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A podcast about how to build a career in filmmaking. No Film School shares the latest opportunities and trends for anyone working in film and TV. We break news on cameras, lighting, and apps. We interview leaders in screenwriting, directing, cinematography, editing, and producing. And we answer your questions! We are dedicated to sharing knowledge with filmmakers around the globe, “no film school” required.
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This is the radio documentary anthology series about filmmaking, cinema, and the creative arts. Every week we bring you personal, passionate, and sometimes provocative stories from filmmakers and artists all over the globe; stories that will help you mature as an artist and find more fulfillment in your craft and career. NoFilmSchool called this "The filmmaking podcast we've all been waiting for." // Filmmaking is the ONE art form into which all other art forms are absorbed. Photography. Gra ...
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Filmmakers Academy presents two of the film industry’s most unique and reliable podcasts for professionals who work behind the camera. We explore the latest trends, interview industry leaders, and offer leadership and lifestyle guidance tailored to fit the needs of filmmakers. Stop what you’re doing this very moment and subscribe to Filmmakers Academy to watch LIVE episodes for free on the FA Platform! While full audio episodes are available on Spotify and Apple Podcasts, you can watch past ...
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Late Evening Show

Dissolve Media

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Late Show style comedy with guests from all over the world specializing in independent filmmaking. We bring you some of the best indie films we've seen, with some of the worst jokes you've ever heard. Support this podcast: https://podcasters.spotify.com/pod/show/lateeveningshow/support
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The Holistic DP Podcast

Carter Hewlett Cinematographer / Director of Photography

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On the show cinematographer, Carter Hewlett takes a holistic look at life as a working director of photography. Through conversations with directors, producers, DPs, actors, and everyone in between, you'll gain insight, knowledge, tricks, and tips on all things cinematography. Being a successful cinematographer is more than just the art, more than just the photography. Discussions about lighting, cameras, lenses, and photography are given for any cinematography podcast. On this show, we aim ...
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Vision & Graft

Richard William Preisner

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Just like a lot of millennials I was thrown out of university into the real world without much guidance, having to find my feet in the middle of a recession. I took the risky path of freelancing in the film industry in London without much experience, working hand to mouth to pay my rent. Over the next decade I got so all consumed by being on the career treadmill that I forgot why I decided to be a filmmaker in the first place and my mental health and personal life slipped to rock bottom. I n ...
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As a beginning editor, working on low-budget projects is normal when you’re first starting. Once you get some experience under your belt, there comes a time when you have to start advocating for yourself so that you can get paid more. The “something is better than nothing mindset” can only serve you for so long, before you start to burn out. In tod…
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Paramount and Skydance are merging. How does that impact the people already involved in those companies and what does it mean for the rest of us? How did House of Dragon pull off the epic Battle of Rook’s Rest, featuring multiple, fighting dragons? Let’s find out together! In today’s episode, No Film School’s GG Hawkins and Jason Hellerman discuss:…
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On this special episode of the No Film School podcast, host GG Hawkins shares her experience of writing her first feature, 'I Really Love My Husband' on a small budget and arguably, an even smaller timeline. She discusses the constraints she faced, the collaborative writing process, and the challenges of receiving feedback. GG emphasizes the import…
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At what point should you get paid for the work you do to develop a project? What types of conversations should you be having with your agent? How can you show up confidently for potential projects, even though you’re feeling utterly afraid? In today’s episode, No Film School’s GG Hawkins, Jason Hellerman, and guest Carrie Solomon discuss: Smart way…
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While documentary editor Lucas Harger loves “being lost in a sea of footage” when he first starts a project, his approach to editing is intentional and specific. From his initial meeting with the director to establishing the context of characters and theme, this editor knows what it takes to transform raw footage into powerful stories. In today’s e…
