingHipToTheHipcom and clicking on the ticket button From there it's easy peasy you just have to show up at the event. So there's that.

I would say that Pete van Dijk is a great stand-up comedian and he will be emceeing us. He's also a podcaster, hosting a show called Live from the Dutch Hall, And just recently he had Pete and Tim and myself on as guests And he graciously gave us a copy of the tape. He had it flown in live from Delhi and I'm going to put it up on our feed. It's going to be well. It's going to come up to you in just a second, So why don't I stop Blither Blathering and we'll get to Live from the Dutch Hall with Pete van Dijk and our friends Pete and Tim, as we discuss the podcast on Live from the Dutch Hall.

0:02:41 - Speaker 4

Hey, hey, hey, hey. Welcome everybody to the Dutch Hall. We're coming to you live from the Pool Shed in Pine Grove, ontario, for episode 445, believe it or not. 445 times we have done this stupid thing, and this time we have roped two people from different parts of the planet and one person who was from here but had to come back here on a long journey today. That's right, and I'm very happy to have them in. All first timers, all Dutch Hall virgins, and they're here to promote a podcast, which is a really interesting concept, especially for a guy like me from Southern Ontario.

The hip is really was really a band that was pivotal, pivotal, pivotal Is that right? That's right. Pivotal to a kid like me. It came up at the right time. They were like hitting it the same time that I was getting in to be in the most awesomeest part of my life, you know, and these guys, two of these fellas have no such experience at all. One of these fellas would have a very similar one, and the idea of the podcast is to let these two guys understand what us two guys feel about this band. And so I entered with these myself. Yet, jamie, yeah, you haven't really now.

Oh well, i'll start off by introducing myself. I am the host of the show. In two time You're supposed to say two time, two time. There you go. President's Club Award winner, pete Van Dyke No applause, no applause. And our guest today, the one that's come from Waterford, ontario. He's a. He's a Waterford native, that's right, norfolk County boy. But he's moved to the big city and he's made a life for himself. First time here in the Dutch Hall, ladies and gentlemen, say hello to Jamie, do everybody, jamie do.

0:04:40 - Speaker 3

It is great to be back. Great to be back to Norfolk. I mean great to be back in Ontario's garden. Oh yes, Thank you.

0:04:49 - Speaker 4

Shout out to us and our guests And you're going to have to help me, jamie, on the last names here, let's try, i will. From San Diego, california, is Tim Lion, lion, everybody, i'll take it Yeah.

0:05:07 - Speaker 5

Happy to be here. Thanks for having me.

0:05:10 - Speaker 4

Thank you, Tim, And coming from Malaga, Spain.

0:05:14 - Speaker 3

Malaga, spain. This is Pete from Spain. He doesn't have a last name. Yes, of course he does Marchica, pete, marchica, everybody.

0:05:22 - Speaker 4

Pete Marchica.

0:05:26 - Speaker 1

My middle name is is is from Spain. What's your middle?

0:05:29 - Speaker 4

name From Spain. Oh, i'm joking, i'm your. You know, actually I have a. I have a nephew and his middle name, his name is this is seriously, his name is Adrian adventure Pitaski And, like it's just so, he could go around his parents name on that So he could tell people my, my adventure is my middle name, right? Wow, i love it. That's my nephew, that's real, that's my nephew, like that's that is cool.

Like you want to get named. It's like your parents just made you James Bond, yeah Right. Like it is major, coolest. No, this kid's got to live up to that middle name. He's got to live life, yeah Right, yeah, hopefully he's not trepidatious of everything, yeah.

0:06:10 - Speaker 3

What if he's just like an accountant, You know?

0:06:14 - Speaker 4

it'll probably be cooking the books. Yeah Yeah, the name like adventure.

