In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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387 B - MoviePass, MovieCrash
Manage episode 424758203 series 2369123
Content provided by Graysonmaxwell1@gmail.com. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Graysonmaxwell1@gmail.com or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.
Movie Pass was once the biggest name and best deal for anyone who loves going to watch a movie in the theater. Any movie, any time, any day for $9.99 a month was the idea and promotion that took MoviePass to historic heights in the summer of 2018. It existed before that and still exists now as it's been reacquired by the original owner and slowly rebuilt. MoviePass, MovieCrash is part of the story behind what actually happened to the company of MoviePass.
MOVIEPASS, MOVIECRASH, Dir. Muta'Ali
Hosted, produced and mixed by Grayson Maxwell and Roger Stillion. Also hosted by Christopher Boughan. Music by Chad Wall. Quality Assurance by Anthony Emmett.
Visit the new Youtube channel, "For the Love of Cinema" to follow and support our short video discussions. Roger wears aviators! Please give a like and subscribe if you enjoy it.
Follow the show on Twitter @lovecinemapod and check out the Facebook page for updates. Rate, subscribe and leave a comment or two. Every Little bit helps. Send us an email to fortheloveofcinemapodcast@gmail.com
Thank you for Listening!
302 episodes
Share
Manage episode 424758203 series 2369123
Content provided by Graysonmaxwell1@gmail.com. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Graysonmaxwell1@gmail.com or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.
Movie Pass was once the biggest name and best deal for anyone who loves going to watch a movie in the theater. Any movie, any time, any day for $9.99 a month was the idea and promotion that took MoviePass to historic heights in the summer of 2018. It existed before that and still exists now as it's been reacquired by the original owner and slowly rebuilt. MoviePass, MovieCrash is part of the story behind what actually happened to the company of MoviePass.
MOVIEPASS, MOVIECRASH, Dir. Muta'Ali
Hosted, produced and mixed by Grayson Maxwell and Roger Stillion. Also hosted by Christopher Boughan. Music by Chad Wall. Quality Assurance by Anthony Emmett.
Visit the new Youtube channel, "For the Love of Cinema" to follow and support our short video discussions. Roger wears aviators! Please give a like and subscribe if you enjoy it.
Follow the show on Twitter @lovecinemapod and check out the Facebook page for updates. Rate, subscribe and leave a comment or two. Every Little bit helps. Send us an email to fortheloveofcinemapodcast@gmail.com
Thank you for Listening!
302 episodes
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Similar to For the Love of Cinema
In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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continue reading
Determining if all these so called classic films are indeed just that.
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continue reading
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continue reading
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