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You don’t have to have high-end tech or complicated processes to create your film. You just need an open mind and a passion for the story you are telling, as we’ll learn from this week’s episode from the DP and editor of A House Is Not a Disco. In today’s episode, No Film School’s GG Hawkins speaks with cinematographer Eric Schleicher and editor Bl…
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Michael Sarnoski is the director and co-writer of A Quiet Place: Day One, the franchise's third film. The film follows Sam who is trapped in New York City during the early stages of an alien invasion. Michael shares that he was attracted to this film because of the opportunity to explore interesting character dynamics. In today’s episode, No Film S…
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What’s the best approach to sharing your resume on LinkedIn? Is it okay to negotiate when you rent gear? What’s the difference between hard comedy and hard “R” comedy? How do you shoot a documentary and make it feel like a movie? In today’s episode, No Film School’s Charles Haine, GG Hawkins, Jason Hellerman, and guests Lance Oppenheim and Nate Hur…
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Becoming an editor is more than just learning software and improving your skills. You must listen intently, speak up for yourself, and seek guidance and feedback from others with more experience. In today’s episode, No Film School’s Grant Vance speaks with editors J. Kathleen Gibson, Joaquin Elizondo, Shelly Westerman, and Payton Koch to discuss: T…
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Jeff Nichols is the director of the film, The Bikeriders, a story about a 1960s motorcycle club that turns into a menacing gang, known as the Vandals. The film is adapted from Danny Lyon’s book of the same title. The complex nature of The Bikeriders, leaves us asking, “Why are we attracted to dangerous things?” In today’s episode, No Film School’s …
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Maura Corey is the picture editor of Gen V, a satire about young adult superheroes. Walter Schulz is the visual effects supervisor behind The Curse, a story about a cursed couple who are part of a reality show. These two creatives share how they got their start, their work process, and what it takes to build a successful career in film. In today’s …
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This episode is proudly lit exclusively by Nanlux-Nanlite Lights and sponsored by B&H and Hollyland. In this episode of the Inner Circle Podcast, Shane Hurlbut, ASC and Lydia Hurlbut welcome a man of many talents, George Billinger, for an inspiring conversation. The legendary Steadicam operator and camera operator opens up about his unconventional …
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Just how important are character introductions in film? What are the most important steps you need to take before sending out your script? How do you pay for healthcare as a freelance filmmaker? In today’s episode, No Film School’s Charles Haine and Jason Hellerman discuss: Why writers need to improve their character introductions Examples of movie…
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There's no better feeling than completing a project you’ve been working on for, what feels like, forever. On one hand, you’re relieved but you're also anxious to figure out what to work on next. How do you decide what your new project will be, and what is the most efficient strategy for getting started on it? In today’s episode, No Film School’s GG…
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In life, we can’t please everyone. There will be people who “get us” and others who simply don’t. It’s the same when you’re a filmmaker. Your work won’t vibe with everyone who sees it, and that’s totally okay! It’s time to face your fears, give it your all, and create those projects that reveal your darkest instincts. In today’s episode, No Film Sc…
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If you’re a director who has become too attached to the temp score, you’re essentially falling in love with something you can’t have. While it may feel impossible to let go, it is possible. Let’s look at some ways you can break up with your temp score and move on. In today’s episode, No Film School’s Charles Haine, GG Hawkins, and Jason Hellerman d…
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Editing is more than just assembling footage. According to editor Sandra Granovsky, the whole editing process requires an interest and understanding of human nature. In today’s episode, No Film School’s GG Hawkins speaks with Sandra Torres Granovsky to discuss: How studying anthropology affected her approach to editing Following your inner voice wh…
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Is it ethical to encourage people to pursue a career in film when there are such high levels of unemployment in the industry? The Art Directors Guild certainly doesn’t think so which has led the union to pause their annual training program this year. In today’s episode, No Film School’s Charles Haine, GG Hawkins, and Jason Hellerman discuss: The AD…
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Prom Dates, written by D.J. Mausner and directed by Kim Nguyen, is a comedy that follows two best friends who are hell-bent on having the perfect senior prom, despite the fact they broke up with their dates only 24 hours before the big night. This raunchy comedy reminds us that while romantic love may be fleeting, true friendship can survive any ad…
