Artwork

Content provided by Rod Barnett. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Rod Barnett or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.
Player FM - Podcast App
Go offline with the Player FM app!

199 - JUNGLE WOMAN (1944)

1:35:18
 
Share
 

Manage episode 432301910 series 3398773
Content provided by Rod Barnett. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Rod Barnett or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.

Troy Guinn and I return to Universal Land for the sequel to CAPTIVE WILD WOMAN – JUNGLE WOMAN (1944)! Is this the worst film the studio produced in the 1940’s? We’ll let you decided as we give our opinions and posit ways the film could have been better. Much better!

Attempting to imitate the successful Val Lewton productions at RKO, the producers of this non-jungle epic seemed to feel that simply aping the structure of CAT PEOPLE and copying the memorable set-pieces from that classic would be a winning formula. Sadly, that is far from the case as JUNGLE WOMAN comes up short in every category. Troy and I try to puzzle out the reasons for certain choices and debate the qualities of the acting in the titular role. Of course, any film with J. Carrol Naish has points of interest just because of his talent, but he seems to have been given a number of obstacles to creating a memorable ‘mad’ scientist. A rushed production and a sub-par script are rarely a combination for a classic. On that point, we discuss the film’s dialog with a certain line becoming a reoccurring audio drop in the show. Sorry about that!

If you have any comments about this film or any of the movies we’ve cover thebloodypit@gmail.com is the place to send them. Thank you very much for listening. We’ll be back soon.

  continue reading

101 episodes

Artwork
iconShare
 
Manage episode 432301910 series 3398773
Content provided by Rod Barnett. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Rod Barnett or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.

Troy Guinn and I return to Universal Land for the sequel to CAPTIVE WILD WOMAN – JUNGLE WOMAN (1944)! Is this the worst film the studio produced in the 1940’s? We’ll let you decided as we give our opinions and posit ways the film could have been better. Much better!

Attempting to imitate the successful Val Lewton productions at RKO, the producers of this non-jungle epic seemed to feel that simply aping the structure of CAT PEOPLE and copying the memorable set-pieces from that classic would be a winning formula. Sadly, that is far from the case as JUNGLE WOMAN comes up short in every category. Troy and I try to puzzle out the reasons for certain choices and debate the qualities of the acting in the titular role. Of course, any film with J. Carrol Naish has points of interest just because of his talent, but he seems to have been given a number of obstacles to creating a memorable ‘mad’ scientist. A rushed production and a sub-par script are rarely a combination for a classic. On that point, we discuss the film’s dialog with a certain line becoming a reoccurring audio drop in the show. Sorry about that!

If you have any comments about this film or any of the movies we’ve cover thebloodypit@gmail.com is the place to send them. Thank you very much for listening. We’ll be back soon.

  continue reading

101 episodes

All episodes

×
 
Loading …

Welcome to Player FM!

Player FM is scanning the web for high-quality podcasts for you to enjoy right now. It's the best podcast app and works on Android, iPhone, and the web. Signup to sync subscriptions across devices.

 

Quick Reference Guide