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Ep. 64: Mark Duplass on the Changing Economics of Film
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This week on TIFF Long Take, Rob sits down with actor and filmmaker Mark Duplass. Along with his brother, Jay, the Duplass brothers have become two of the most influential figures in independent film, writing and directing films like 'The Puffy Chair', 'Cyrus', and 'Jeff, Who Lives at Home', as well producing films like 'Safety Not Guaranteed', 'The Skeleton Twins', and the recent Netflix documentary series 'Wild, Wild Country'. Their recently published memoir, 'Like Brothers', is in stores this week.
Duplass talks about the challenges of being inextricably linked to a creative partner, how to create a financial model that prioritizes artistry, and why he’d rather be prolific than be a perfectionist.
He also discusses why he and his brother aren’t interested in making “bigger” movies, the importance of “failing cheaply,” and his track record of giving young filmmakers a platform.
102 episodes
Fetch error
Hmmm there seems to be a problem fetching this series right now. Last successful fetch was on February 26, 2024 19:54 ()
What now? This series will be checked again in the next day. If you believe it should be working, please verify the publisher's feed link below is valid and includes actual episode links. You can contact support to request the feed be immediately fetched.
Manage episode 205325065 series 1758802
This week on TIFF Long Take, Rob sits down with actor and filmmaker Mark Duplass. Along with his brother, Jay, the Duplass brothers have become two of the most influential figures in independent film, writing and directing films like 'The Puffy Chair', 'Cyrus', and 'Jeff, Who Lives at Home', as well producing films like 'Safety Not Guaranteed', 'The Skeleton Twins', and the recent Netflix documentary series 'Wild, Wild Country'. Their recently published memoir, 'Like Brothers', is in stores this week.
Duplass talks about the challenges of being inextricably linked to a creative partner, how to create a financial model that prioritizes artistry, and why he’d rather be prolific than be a perfectionist.
He also discusses why he and his brother aren’t interested in making “bigger” movies, the importance of “failing cheaply,” and his track record of giving young filmmakers a platform.
102 episodes
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