Heather Redmond, "Death and the Visitors" (Kensington, 2024)

New Books Network

Today I talked to Heather Redmond about her new novel Death and the Visitors (Kensington, 2024).

In this second Regency-era mystery featuring Mary Godwin Shelley, the author of Frankenstein, the sixteen-year-old heroine (still Mary Wollstonecraft Godwin at this point in her life) and her stepsister and close lifetime companion, Jane Clairmont, are facing even greater penury and discomfort than in the first book, Death and the Sisters (2023), as a result of their parents’ profligacy and the absence of Mary’s older half-sister, banished to Wales because of her excessive attachment to the married poet Percy Bysshe Shelley and thus unable to help Jane and Mary with their chores.

The girls live in a run-down house in a disreputable London neighborhood not far from Newgate Prison and the Smithfield meat market, where they spend their days watching their parents’ bookshop. Their father, an illustrious political thinker and writer, doesn’t earn enough to support five children and a wife. As a result, he has fallen into the grip of moneylenders, and creditors show up on his doorstep with some regularity, embarrassing him and his family.

When a group of rich Russians arrives, determined to meet the daughter of the renowned Mary Wollstonecraft, Mary’s father persuades one of them to support the Godwin publishing enterprise with a gift of diamonds. But the day after their scheduled meeting, a body identified as the Russian donor is pulled out of the Thames River. Mary sets out with her sister and Shelley to solve the mystery of the Russian’s murder, hoping to retrieve the diamonds and buy herself and her family some time.

This is the Regency as we have come to know it from the novels of C.S. Harris and Andrea Penrose, among others: opulent on the surface but full of grit and poverty behind the glittering façade. How closely Shelley, Jane, and Mary resemble their historical selves is uncertain, but it’s a rollicking good tale and deserves to be enjoyed on its own terms.

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