Become a Paid Subscriber: https://podcasters.spotify.com/pod/show/actingclass/subscribe Academy Award winner and celebrated acting teacher Milton Justice invites you into his weekly acting class, based on his years of study with the legendary Stella Adler. I Don’t Need an Acting Class delves deep into the craft of acting, breaks down concepts, tools and techniques, explores endless possibilities and offers you a foundation on which to build a solid, dependable process. Produced by Walker Vre ...
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Welcome to the "Conversations with Alya Lei" podcast; where actor, improviser and audiobook narrator, Alya Lei brings you weekly episodes filled with inspiration and insight. Each episode features captivating guest interviews, valuable resources, and/or uplifting content. Join us as we explore the journeys, challenges, and successes of creatives and entrepreneurs, offering wisdom and motivation to fuel your own path.
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In this episode, Milton begins talking through The Rainmaker by N. Richard Nash. It’s an example of how we can begin working on a play by ourselves. There is no right way. We can take our initial impressions (whatever hits us first) and wander around with them in a non-performative way. We do this, in large part, to discover what world we’re in, an…
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Arron Lloyd: Actor & Success Coach. How Arron went from growing up in the inner city to being in a commercial for the NFL and a success coach sharing stages with Les Brown and Joseph McClendon III!!
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Arron Lloyd was born in the inner city in a single mother household, Arron has an appreciation for what it takes to create the life you deserve. As a theater, TV/Film actor and certified one star dual elite neuroencoding specialist, Arron helps actors/creatives & entrepreneurs encode themselves to default to their best. Helping them eliminate, miti…
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Two of Milton’s students are currently starring in an off-Broadway musical, and this week he discusses his recent work with them. He talks about the similarities between the structure of a film and the structure of a musical. In (almost) every scene there is a song, which takes place because the circumstances become so heightened that the only thin…
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This episode gets back to the HUGE topic of using your own life, featuring an in-depth conversation amongst the class. It culminates with the following ideas: even though Stella Adler advised against using your own life and experience because it limits you, it’s impossible to take you out of the work. When you use your imagination instead of search…
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Transitioning to a "new" podcast: CONVERSATIONS with Alya Lei
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The Actor's Resource podcast is changing!! We are transitioning to this podcast: CONVERSATIONS with Alya Lei. The purpose of the podcast will remain the same: Inspire, Inform, and/or Uplift with guest interviews - the new difference is we are including guests from outside of the entertainment industry, also! Please join me over there! Thank you for…
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Let’s face it: acting is weird. So are actors. The issues we have…the circumstances we find ourselves in are unlike that of anyone else. Some examples: How does one negotiate a love scene? What do you do when you’re on stage and you start focusing on the mole on your fellow actor’s face, pulling you completely out of the moment? Why dating a co-sta…
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Even when you're getting bad direction, or someone in the cast inappropriately gives you notes... Even when you feel like you're the only one who knows what they're doing, it's impossible to overemphasize the importance of being respectful and leaving a positive impression on everyone you work with. There are ways to handle these situations. Some a…
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Ordinary People (In Extraordinary Circumstances)
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Milton begins this week’s episode talking about a client whose personal life reflects the circumstances of the character he’s playing. It’s yet another lesson about the actor’s instinct to make a character about us, and it’s especially difficult to resist when we have been through almost the exact same experience. The difference is— our relationshi…
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Milton Plays A Car Mechanic The point of this episode is that, while we always need to work hard to make our work believable and interesting, there are times where you might have to work even harder because of your limited imagination and/or life experience. Such as the example provided in this week’s episode: Milton working on a car. This, in life…
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The Nature of Modern Theater: An Analysis of Loose Ends
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In this episode, we take a look at the play Loose Ends by Michael Weller. We do so through the lens of realism and the contribution that Ibsen, Strindberg and Chekov made to the modern theater. It’s an unusually long episode, but listening to Milton lecture on and analyze the time period of this play is an example of where script analyses can begin…
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Whether it’s stage or screen, you have to be able to analyze the text to figure out what world you’re in, what’s going on with your character and how you fit into the bigger picture. This way, you can come up with a choice that gives you something, moves you, makes you excited. So that by the time you *say it,* you’ve earned it. WANT MORE? Become a…
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This week, Milton explores a few of the ways we can gain insight into character. We can observe a stranger on the street and then, using a specific character trait, improvise a monologue as that person. We can also examine the events that contribute to a person’s identity. The crucial lesson here is that we never stop searching, never stop digging …
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We begin our 7th season with a call to save acting. Together, we can do it! One of the biggest elements that is missing in acting today is understanding the idea behind the play (or whatever it is that we’re doing) and understanding the size of it. Because of the work we do as actors, we get insight into truths about the human experience that we ge…
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Bonus Video Ep: How We Talk About Our Pain
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In life, we usually don't relive a painful experience when we're talking about it. That doesn't mean it doesn't affect us. It's just that we're not actively trying to "go there." In fact, usually we resist going there with all of our being. The same should be true when we're acting. We must build the character's past, but that doesn't mean our acti…
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Become a subscriber on Spotify for bonus content! https://podcasters.spotify.com/pod/show/actingclass/subscribe
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Season finale! The problem with trying to learn acting in a linear way is that no creative art is linear. You can’t fit a lifelong craft into one box or one book. Therefore, there is no one secret, or one method, or one idea that will save you. We have to be able to take on board the fact that acting is multifaceted. It is not about right or wrong,…
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Email Walker at questionsformilton@gmail.com for more information or to register.
