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Martin Bidney - The Be-Loving Imaginer Episode 51- Hybridized Sonnets

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Manage episode 380191191 series 3203561
Content provided by Martin Bidney. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Martin Bidney or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.

The YouTube, like the book, has two parts, each with two subsections.

1a. Poems 12. Id and 22. Bulbous show how to hybridize a traditional sonnet with a new number of beats per line and a new kind of rhythm unit (e.g., three-syllable instead of two).

1b. Poems 13. Dividends and 25. Haste show how hybridized sonnets can be used to write “replies” to random passages in the Qur’an, which I love as part of the Judaeo-Christo-Islamic Tradition.

2a. Poems 49. Sophia and 46. Sea-Farewell show hybridized sonnet forms applied to the work of Russian poet Vladimir Solovyov (1953-1900), a mystical wordsong maker as well as notable theologian. Each poem is an interview or con-verse-ation where I “reply” to the poet I am translating.

2b. Poems 90. Flint and 96. Taverner show me interviewing Hafeez, the great medieval Persian pub poet, as Solovyov presented him in his Russian re-writing, newly rendered here in English with my “reply.”

  continue reading

55 episodes

Artwork
iconShare
 
Manage episode 380191191 series 3203561
Content provided by Martin Bidney. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Martin Bidney or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.

The YouTube, like the book, has two parts, each with two subsections.

1a. Poems 12. Id and 22. Bulbous show how to hybridize a traditional sonnet with a new number of beats per line and a new kind of rhythm unit (e.g., three-syllable instead of two).

1b. Poems 13. Dividends and 25. Haste show how hybridized sonnets can be used to write “replies” to random passages in the Qur’an, which I love as part of the Judaeo-Christo-Islamic Tradition.

2a. Poems 49. Sophia and 46. Sea-Farewell show hybridized sonnet forms applied to the work of Russian poet Vladimir Solovyov (1953-1900), a mystical wordsong maker as well as notable theologian. Each poem is an interview or con-verse-ation where I “reply” to the poet I am translating.

2b. Poems 90. Flint and 96. Taverner show me interviewing Hafeez, the great medieval Persian pub poet, as Solovyov presented him in his Russian re-writing, newly rendered here in English with my “reply.”

  continue reading

55 episodes

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