You know that's a, that's just a gift, that's a gift from your parents, so uh, I think it's a little bit of a, a little bit of a, a little bit of a. It's a gift, that's a gift from your parents. So, uh, i want, I hope so, yeah, yeah, i hope so, or curse, or curse. Um, i wanted to say the band we're talking about is tragically hip. That's right. The band, uh, that, uh, if you the credit tragic lips, from Kingston, ontario, and for some reason the tragically hip have been a band that have uh made it in Canada. They were enormous in Canada, but as much as we tried to explain them to the rest of the band, we tried to explain them to the rest of the world, the rest of the world just didn't get them.

0:06:57 - Speaker 3

No, Would you agree with that, Jamie? I would agree with that. And uh, these two are the avatars for the rest of the world.

0:07:03 - Speaker 4

Yeah, And now is there a. Is there a band, uh, either in the United States or in Spain, that you would say would be like a band that is beloved in your country, but the rest of the world doesn't get it, You know.

0:07:21 - Speaker 1

Tim, you want to take that one for the US Oh tough one, Yeah that is a tough one for US actually.

0:07:26 - Speaker 5

Yeah, yeah, i have no idea, because I feel like if you break, i'm going to have to do some homework.

0:07:31 - Speaker 3

I feel like if you break in the US, part of that breaking in the US is breaking internationally.

0:07:37 - Speaker 4

Yeah, like the rest of the world will like what you guys like. Yeah, there's not much that you guys like, unless there's some guy like you know, like what's the name of that fella? He's, like you know, proud to be an American, or like the, or like one of those country guys who were really like patriotic and over the top. That might be a little bit. That's the country singer.

0:08:00 - Speaker 3

What's his?

0:08:00 - Speaker 4

name. That might be too much for like people outside the States.

0:08:04 - Speaker 1

Yeah, that's true. No, I know what you're saying.

0:08:07 - Speaker 4

You know what's the guy's name The big? Yeah, i know who you mean. See, that's me. We're from Canada. We don't know the guy's name? Danim Vast. Yeah, we got tons of them. You know how? about Spain?

0:08:22 - Speaker 1

You know there's a band here called Los Planetes, which translates to the planets, if you will, and you know they're extremely popular. I mean they've got like there's a couple of the members have spinoff bands. I mean you can't you can't go to any corner of this country and not know somebody who knows Los Planetes. So they're like sort of as an indie rock band, sort of like I guess you'd say the hip did. But but yeah, dude, outside of if you mentioned Los Planetes outside of Spain, nobody knows what they're talking about.

0:08:54 - Speaker 3

Yeah, i've never heard of them, yeah.

0:08:56 - Speaker 4

I know that the tragically hip themselves were friends with the band the real statics out of England because they had the same issue as them. They were huge in England but the rest of the world Real statics are from the town. No, not real statics, stereophonics They say those bands were on. Oh, it was about to correct. Yes, i apologize. The real stacks actually open for the hip, yeah, but the stereophonics, and so they'd always, if they came out with an album, the hip would give an album to the stereophonics, stereophonics would give an album to the hips when they came out with a new one, because they had this mutual like kind of like, you know, like sister cities and stuff like that.

0:09:36 - Speaker 3

It was like the same thing, but like sister bands, you know, i feel like the last time stereophonics played in Toronto it was post score dying and they played a hip song. Yeah, that would make a huge sense And I didn't. But I didn't know that there was that connection.

0:09:47 - Speaker 4

I just thought they were just doing a tribute to oh no, they were big fans of it, like big fans of each other, and they both had the same thing. They could never break in the States and they were like huge in their own countries And even in Canada the stereophonics didn't really make too much of a splash. I just remember that having a stay song. Yeah, i like that band actually. Yeah.

0:10:07 - Speaker 5

I can only think of bands from the U S that have done well outside the U S. You know like bigger tours outside the U S, but there are a ton.

0:10:16 - Speaker 1

There are a ton of like Canadian bands that like have had broken through to me, for Christ's sake. You got Neil Young, you've got the Lannis, you've got Brian Adams, right, nickelback, you know.

0:10:29 - Speaker 5

Nickelback. Yeah, that one band Rush. is that what they're called?

