In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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Episode 108: The Beyond (1981)
Manage episode 405913272 series 3317492
Content provided by Joshua Conkel and Drusilla Adeline, Joshua Conkel, and Drusilla Adeline. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Joshua Conkel and Drusilla Adeline, Joshua Conkel, and Drusilla Adeline or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.
This week, Drusilla and Josh discuss Lucio Fulci’s gloopy, grody classic, The Beyond (1981). From wiki: “The Beyond (Italian: …E tu vivrai nel terrore! L'aldilà, lit. "… And you will live in terror! The afterlife") is a 1981 Italian Southern Gothic[6][7] supernatural horror film directed by Lucio Fulci. It is based on an original story created by Dardano Sacchetti, starring Catriona MacColl and David Warbeck. Its plot follows a woman who inherits a hotel in rural Louisiana that was once the site of a horrific murder, and which may be a gateway to hell. It is the second film in Fulci's Gates of Hell trilogy after City of the Living Dead (1980), and was followed by The House by the Cemetery (1981).[8]”
But first, Josh watched Krull (1983) and Death Walks at Midnight (1972). Drusilla watched some mainstream hits, including Vanilla Sky (2001.) They discuss all things Cameron Crowe, The Sentinel, The Evil Dead, Bridget Fonda, and do some horror gossiping.
NEXT WEEK: And Soon the Darkness
Follow them across the internet:
Bloodhaus:
https://twitter.com/BloodhausPod
https://www.instagram.com/bloodhauspod/
Drusilla Adeline:
https://www.sisterhydedesign.com/
https://letterboxd.com/sisterhyde/
Joshua Conkel
133 episodes
Share
Manage episode 405913272 series 3317492
Content provided by Joshua Conkel and Drusilla Adeline, Joshua Conkel, and Drusilla Adeline. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Joshua Conkel and Drusilla Adeline, Joshua Conkel, and Drusilla Adeline or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.
This week, Drusilla and Josh discuss Lucio Fulci’s gloopy, grody classic, The Beyond (1981). From wiki: “The Beyond (Italian: …E tu vivrai nel terrore! L'aldilà, lit. "… And you will live in terror! The afterlife") is a 1981 Italian Southern Gothic[6][7] supernatural horror film directed by Lucio Fulci. It is based on an original story created by Dardano Sacchetti, starring Catriona MacColl and David Warbeck. Its plot follows a woman who inherits a hotel in rural Louisiana that was once the site of a horrific murder, and which may be a gateway to hell. It is the second film in Fulci's Gates of Hell trilogy after City of the Living Dead (1980), and was followed by The House by the Cemetery (1981).[8]”
But first, Josh watched Krull (1983) and Death Walks at Midnight (1972). Drusilla watched some mainstream hits, including Vanilla Sky (2001.) They discuss all things Cameron Crowe, The Sentinel, The Evil Dead, Bridget Fonda, and do some horror gossiping.
NEXT WEEK: And Soon the Darkness
Follow them across the internet:
Bloodhaus:
https://twitter.com/BloodhausPod
https://www.instagram.com/bloodhauspod/
Drusilla Adeline:
https://www.sisterhydedesign.com/
https://letterboxd.com/sisterhyde/
Joshua Conkel
133 episodes
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Similar to BLOODHAUS
In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
…
continue reading
Werewolf Ambulance is a horror movie comedy podcast. Allen and Katie watch horror movies from all eras and of all qualities and then discuss them in a not-so-academic way (just as the name "Werewolf Ambulance" might imply!) and then discuss and rate them. The episodes do contain spoilers, so please watch the films before listening if that bothers you!
…
continue reading
Voted #1 in Vue weekly Magazine , Metro Magazine , nominated 8th in the world against Adam corolla , Artie Lange and Dan Savage in the mature category & Winners of Monkeys Fighting Robots peoples choice award in the amateur podcast awards The Awesome Hour is a SOCAN licensed podcast on all things awesome from pop culture to strange news to bad life choices with a music bed of tasty tunes. From top40 to heavy metal and everything in between. The awesome hour is just that Alec , Ivan and Corbo ...
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continue reading
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…
continue reading
Determining if all these so called classic films are indeed just that.
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continue reading
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continue reading
The Flop House is a comedy podcast devoted to the worst in recent film. Your hosts (Elliott Kalan, Dan McCoy, and Stuart Wellington) watch a questionable film, then engage in an unscripted discussion about the movie's shortcomings and occasional delights, while never being afraid of a pointless, silly digression or two hundred.
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continue reading
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