In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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At the height of his powers, John Ford directs his masterpiece, an anti-racist Western called The Searchers. It’s a movie of contradictions: John Wayne plays the hero, but he's driven by hate and revenge. He’s searching for his niece, with the intent to kill her. Behind the scenes, Ford continues to use Monument Valley as a generic backdrop for the West without once acknowledging that it’s sacred Navajo land. And while Ford considered himself a friend to the Navajos, his portrayal of Native Americans is fraught with stereotypes. But these damaging images were used in service of creating a complex, fascinating film that dared to condemn bigotry and has mesmerized generations of film fans.
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Manage episode 428327258 series 2650338
Content provided by TCM Podcasts and TCM. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by TCM Podcasts and TCM or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.
At the height of his powers, John Ford directs his masterpiece, an anti-racist Western called The Searchers. It’s a movie of contradictions: John Wayne plays the hero, but he's driven by hate and revenge. He’s searching for his niece, with the intent to kill her. Behind the scenes, Ford continues to use Monument Valley as a generic backdrop for the West without once acknowledging that it’s sacred Navajo land. And while Ford considered himself a friend to the Navajos, his portrayal of Native Americans is fraught with stereotypes. But these damaging images were used in service of creating a complex, fascinating film that dared to condemn bigotry and has mesmerized generations of film fans.
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In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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