0:10:33 - Speaker 1

Yeah, yeah, i mean one of the greatest bands of all time. It's a real crowd splitter rush.

0:10:41 - Speaker 3

I agree Because. I've never I was never a Rush guy.

0:10:43 - Speaker 4

If you don't, if you like Rush, you really like Rush Big time. I think it's like Bruce Springsteen. You know, bruce Springsteen, the guys that like Bruce, they love Bruce, Like they really like Oh my gosh.

0:10:54 - Speaker 5

Yeah, we have a good friend who follows Bruce and I just Yeah, they're like, they're you and Target on that. God bless Michelle.

0:11:02 - Speaker 4

Yeah, and my cousin's husband is like that, he's traveled all around to see Bruce, eh, and he knows him Like it. Just it means so much to him. Man, i envy that about him, but I just don't get it. Yeah, it just doesn't.

0:11:18 - Speaker 3

I like Springsteen, but I'm not. I wouldn't do a follow along, or Yeah.

0:11:23 - Speaker 4

You're in camp too, like either you love him or you're like oh, he's the boss, you know he's good.

0:11:29 - Speaker 5

Yeah, i like a couple, you know I like it enough It's fine, there's lots of bands I would go see perform live if I got a free ticket.

0:11:38 - Speaker 1

Right, yeah, i got free tickets to see Springsteen. That's the only reason I saw him. But back in the day I think we told this on the pod or I may have mentioned it on the pod when we did some, when we recorded, but back in the day, when I started playing in bands, like 25 years ago, you were, if you were a Rush fan, you were closeted. Like and I'm not even like joking Like in the US like if you liked Rush and you had Rush records, you were closeted. You didn't talk about it. I remember I was playing in a band with a guy named Jason Hirsch and he was our bass player and we played in a band for like seven or eight months and then one day it went over his house and it was like I found a bunch of porno mags in his corner. Like he's like, yeah, dude, i like Rush, and like the same was for Zappa, and I was like, dude, it's cool man, this is a safe space.

0:12:30 - Speaker 4

I have a huge kit set up in the closet. I drummed a new apparel. That's funny man, but it was kind of that. There was like you just didn't know if you're, because they split the room, you either love it, like people hated Rush, or they loved Rush. You know, even in Canada, even in Canada, they're hardcore. I don't get it, you know. I think some It might be musicians though too, because like Rush, right, because they're technically Yeah, i mean because you just.

0:13:01 - Speaker 1

The work of like the musicianship is like the fact that Geddy Lee can play His multi-instrumentalist on stage and singing is fucking stupid, yeah, like you know It's like Radiohead too.

0:13:16 - Speaker 4

Right Like Radiohead, like Yeah, if the musicians get them more than the non-musicians, would you say that's true.

0:13:26 - Speaker 5

I don't think so. I think Rush had a special kind of nerd dump. You know, like, if you ever knew, like a group of kids that played D&D, yeah, yeah, yeah. Like you know, like I don't know, rush has their own collective. Like, i have lots of friends who are radiohead fans and many of whom are not.

0:13:44 - Speaker 1

We now ostracized the Rush crowd from Pete's podcast and now ostracized the D&D.

0:13:55 - Speaker 4

I don't know.

0:13:57 - Speaker 5

I saw D&D. friends, we're all good with each other.

0:14:01 - Speaker 4

I've never played before. Have you done that Never?

0:14:05 - Speaker 5

I won't touch a 12-side. I tried, like, when it became a thing, i tried with some kids in my neighborhood and I sat down with them and I was like are we going to drink some wine? Or you know, and that was the seventh grade Like it just felt like we were supposed to be naked or I don't know. It was just weird. Yeah, like It was really weird. I was like how far can we take role play right now?

0:14:26 - Speaker 4

Yeah, you were an advanced.

0:14:27 - Speaker 5

There's too much of a tease for me.

0:14:29 - Speaker 4

No, i was like you were saying Dungeons Dragons makes a seemed a little like they was going to get a role. Did people wear costumes for that stuff?