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In this episode, Milton shares an example of what it means to trust your creative impulses. This means allowing yourself the freedom to wander around until you find a connection to what you're talking about. Although you may know where you're going, you don't necessarily know how you're going to get there, or what choice you're going to discover th…
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“I’m so sick of Mark Ruffalo. Whatever that is, I’m so sick of it. I am so sick of him that literally there was a part of me that was flirting with disaster.” On the heels of his Academy Award nominated performance in the film Poor Things, Mark Ruffalo joined his former acting teacher and coach Milton Justice on the podcast I Don't Need an Acting C…
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“I’m so sick of Mark Ruffalo. Whatever that is, I’m so sick of it. I am so sick of him that literally there was a part of me that was flirting with disaster.” On the heels of his Academy Award nominated performance in the film Poor Things, Mark Ruffalo joined his former acting teacher and coach Milton Justice on the podcast I Don't Need an Acting C…
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This week’s episode is based on a question we received about adding your own circumstances in order to increase the stakes, or help you connect. Here’s the question in its entirely: Is it acceptable to add your own specific circumstances or facts to bear down on generalities in the script? Or is this dangerous embellishment? David Mamet says to inv…
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WANT MORE? Become a subscriber on Spotify for bonus content! https://podcasters.spotify.com/pod/show/actingclass/subscribe This episode begins with the exercise of telling someone else’s story. It involves hearing a story from someone in class, and then retelling it as our own. This is a great technique exercise because it allows you to layer i…
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WANT MORE? Become a subscriber on Spotify for bonus content! https://podcasters.spotify.com/pod/show/actingclass/subscribe Milton begins this episode by emphasizing the importance of observing human behavior— our own and others. The reason is, it gives us clues to everything, from character to circumstance to what “playing an action” looks like…
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This week, we go back to some of the fundamentals of acting technique. One of which is, The Biggest Sin: Thou Shall Not Make Performance Choices When You First Read The Script. But this is not something we’re always aware that we’re doing. We forget. Or— we have an immediate response to the character or the circumstances, and run with that first in…
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WANT MORE? Become a subscriber on Spotify for bonus content! https://podcasters.spotify.com/pod/show/actingclass/subscribe Have a question for Milton? Send us a voice note below or email us at: questionsformilton@gmail.com Also, check out our website: www.idontneedanactingclass.com
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“Don’t shop at Kmart if there’s a Tiffany’s at 57th and 5th.” -Stella Adler on Making Choices This episode begins with Milton’s deconstruction of an audition. He talks about the downside of adding a lot of plot points to your preparation for a scene: it means you have to earn every single one of them in a way that feeds you emotionally. “But the ad…
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WANT MORE? Become a subscriber on Spotify for bonus content! https://podcasters.spotify.com/pod/show/actingclass/subscribe There are some misconceptions about relaxation in acting. You want to be relaxed but not so relaxed that you’re not able to be active as your character in the given circumstances. As Milton says in this week’s episode: “I thi…
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Playing Witch-Twins on American Horror Story
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In this episode, actress Annabelle Dexter-Jones joins us on the podcast to talk about playing twin witches on American Horror Story. She discusses the extensive background and character work the did while working one-on-one with Milton, as well as the exercises that freed her up the most and allowed her to make ever more discoveries. WANT MORE? Bec…
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An excerpt from Milton's Masterclass at Spotlight in Stockholm, Sweden.
