In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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We see The Sci-Fi Christian, in all its iterations, as being about the collision between faith and nerdom. We believe that good genre fiction is about more than just entertainment. We seek to engage with the themes and philosophies behind our favorite stories, wrestling with the big ideas within speculative fiction. We’re unabashedly nerdy and unabashedly Christian. Even if your faith background differs from ours, we look forward to interacting with you at The Sci-Fi Christian!
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Part 11: L'adaptatrice (ft. Rebecca Sheehan)
Manage episode 372253540 series 3003260
Content provided by Simon Howell and Kate Rennebohm, Simon Howell, and Kate Rennebohm. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Simon Howell and Kate Rennebohm, Simon Howell, and Kate Rennebohm or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.
Kate and Simon are joined by author and film academic Rebecca Sheehan to dissect two later Akerman features, including her final scripted feature, bound together in this episode by their respective takes on literary giants. First up is 2000's La Captive, derived from a section of Marcel Proust's In Search of Lost Time; next is Almayer's Folly, derived from the Joseph Conrad novella/story of the same name.
Music by: Rachmaninoff, Mozart.
If you like the show or what we do generally, consider throwing us a few bucks to help cover our costs: https://paypal.me/kateandsimonpod
Our intro music is performed by Sundar Subramanian. You can stream and buy his work here: https://sundarsubramanian.bandcamp.com/
12 episodes
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Manage episode 372253540 series 3003260
Content provided by Simon Howell and Kate Rennebohm, Simon Howell, and Kate Rennebohm. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Simon Howell and Kate Rennebohm, Simon Howell, and Kate Rennebohm or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.
Kate and Simon are joined by author and film academic Rebecca Sheehan to dissect two later Akerman features, including her final scripted feature, bound together in this episode by their respective takes on literary giants. First up is 2000's La Captive, derived from a section of Marcel Proust's In Search of Lost Time; next is Almayer's Folly, derived from the Joseph Conrad novella/story of the same name.
Music by: Rachmaninoff, Mozart.
If you like the show or what we do generally, consider throwing us a few bucks to help cover our costs: https://paypal.me/kateandsimonpod
Our intro music is performed by Sundar Subramanian. You can stream and buy his work here: https://sundarsubramanian.bandcamp.com/
12 episodes
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Similar to The Akerman Year
In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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continue reading
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continue reading
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continue reading
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Radio Ahmadiyya - the real voice of Islam is a weekly Radio Broadcast in the Urdu language with the mandate to educate its listeners about Islam and Ahmadiyyat. It presents the teachings of Islam as explained in the Holy Qur'an and by the Holy Prophet of Islam, Muhammad (Peace and Blessings of Allah be on him).
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