0:14:37 - Speaker 5

Well, no, i just felt like it was this level of intellectualism, you know, like that wasn't it being experiencing games and rush was kind of the same way, and maybe, you know, maybe the hip was too smart for the US, maybe it might be.

0:14:51 - Speaker 4

It might be like there's, but I don't know how smart it was. It was like there's a. It's an interesting thing because I've only because of this podcast started. You know he's kind of reflect on you know I was a hip like, i am a hip fan and it, but I don't know if I'm associating it is just because they were around through a good part of my life. You know what I mean. Yeah, like I was young and having a good time and every show I went to or I could see them a lot, you know. So they were at a lot of like festivals and concerts that I would get a chance to go to.

0:15:25 - Speaker 3

They were always on the bar, like whatever bar you go to, they were playing hip, you know yeah.

0:15:30 - Speaker 1

They were like the LA. They were like Canada's version of X. If you live in LA, right, sure They were. They were still playing Cause like yeah, right, i know, but actually you could like go to any club on a given night in the 80s and 90s and that band was playing, and they're still playing.

0:15:51 - Speaker 4

Yeah, they're still playing, and then I never seen a.

The other thing that I think was was interesting about the hip, when you'd see them live, is like I've seen a lot of bands that would jam, you know, like they would like jam out a song, so it didn't sound like a radio version of it, like, but the hips the only one I can really say that vocalist was doing it too Like where the vocalist was jamming vocals, you know, and so you'd go to see them at a show and he'd be like gibberishing up there, you know, while they were like jamming something else out in the middle of a song, and then you'd go see the next tour and it would actually be a song that was on that album, you know, and like, do you remember seeing that too?

Absolutely, yeah, i was called it breadcrumbs, right, like it was like little breadcrumbs and you're like that's going to be something like. I remember nautical disaster before it was nautical disaster, right, and then like, so, like I thought that was kind of cool, cause you kind of I don't remember another band that kind of let you in on the what's to come, you know, like, and and and let you watch the creative process, like the writing process, on stage, you know as obvious.

0:17:05 - Speaker 5

Maybe the, maybe the doors, yeah, yeah, that's what's good. Jim Morrison did a fair amount of that, but there's not many. I mean, that was like lead singers riffing Yeah, there's not. Not many people are able to do that at all, is this?

0:17:19 - Speaker 4

douchey. It really like it has the potential to go a little bit yourself in grandizing. You know, like, where it's like. Look at me, i'm an intellectual and you know even Jim Morrison and then Gord Downey. They both kind of you know they're like I'm not gonna do that. Their critics could accuse them of that, of being a little bit like you know in their own head or like too impressed by themselves. But I didn't get that impression from either of them but because I liked them.

0:17:47 - Speaker 3

Yeah, me too.

0:17:48 - Speaker 4

But and I like watching the creativity of it, you know, But doors is a perfect example, because that would be, I would say, the closest which I never got. to see them, So yeah.

0:18:00 - Speaker 1

Pete, did you have you? because I don't know how much you dug into the pod, but we you know, one of the things that Tim and I struggle with is that you know, when we did the, when we did the pod, we recorded everything, because everything's recorded up into this point. Pretty much We're just kind of trickling the pods out leading up to the finale.

But like a lot of folks, like you know, we had a week to digest the record and then it was week over week over week over week And, like so many people, like dude had fucking a year or two years to like and it had their whole lives to get to know this band. I think it's, you know, i'm not gonna we'll smoke up my own ass, but maybe I'll hold a little Tim's ass. But we, you know, i think it's, you know, i think it's, you know it's a little bit of a Tim's ass, but we, you know, i'm. I think it's pretty impressive because at this point, now that we're kind of all done, i fucking love this band. I mean, i've gone back and listened to the records we weren't super keen on and they're just dude, they're. I don't know what American rock fans were fucking thinking back in the day when this band was like pinky.

