The Peabody Award-winning On the Media podcast is your guide to examining how the media sausage is made. Hosts Brooke Gladstone and Micah Loewinger examine threats to free speech and government transparency, cast a skeptical eye on media coverage of the week’s big stories and unravel hidden political narratives in everything we read, watch and hear.
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The New Yorker’s Political Writers Answer Your Election Questions
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Manage episode 426769197 series 94072
Content provided by WNYC Studios and The New Yorker, WNYC Studios, and The New Yorker. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by WNYC Studios and The New Yorker, WNYC Studios, and The New Yorker or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.
- At the beginning of 2021, it seemed like America might be turning a new page; instead, the election of 2024 feels like a strange dream that we can’t wake up from. Recently, David Remnick asked listeners what’s still confounding and confusing about this Presidential election. Dozens of listeners wrote in from all over the country, and a crack team of political writers at The New Yorker came together to shed some light on those questions: Susan B. Glasser, Jill Lepore, Clare Malone, Andrew Marantz, Evan Osnos, Kelefa Sanneh, and Benjamin Wallace-Wells.
- Some years ago, the poet Ada Limón moved from New York City to Lexington, Kentucky. In a book called “Bright Dead Things,” she writes about adjusting to a new home, and the constant talk of thoroughbreds. “People always asking, ‘You have so many horses in your poems—what are they a metaphor for?’ ” she told the Radio Hour. “I think they’re not really a metaphor. Out here, they’re just horses.” Limón, who’s the current Poet Laureate of the United States, took us on a tour of Keeneland racecourse, in Lexington, and read her poem “How to Triumph Like a Girl.”This segment originally aired on April 13, 2018.
859 episodes
MP3•Episode home
Manage episode 426769197 series 94072
Content provided by WNYC Studios and The New Yorker, WNYC Studios, and The New Yorker. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by WNYC Studios and The New Yorker, WNYC Studios, and The New Yorker or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.
- At the beginning of 2021, it seemed like America might be turning a new page; instead, the election of 2024 feels like a strange dream that we can’t wake up from. Recently, David Remnick asked listeners what’s still confounding and confusing about this Presidential election. Dozens of listeners wrote in from all over the country, and a crack team of political writers at The New Yorker came together to shed some light on those questions: Susan B. Glasser, Jill Lepore, Clare Malone, Andrew Marantz, Evan Osnos, Kelefa Sanneh, and Benjamin Wallace-Wells.
- Some years ago, the poet Ada Limón moved from New York City to Lexington, Kentucky. In a book called “Bright Dead Things,” she writes about adjusting to a new home, and the constant talk of thoroughbreds. “People always asking, ‘You have so many horses in your poems—what are they a metaphor for?’ ” she told the Radio Hour. “I think they’re not really a metaphor. Out here, they’re just horses.” Limón, who’s the current Poet Laureate of the United States, took us on a tour of Keeneland racecourse, in Lexington, and read her poem “How to Triumph Like a Girl.”This segment originally aired on April 13, 2018.
859 episodes
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