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Why You Should Take a Plot-walk
Manage episode 402450693 series 2770059
✍️ Writers: when you’re stuck on a plot, go outside and take a walk with a friend. You’ll still be stuck, but you will get your steps in for the day, and have someone to b***h to. Follow us for more plotting tips. Here all week.
Sometimes Sarina and I take an ordinary walk. Most times, actually. But sometimes, part way up the first hill, Sarina says, Ok, so I have this problem. And then we’re off, trying to figure out why a character would make a certain choice, or how to get someone from point A to point B.
And then I will say, ok, I have a problem. And occasionally it’s that simple, but for me, the problem is usually that I have made my plot so ludicrously over-complicated that it cannot even be explained, let alone reduced to a single problem. Which is a different problem.
And then we try to fix THAT. Either way, there’s a point here, which is: putting the problem, or the plot, into words in itself can help solve it—or reveal what’s really wrong—and also, it can really help to get a new perspective. In the episode, we talk about how and why to do this (it doesn’t have to involve a walk or a dog or a hill), who you can enlist (apparently Kristan Higgins does it with her husband, only he’s not actually allowed to talk) and most importantly, we discuss getting past the all the voices in your head telling you not to, and and note that the louder those voices are, the more likely it is that maybe you need to talk this over with someone before you go any further.
A few things we referenced: the summer planning series, Blueprint for a Book Challenge, which included a LOT of talk about why it’s a good idea to voice what you’re planning to do before you do it.
Links from the Pod:Becca Syme
Jennie’s book The Last Beach Bungalow
Sarina’s book Rookie Move
Otter (voice recording app)
#AmReading
KJ: The Mistborn Trilogy, Brandon Sanderson
Wreck the Halls, Tessa Bailey
Sarina: The Intern, Michele Campbell
Jennie: Debbie Millman’s Design Matters (Podcast)
The Creative Act, Rick Rubin
During the pandemic, there was an explosion of people who wanted to write memoir, and many of those writers are now struggling to make sense of their drafts and figure out how to approach the marketplace. It's a great time to be a book coach who specializes in memoir, and in March 2024, Author Accelerator is launching a certification course to give memoir coaches the skills, tools, and experience to meet writers where they are.Our year-long program is robust and intense. I'm inviting any listeners of this show who are interested in our coaching program to sign up for a one-on-one session with me to strategize about whether or not this course is right for you. Just go to bookcoaches.com/amwriting to sign up for a time that works for you.
This is a public episode. If you’d like to discuss this with other subscribers or get access to bonus episodes, visit amwriting.substack.com/subscribe
439 episodes
Manage episode 402450693 series 2770059
✍️ Writers: when you’re stuck on a plot, go outside and take a walk with a friend. You’ll still be stuck, but you will get your steps in for the day, and have someone to b***h to. Follow us for more plotting tips. Here all week.
Sometimes Sarina and I take an ordinary walk. Most times, actually. But sometimes, part way up the first hill, Sarina says, Ok, so I have this problem. And then we’re off, trying to figure out why a character would make a certain choice, or how to get someone from point A to point B.
And then I will say, ok, I have a problem. And occasionally it’s that simple, but for me, the problem is usually that I have made my plot so ludicrously over-complicated that it cannot even be explained, let alone reduced to a single problem. Which is a different problem.
And then we try to fix THAT. Either way, there’s a point here, which is: putting the problem, or the plot, into words in itself can help solve it—or reveal what’s really wrong—and also, it can really help to get a new perspective. In the episode, we talk about how and why to do this (it doesn’t have to involve a walk or a dog or a hill), who you can enlist (apparently Kristan Higgins does it with her husband, only he’s not actually allowed to talk) and most importantly, we discuss getting past the all the voices in your head telling you not to, and and note that the louder those voices are, the more likely it is that maybe you need to talk this over with someone before you go any further.
A few things we referenced: the summer planning series, Blueprint for a Book Challenge, which included a LOT of talk about why it’s a good idea to voice what you’re planning to do before you do it.
Links from the Pod:Becca Syme
Jennie’s book The Last Beach Bungalow
Sarina’s book Rookie Move
Otter (voice recording app)
#AmReading
KJ: The Mistborn Trilogy, Brandon Sanderson
Wreck the Halls, Tessa Bailey
Sarina: The Intern, Michele Campbell
Jennie: Debbie Millman’s Design Matters (Podcast)
The Creative Act, Rick Rubin
During the pandemic, there was an explosion of people who wanted to write memoir, and many of those writers are now struggling to make sense of their drafts and figure out how to approach the marketplace. It's a great time to be a book coach who specializes in memoir, and in March 2024, Author Accelerator is launching a certification course to give memoir coaches the skills, tools, and experience to meet writers where they are.Our year-long program is robust and intense. I'm inviting any listeners of this show who are interested in our coaching program to sign up for a one-on-one session with me to strategize about whether or not this course is right for you. Just go to bookcoaches.com/amwriting to sign up for a time that works for you.
This is a public episode. If you’d like to discuss this with other subscribers or get access to bonus episodes, visit amwriting.substack.com/subscribe
439 episodes
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