0:19:14 - Speaker 5

Is that why? Yeah, i really think that a big part of why they didn't quote make it in the US, which they did to a degree, they just weren't selling out stadiums. But I think a big part of it had to do must have had to have been because of ill attempted marketing. Like, like, when bands go on tour, there are people behind the scenes that are doing promotions in every city. They're hanging posters, they're giving away tickets, they're talking about on the radio all of these things. You know everybody in LA who does this for a living And I talked to him briefly about it and he said marketing probably was marketing, i and can't.

And I'm like, oh, you know, and the labels, when the hip was on with labels who weren't promoting them in the US, like, oh, they're gonna play in these six epicenter cities, we're gonna sell out them, sell out them more, maybe if all the Canadians show up, sure, that was, that was what happened. But man, if they were promoted more in a real way, like other bands on their US labels which I can't remember right now, i think they would have totally hit it. When they were on in my house the other day I said to my wife if this was playing in 1992, i would have been totally into it, cause we were talking about bands we were into in 1992. And some of them, like right now, i might have thought they were pretty good back then, but some of them right now I absolutely do not listen to.

But if I would have, heard the hip in 1992, I would definitely be going back to albums right now, I believe.

0:20:48 - Speaker 4

Yeah, it's interesting, that's really all.

but with both what you guys said, it's really interesting cause I it's not what I expected, like number one, you've just let my audience know you've been, you've been through the entire catalog of the hip, which, when you said it takes you time to process a tragically hip album, i mean I remember like in real time, when these things came out and we would like line up at sunrise at midnight to get the new road apples or whatever you know.

And but each album like road apples compared up to here and day for night compared to road apples, or like, or fully, completely, you know they were. they were as soon as you put in the new album you were like, ah, like this is, this isn't as good as the last stuff, and then you'd listen to it like a hundred times and then it would become your favorite album. you know, like totally. And I find Jack White like I'm a huge Jack White fan and it's the same thing with his stuff, cause he's pushing himself and he's growing, you know, and then it kind of takes you a bit to get your head around what he's trying to do And then after a while you start digging it, you know.

That's a good example And I think that's. That's the kind of like I. You never liked the hip album when you first got it. You always liked it a couple of weeks later. You know, Like Is it.

0:22:15 - Speaker 5

Sorry, is that true? Is that true for you, jamie? Were there any albums you just were like just had on repeat, psyched, go, go, go, go listen to it a hundred times a week.

0:22:26 - Speaker 3

I was in love with like from the moment I heard it Like. So There you go, but and fully, completely too Trouble at the hen house. The first time I heard it I was like I'm not sure about this, but you're right, it was, it was, it was different, they were, they were, you're right, They, they were growing and I was stuck behind. Yeah, yeah, now that's like my favorite record.

0:22:46 - Speaker 4

Yeah, yeah.

0:22:48 - Speaker 3

Like like hands down.

0:22:50 - Speaker 4

Yeah, and then, like I, yeah, cause yeah up to here was the only one I would say that I was like I'm in, this is everything's great. And then the only thing is that a lot of songs kind of sounded similar maybe, but but but then everything I was comparing everything up to here And then, and that's just. And then I just wasn't like like you said, i just wasn't developing like the. That's why it takes me a bit just to catch up, cause I'm slow, i'm just. You know, you're just a consumer, you're being fed, fed shit, you only know what you know And then get something new and takes you a bit.

0:23:28 - Speaker 1

But you also never know how long it's going to take. I had a. I had a record I won't need to mention cause it's just not even important, but the record from a band that I really liked And when they're it took seven years. Seven years. It came out in 2007 and it wasn't until 2014 when I picked it up again And I literally thought this was the shittiest record I had ever heard. And I picked it up again and it turns out being my favorite record And it was like like it takes time, but for for what, tim and I? the gauntlet that fucking JD's put us through the last seven months, like how many?

0:24:05 - Speaker 3

albums There's 14, 14 hours, 14 or 15. Yeah wow.