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WANT MORE? Become a subscriber on Spotify for bonus content! https://podcasters.spotify.com/pod/show/actingclass/subscribe What do we mean when we say the Given Circumstances? According to Stella Adler, the Given Circumstances includes everything— all the facts. And as Milton puts it, it incorporates all the P’s: the play, the playwright, the plo…
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WANT MORE? Become a subscriber on Spotify for bonus content! https://podcasters.spotify.com/pod/show/actingclass/subscribe This is one of those ideas in acting that is almost scientific in its certainty. If you’re ever in a scene where your character is meant to be inactive, you must equally compensate for it by finding a way to make what you’re …
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Max Muscato - Founder of Rock Autism Music Festival
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Max Muscato is an American singer-songwriter, guitarist, producer and philanthropist. As a rock artist he brings electrifying performances to every show. Over the last several years Max has gained an extensive following and has toured and opened for: Our Lady Peace, Citizen Cope, Theory of a Deadman, Aaron Carter, Finger Eleven, Ripe, The Allman Be…
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WANT MORE? Become a subscriber on Spotify for bonus content! https://podcasters.spotify.com/pod/show/actingclass/subscribe The reason why “putting something in your own words” is such a useful exercise is because it covers so much territory: understanding the sequence of thoughts, owning the character’s point of view and the size of an idea, and …
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WANT MORE? Become a subscriber on Spotify for bonus content! https://podcasters.spotify.com/pod/show/actingclass/subscribe This week, Milton muses about what we mean when we talk about connecting. How much to we, as actors, have to connect to the character’s point of view, and how it that different than the *character* connecting to their point o…
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Your shirt is blue. 👕
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You promised to bring me the notes for the lecture. I waited for you and when you didn’t turn up I knew you’d forgotten as usual. This is a comprehensive list of what people in class said they would work on when given this one line of dialogue: Relationship to partner Where are we What is the lecture Are you teacher or student How long did you wait…
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WANT MORE? Become a subscriber on Spotify for bonus content! https://podcasters.spotify.com/pod/show/actingclass/subscribe There are so many (upsides) to improvisation. For one, it helps you get specific, own what you’re talking about, and find choices that you love. It also forces you to listen because you’re constantly having to check-in with y…
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WANT MORE? Become a subscriber on Spotify for bonus content! https://podcasters.spotify.com/pod/show/actingclass/subscribe Milton begins this week’s episode sharing memories about working with Swedish cinematographer, Sven Nykvist and Helen Mirren, and why “taking the time to build slowly and let it layer in” is such a wonderful way to work. And …
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WANT MORE? Become a subscriber on Spotify for bonus content! https://podcasters.spotify.com/pod/show/actingclass/subscribe Your individual experience will inform your “way in” to approaching a role and of course, your interpretation of a character will be uniquely yours. But that doesn’t mean the character is you, and that you don’t have to move …
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WANT MORE? Become a subscriber on Spotify for bonus content! https://podcasters.spotify.com/pod/show/actingclass/subscribe www.idontneedanactingclass.com
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WANT MORE? Become a subscriber on Spotify for bonus content! https://podcasters.spotify.com/pod/show/actingclass/subscribe One of the biggest contributions that Stanislavsky (and later Stella Adler) made was the clear logic they brought to the study of acting. This episode includes several ideas in acting technique that simply make sense: make a ch…
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WANT MORE? Become a subscriber on Spotify for bonus content! https://podcasters.spotify.com/pod/show/actingclass/subscribe In this episode, Milton talks about the myths actors tell themselves about why they’re not getting hired. The bottom line is this: if you’re good, eventually you’ll start getting hired. In a culture obsessed with tricks, quick …
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There’s a difference between the preparation work we do when creating a role, and what we’re actually *doing* in the scene. For instance, in your preparation, you may have had to build a past so that each moment is emotionally filled, but that may not be what the scene is about. And so you don’t want to “play” the past, but instead, play what’s goi…
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Success Interview with Catherine Campion - Voiceover Artist and Death Midwife
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Catherine Campion is a lifer in the entertainment industry. She has been working as an actress non-stop since she was 16 - first in theater, then commercials, followed by TV & features. Some favorite roles have been a foul-mouthed cancer patient on Weeds; a MN Iron Range mom standing up to Charlize Theron in North Country; and a nerdy gamer in Silv…
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Welcome back everyone! Hope everyone is enjoying their fall so far. We’re beginning Season 6 with an overview of some of our actor-tools: exploring the nature of character, connecting to something honestly and interestingly, they importance of improvisation, visualization, and how music can influence your work. For anyone interested in Milton’s upc…
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Want to Study with Milton Justice? Register Now.
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Hey everyone, Milton’s 6-week Technique & Script Analysis Workshop will begin October 7th. Classes are Saturdays, from 2PM to 5PM EST and will be held over Zoom for six consecutive weeks. The fee for the 6-week session is $300. This is a great opportunity to get your foot in the door to one of Milton's classes, as he rarely opens up a class to new …
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