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What film festivals are worth submitting your projects to? Which festivals are legitimate and which ones are scams out for your money? Is it possible to find like-minded creatives to collaborate with, outside of places like L.A. and New York? In today’s episode, No Film School’s Charles Haine, GG Hawkins, Jason Hellerman, and guest Amy Dotson discu…
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ANNUAL SPRING SALE! [Learn More Here] Thanks for joining us for another episode of the Filmmakers Academy Podcast! Take advantage of monthly virtual group coaching, networking events, as well as new content released weekly by becoming a member today. Join today and get $20 off your first month by using the promo code FAPOD20. And join the #1 resour…
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“There’s never been a better time to make shorts or watch shorts,” says Mike Plante, the senior short film programmer at Sundance Film Festival. Mike, who has been at Sundance for over 20 years, shares his thoughts on the future of shorts and what his team looks for in the selection process. In today’s episode, No Film School’s Ryan Koo speaks with…
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Long-time friends and colleagues, Christopher Ross and Sam McCurdy, are two of the cinematographers of FX’s mini-series, Shōgun. Filming this series was an incredible experience full of lessons in Japanese culture, lenses, and shooting with cranes. In today’s episode, No Film School’s GG Hawkins and special guest, cinematographer Ryan Thomas, speak…
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Writing a screenplay is like following a cookie recipe, it’s closer to magic than science. You don’t have to follow screenwriting “rules” to create an amazing story. There’s something else you don’t have to do in your career. When serious problems arise in your personal life, you don’t have to keep working at your typical pace. It’s okay to ask for…
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Justin Kuritzkes is the screenwriter for the film, Challengers, starring Zendaya, Mike Faist, and Josh O’Connor. The story revolves around tennis pros who are caught in a love triangle. It’s not just about the game of tennis, but about the game of love and power. Let’s dive into Justin’s process of writing such a damn good movie! In today’s episode…
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The days of selling naked specs are over. It’s now the filmmaker's job to understand how to package their projects. While many were opposed to packaging in the past, there are effective ways to approach the process that will leave you feeling empowered. In today’s episode, No Film School’s Charles Haine, GG Hawkins, and Jason Hellerman discuss: The…
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We had the chance to speak to Grant Petty of Blackmagic Design at this year’s NAB conference. It was as much of a conversation about technology and innovation as it was a conversation about human nature. In today’s episode, No Film School’s Jourdan Aldredge speaks with Blackmagic CEO Grant Petty to discuss: Developing the URSA Cine with a post-prod…
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Erick Sasso is a multi-hyphenate creative and the editor of the film, Maxine's Baby: The Tyler Perry Story, which documents the life of Tyler Perry. Erick compares the making of documentaries to the making of a meal. You need to use the right ingredients…not too much, not too little. And everyone at the table has to enjoy it. In today’s episode, No…
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Rod Blackhurst and Noah Lang are the dynamic duo behind the film Blood for Dust, starring Kit Harington, Scooty McNairy, and Josh Lucas. These filmmakers share why leading with honesty, openness, and enthusiasm is the key to building strong relationships and creating successful films. You don’t have to be cutthroat in this industry in order to achi…
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Nina Ognjanovic is the director of the film, Where the Road Leads, which won Best Narrative Feature at Slamdance 2023. Nina and her passionate team prove you can successfully market a foreign, indie film on a limited budget and still win at major festivals in the US and worldwide. In today’s episode, No Film School’s GG Hawkins speaks with Nina Ogn…
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Were you hoping work would pick back up after last year’s strikes? Unfortunately, work is epically slow, and 2024 is a rough year for the film industry. But just because Hollywood is slowing down, doesn’t mean you have to. In today’s episode, No Film School’s Charles Haine, GG Hawkins, and Jason Hellerman discuss: The industry post-strike How highe…
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Sam Hargrave is an award winning stuntman and stunt coordinator, second unit director for films like Suicide Squad and Avengers:Endgame, and director of the film Extraction. His second feature film, Extraction 2, is available on Netflix, June 16. In this episode, No Film School’s GG Hawkins and director Sam Hargrave discuss: The transition from stu…
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Thanks for joining us for another episode of the Filmmakers Academy Podcast! Take advantage of monthly virtual group coaching, networking events, as well as new content released weekly by becoming a member today. Join today and get $50 off your first year of Annual All Access by using the promo code FAPOD50. And join the #1 resource for cinematogra…