0:24:11 - Speaker 4

And then, uh, yeah, that's crazy, man, that's crazy. So the what was I thinking? Oh, you're to um, you know, david Bowie's black star, that album, last album, yeah, yeah, same thing. I was like you know, i wanted Ziggy Stardust and I got black star. I was upset. And then, uh, you listen to it and you're like this is the greatest thing he's ever done. This is man. That album is incredible. Oh, yeah, and uh, yeah. And then the more you know the fact that he, uh, he doesn't, he, he leaves on an open note Like he doesn't, uh, he doesn't end on the top, on the home note, the number one, the one he doesn't end on, the one you know that's a and he knows he's going to die.

0:24:53 - Speaker 1

You know, that's crazy, That album it's funny because I remember when I bought that album right when it came out, right after he died, because he died a couple of days before my birthday, because he died a few days after his birthday, which is January 8th Mine's a 16th and I bought it and I just didn't. I wanted to get it, i couldn't. And then a friend, when I moved back to Spain, explained to me that it was a lot of the songs are built on flamenco chords, spanish flamenco chords, and I was like get the fuck out of here. And then I we listened to it together and explained it to me And I was like, because a drummer of our band? and I was like, oh, that makes sense. And then the whole record made sense to me.

0:25:33 - Speaker 4

It took years, isn't that great. That's a beautiful thing about music, our art in general. You know like, no matter what kind of the art, the comedy is the same way you can work your whole life. You're never going to know all the risks and all about it You're never going to. It's just so infinite in the amount. So like, that's what I like about it, about it, you know, like you can, you're never going to feel like you've got all the answers you know, when you find art, when you find art like that, that's timeless, that's, that's, that's the best stuff I think you know.

0:26:04 - Speaker 5

Yeah, that's right. Yeah, something you can put on, i mean, just at any point in time. It's just that's, that's. Those are the keepers. Yeah, i don't know if we'll feel the same way. Pete, have you gone back to any any? Bob Rock produced albums.

0:26:18 - Speaker 1

You know it's funny. I haven't yet, tim, but I really am looking forward to it because I think it's going to happen. I think eventually all end up like sending a letter Is Bob Rock still alive?

0:26:28 - Speaker 5

Yes, oh, my gosh Yeah.

0:26:30 - Speaker 1

Okay, then I'll send him like an apology letter and like be like Bob, i'm sorry, cause there are people that love.

0:26:36 - Speaker 3

We are the same now And when it came out it was pretty universally derided. And there are people that absolutely adore that record now And I'm I'm one of them. Like, like, i really did not like that record the first time I heard it. Like I remember meeting Greg in the grocery store We were doing fully and completely at the time And I was like, so I did some pre listening and uh, wow, every song sounds the same. It's all droney, it's you know. And now I think, like depression suite is amazing. I love morning moon, um, queen of the Furrows is like weird and out there. But I but I dig it, but it's not, it's not. It still doesn't feel quite like a hip record because there's no Lang Lawn and St Clair backup vocals. You know it's, it's, it's just different.

0:27:24 - Speaker 4

Yeah, do you hear that? Uh, i think it was at the Gino's or something. Uh, after CORE Downey died, uh, muse filled in and they did um, it's a, she did a cut. No, it's not, it's not. I said the wrong name FIEST, fiest. Yeah, fiest did, uh, did the vocals and it was for it's. Uh, it's a good life if you don't weaken. Yeah, it's a good life if you don't weaken and uh and. But like when the background vocals kicked in and then it was like, then you're like Oh, this is the hip. Yeah, cause before it was just a cover, you know.

And then, as soon as you heard St Clair's backing, it was like Oh man, this is, this is cool, you know, yeah, yeah.

0:28:07 - Speaker 5

Um, yeah, i was. I was asking Pete, because this morning when Amy was making coffee, I was like coffee girl. It just happened. So, bob, bob is coming in. Hey, knock on the door.

