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Queer Criticism

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Manage episode 207077319 series 115441
Content provided by Film Comment and Film Comment Magazine. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Film Comment and Film Comment Magazine or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.
In his essay “Responsibilities of a Gay Film Critic”—first published in the January/February 1978 issue of Film Comment—Robin Wood wrote: “Critics are not, of course, supposed to talk personally. It is regarded as an embarrassment, as bad taste, and besides it is an affront to the famous ideal of ‘objectivity.’ . . . Yet I believe there will always be a close connection between critical theory, critical practice, and personal life; and it seems important that the critic should be aware of the personal bias that must inevitably affect his choice of theoretical position, and prepared to foreground it in his work.” Michael Koresky, Director of Editorial and Creative Strategy at the Film Society of Lincoln Center, invoked this landmark essay during a talk at the RiverRun International Film Festival in Winston-Salem, North Carolina, where he was joined by K. Austin Collins, critic at Vanity Fair, and filmmaker and critic Farihah Zaman. Addressing representation in recent films like Love, Simon and Call Me by Your Name, the process of identification, and the absence of sexuality in the Marvel universe, their conversation is an earnest and thoughtful consideration of movie-viewing while queer.
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479 episodes

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Queer Criticism

The Film Comment Podcast

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Manage episode 207077319 series 115441
Content provided by Film Comment and Film Comment Magazine. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Film Comment and Film Comment Magazine or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.
In his essay “Responsibilities of a Gay Film Critic”—first published in the January/February 1978 issue of Film Comment—Robin Wood wrote: “Critics are not, of course, supposed to talk personally. It is regarded as an embarrassment, as bad taste, and besides it is an affront to the famous ideal of ‘objectivity.’ . . . Yet I believe there will always be a close connection between critical theory, critical practice, and personal life; and it seems important that the critic should be aware of the personal bias that must inevitably affect his choice of theoretical position, and prepared to foreground it in his work.” Michael Koresky, Director of Editorial and Creative Strategy at the Film Society of Lincoln Center, invoked this landmark essay during a talk at the RiverRun International Film Festival in Winston-Salem, North Carolina, where he was joined by K. Austin Collins, critic at Vanity Fair, and filmmaker and critic Farihah Zaman. Addressing representation in recent films like Love, Simon and Call Me by Your Name, the process of identification, and the absence of sexuality in the Marvel universe, their conversation is an earnest and thoughtful consideration of movie-viewing while queer.
  continue reading

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