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Heat is important to your film career. It means that you and your work are gaining attention and recognition, which can lead to more opportunities in the future. So how can you generate and navigate heat at an industry level? What contributes to “positive heat” or “negative heat?” In today’s episode, No Film School’s GG Hawkins and Jason Hellerman …
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How do you build a career as a cinematographer when the odds are against you? How do you create opportunities for yourself, when dealing with rejection, financial barriers, and prejudice? Is it possible to pursue your dream without conforming and becoming someone you are not? In today’s episode, No Film School’s GG Hawkins speaks with cinematograph…
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The small decisions that you make at the beginning of your project, can cause headaches later on. If you want to avoid tech issues in post, then you need to set up your project correctly from the start. Speaking of doing things right from the start, there is a right way and a wrong way to approach your interviews. How should you prepare for your ne…
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Get $20 off you first month to the Filmmakers Academy with PROMO CODE: FAPOD20 This episode is proudly lit exclusively by Nanlux-Nanlite Lights and sponsored by B&H and Hollyland. DP Sherri Kauk joins Lydia and Shane Hurlbut, ASC to discuss her career in the film industry and her latest feature film, Drugstore June. Throughout their conversation, t…
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Should you hire an intimacy coordinator for your next project? What exactly does an intimacy coordinator do? Does having this person on set ruin spontaneity? How can having more structure around intimate scenes, actually encourage freedom and creativity during the storytelling process? In today’s episode, No Film School’s GG Hawkins speaks with Lis…
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You are still a legitimate filmmaker even if you don’t own any gear. Most filmmakers actually don’t own the gear they use and for good reason. And speaking of gear, what movies geared you toward the path of filmmaking? In today’s episode, No Film School’s Charles Haine, GG Hawkins, and Jason Hellerman discuss: Buying gear or renting gear - which is…
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Who says making a movie requires expensive equipment, a large crew, and a script? Maybe creating a film can be a creative experiment between a couple of friends who are excited about the uncertainty of the journey that awaits. This was the realization Pete Ohs had when he recognized that the typical approach to filmmaking was not for him. In today’…
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Getting your script into the hands of the right people is extremely difficult. What is a desperate screenwriter to do if they seek feedback on their screenplay? Are script coverage services helpful or just another cog profiting from an emerging filmmaker’s hope? In today’s episode, No Film School’s Charles Haine, GG Hawkins, and Jason Hellerman dis…
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If you want to succeed with fantasy and make it a transformative experience, you have to create real characters. To convey realness, you have to go beyond the “good versus evil” narrative of traditional fantasy movies. You have to create duality. In today’s episode, No Film School’s GG Hawkins speaks with Director Juan Carlos Fresnadillo, to discus…
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Regardless if you are new to filmmaking or you have years of experience, you must be strategic about managing your career in film. This includes setting goals, constantly building your portfolio, and knowing how to financially support yourself between paid projects. In today’s episode, No Film School’s Charles Haine, GG Hawkins, and Jason Hellerman…
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What does it look like to advocate for yourself as a creator? Well, it starts with understanding your value and knowing where you can serve. Then, you have to develop the courage to articulate and offer your expertise. This is exactly what Shakina did to land the role of executive story editor on the NBC series, Quantum Leap. In today’s episode, No…
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With the rise of AI, will Hollywood begin to neuter your voice? While AI isn’t creating anything original, the immediate convenience of this tool is already impacting our industry. Artificial intelligence is being applied to creative arts, so filmmakers need to understand how it can affect their careers. In today’s episode, No Film School’s Jason H…
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Get $20 off you first month to the Filmmakers Academy with PROMO CODE: FAPOD20 Come on board and bring along all your hopes and dreams! In this episode, we welcome back one of our most popular ASC cinematographers. The gifted eye behind the lens of the live-action One Piece Netflix adaptation, Nicole Hirsch Whitaker, ASC, joins Lydia and Shane Hurl…
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