0:28:23 - Speaker 4

Hey, i was hoping, uh, we, so this has been. This is really cool. If you guys, uh, who are listening to this show, if you want to check out this podcast and see how these two people were converted to the ways of the tragically hip um, uh, how can they find the show, jamie?

0:28:39 - Speaker 3

go to getting hip to the hipcom and, uh, you can go anywhere that you find your podcasts you'll get getting hip to the hip And it is.

0:28:49 - Speaker 4

It's going to all uh, culminate with a grand finale live show in Toronto on September 1st. Yes, sir, and people can get tickets for the show Same place.

0:29:00 - Speaker 3

Getting hip to the hipcom and, uh, click on tickets and, uh, you know, uh, we'll get a great host for that evening.

0:29:08 - Speaker 4

Well, thank you. Yeah, i'll be hosted by myself and uh, we have uh the finale of the podcast and you have uh entertaining the audience of uh. was it 50 mission cap or? 50 mission 50 mission, which is a hip cover band. They'll be playing, and where is it?

0:29:25 - Speaker 3

It's at the rec room in Toronto on Bremner, right across from the sky dome.

0:29:29 - Speaker 4

Oh sweet, it's going to be super fun. So please check us out And, uh, we will be running a uh draw here at the Dutch hall for a listener to get a free uh free ticket to the event. How about?

0:29:40 - Speaker 1

a pair A pair.

0:29:41 - Speaker 4

You can bring a friend. Thank you, that's nice, yeah, and I can even give you a ride if you want, if you're local. So we got all those things working for us, and there'll be details on that at the end of the show, but I don't want to keep these guys any longer doing business. Um does.

0:29:59 - Speaker 1

This is the sky down where the blue jays play. Yeah, Oh fuck, that'd be cool. They're playing a game that they're not, they're out of town.

0:30:08 - Speaker 3

Are we taking a game? for sure, yeah, Hey, pete.

0:30:12 - Speaker 1

Pete, i've been wanting to tell you a joke, man Come tell you a joke, yeah, please do, just to turn After he's done.

0:30:20 - Speaker 5

Then, pete, you play guitar to Pete and see if you guys can trade.

0:30:25 - Speaker 4

Yeah, you have to do that. Okay, I'll trade your talents. I know two chords.

0:30:30 - Speaker 1

So so you know Creedence, right. You know Creed's Clearwater, right. Yeah, yeah, ccr yeah. Yeah, so do you know what the difference between John Fogarty and Marvin Gaye is?

0:30:43 - Speaker 4

No, I don't.

0:30:45 - Speaker 1

So Marvin Gaye heard it through the grapevine, but John Fogarty played it through the grapevine. Yeah right, Tim, just snickered at that one. It's one of my all-time favorites Whoa man, don't tell that at the finale. Pete, let it sit there.

0:31:09 - Speaker 4

Only if I'm really stuck I'm going to pull that one out of the toolbox. You're not going to speak to people like this. No, guys, i want to thank you for spending this time with me and getting to, for taking the time to get to know me and my audience. I really am excited about the podcast And I think it's going to be interesting. Yeah, i hope so. You guys got you guys did kind of shit on them a little bit right. Oh, yeah, they hold back. Yeah, but I think it is interesting to know that even some of the opinions that you held not so long ago may have already changed by the time the finale is going to be For sure. Yeah, Totally have. Yeah, yeah, that's cool, man, and I think that's kind of a testament to why I think they're worthy enough to still be concentrating on.

You know is because this shit can happen. This stuff can really happen where people can be turned on to something new and it's new to them. So who cares if Gord's dead? you know, like these guys, never. You know, if you never heard it, like my daughter's. A perfect example Her and the bass player in her band. The bass player in her band said did you hear. Remember when the hip came out with those new tracks? Yeah, and they were all like 90s era sounding.

0:32:27 - Speaker 3

They were like road apples.

0:32:28 - Speaker 4

Yeah, yeah, they were great, you know, and my daughter's friend brought that to me and they're like, have you heard this? And then they started getting into it and it was brand new to them. Oh, that's hilarious, and so like to watch my kids get into it. What I was into is really a kick. So like, and then like, i think that this is a great example of it.

And one time I went fishing in BC and the guy was Australian. That was like running our tour And I asked him about the question what in your country is the band that you guys would love and nobody else gets? Do they say midnight oil? He did say midnight oil And I go well, we all know midnight oil. You know, like beds are burning. And he goes like fuck that song. You know, like you guys don't know midnight oil. If you think it's beds are burning, look into their back catalog when they're a punk band, you know. And then, and it was way different, really Way different, and nothing like anything that made them popular, but it's so, it's. maybe there's bands like this everywhere. You know you can.

I never knew about like all all that old good soul music because it never played on any radios that I got to listen to. You know, like I just found out about Al Green like five years ago, like that breaks my heart. You know where was Al Green my whole life? But so there is a lot of good stuff out there And I think this podcast kind of shines a light on that. So I think it was going to be, while we're checking out, so getting hip to the hit, check it out. Everybody And Tim, thank you very much for, for, for the, for doing this for me.

0:34:03 - Speaker 5

Yeah, thanks, pete.

0:34:04 - Speaker 1

Thanks Pete. Thanks JD, Good to see you guys?

0:34:07 - Speaker 4

Good to see you guys. Yeah, and we will see you on September 1st Sounds great.

See you September 1st, can't wait. All right, take care, guys. Okay, this show would be nothing without our sponsors at CleanFlow. If you'd like to support them, go to cleanflowcom That's K L, e, e, n, f L O dot com and check out all the great products. Lube up your life with clean flow. And if you'd like to support our show, go to patreoncom. slash dutch hall And you can join our queen, jen Husko, and being a part of dutch hall royalty.

And if you're a business that's looking at any sponsorship opportunities, you can also look on Patreon and look at options there. And every time someone on our show gets a little tight ass about what we're putting out on social media, i will put that on Patreon. There was one just recently that Kevin made me not agree not to put out, so I put that on Patreon. And we also have the one that Charter's obviously banned us from putting out. It's on Patreon, so all the band materials on there. So it is well worth the money. There'll be content And you'll also get invited to special events, like my 50th birthday show that's going to be happening in October. This will happen if you are joining our Patreon, or if you even are too cheap to do that. You can go and give us $5 a year. Just E-transfer that to the dutchhallgmailcom and you will become a shareholder of our program, and shareholders get the same rights as the Patreon supporters do. So that's a way you can help us out as well.

And lastly, oh, it goes to Port. Johnny's show at the Lazy Flamingo and Hus Village and Hamilton every Monday starts around 8.39 ish around there. Go to see Johnny at the Lazy Flamingo and I will be headlining there tomorrow. And that is it. That is all of our sponsors. I think you can give us some feedback at the dutchhall gmocom or we are at the tall on Instagram. That is it for sponsors, jamie. That is it for sponsors. I promise that's everything.

And, of course, you got to keep getting hip to the hip. What You got to keep the lights on. I keep the lights on exactly getting hip to the hip and the go get some tickets to the grand finale, the rec room in Toronto on September 1st. Jamie, thanks again for coming in. Thank you very much. It's been really nice And, as I said, you, i've been watching you promote this thing, i've been watching you put it together and the way that you have curated it, the way that you've cared for it and the way that you've, like, put thoughtful effort into every step of it. It shows through This is being done at a high level, and I'm really proud of the effort you put in. So keep it up, and I'm going to continue to support everything you do, cause I'm real happy to know a guy like you. So thanks for coming in, buddy.

0:37:18 - Speaker 3

Thanks for having me. It's great to be here. Finally, yeah, finally We worked it out.

0:37:22 - Speaker 4

Yeah. So everyone that's been our show 445 tele friend shared around, be nice to each other And until next week we will see you and T see you next Thursday.

0:38:01 - Speaker 3

Thanks for listening to getting hip to the hip. Please subscribe share rate and subscribe podcast, some such.


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