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Film Jive

Zachary Betonte, Simone Barros

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Film Jive adopts an informal, autodidactic approach in considering the interdisciplinary aspects of cinema, and more specifically, its relation to philosophy, literature, music, and politics. Through this path of inquiry, the show attempts to generate discussion and sonic experiences which imagine new forms of cinema and continue to locate linkages between seemingly disparate threads of cinematic thinking.
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The autumn and its contemplative condition of death and decay induce flirtations with the illusory, the uncanny, the weird and the eerie, and of course, the horrific. "A Sonospheric Corpse" derives inspiration from the surrealist technique, "exquisite corpse" in which each participant adds a contribution in a sequence. What follows is a phantasmago…
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The autumn and its contemplative condition of death and decay induce flirtations with the illusory, the uncanny, the weird and the eerie, and of course, the horrific. "A Sonospheric Corpse" derives inspiration from the surrealist technique, "exquisite corpse" in which each participant adds a contribution in a sequence. What follows is a phantasmago…
  continue reading
 
In a career spanning more than sixty years, Italian musician and composer, Ennio Morricone became one of the most prominent and influential film artists of the twentieth century. Morricone’s early collaborations with filmmaker Sergio Leone would define the Italian Spaghetti western and redefine the sonic textures associated with the western genre. …
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As a result of the enduring Covid-19 pandemic, the ticking of the clock no longer seems actual in any remote sense. We have collectively entered recursive time loops, fractals and spirals where the measurements of time; seconds, minutes, hours, days, weeks, months, etc. are little more than an afterthought. An intersection of present and future has…
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Originally published in April of 2016, Zach Betonte and Gary Sargenson discuss D.W. Griffith’s iconic melodrama, “Way Down East” originally released in 1920. The two debate the merits of Griffith’s cinematic legacy, how class relations are explored within melodrama and whether the film exists within a temporal or secular imaginary.…
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Originally published September of 2015, Zach Betonte and Gary Sargenson discuss one of the definitive independent films of the 1990’s, “Buffalo ‘66” directed by Vincent Gallo and originally released in 1998. The conversation elaborates on the intense portrayal of a man-child, Gallo’s command of varying cinematic styles, and the film’s more impressi…
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Originally published November of 2015, Zach Betonte and Gary Sargenson discuss Pascal Laugier’s sociological horror thriller, “The Tall Man” originally released in 2012. The conversation inquires about the nature of the film’s unexpected social commentary, its anachronistic use of filmic space, and how it attempts to subvert conventional horror gen…
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Originally published in March of 2016, Zach Betonte, Andrew Swope and Simone Barros discuss Stanley Donen’s Lerner and Loewe musical “The Little Prince'' adapted from Antoine de Saint-Exupéry’s novella of the same name and originally released in 1974. The discussion addresses how the film addresses the text’s existential themes, excavates its influ…
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Originally published in November of 2016, Zach Betonte and Simone Barros are joined by Supporting Characters host, Bill Ackerman to discuss John Lee Hancock’s psychological horror film, “Let’s Scare Jessica to Death” originally released in 1971. The trio consider the film’s distinctive rhythms, ambiguous structure and its possible interpretations a…
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Originally published in October of 2016, this Hallow’s Eve, the Film Jive tomb is re-opened with another creaking cacophony of murderous disharmony and echoes of the fantastique with the “Soundtrack of Terror Vol. II”. Film Jive contributors Simone Barros, Zach Betonte and Andrew Swope welcome fellow trick or treaters; Bill Ackerman, Regina Barry, …
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Originally published in August of 2016, Zach Betonte and Simone Barros are joined by Jim Laczkowski, host of the Director’s Club and Voices and Visions podcasts to discuss Charlie Kaufman’s “Synecdoche, New York” originally released in 2008. The discussion considers Kaufman’s use of filmic space and architecture, the emotional effect of viewing a c…
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Originally published in June of 2016, Zach Betonte, Andrew Swope and Simone Barros discuss Jean Cocteau’s dreamscape, “La Belle et la Bête” originally released in 1946. The discussion elaborates on how Cocteau’s avant-garde theatre background informs his cinematic practice, how objectification may or may not augment the narrative’s reality and the …
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Originally published in June of 2016, Zach Betonte, Andrew Swope and Simone Barros discuss Jesus Franco’s erotic thriller, “Eugenie de Sade” originally released in 1973. The discussion contemplates Franco’s nostalgic re-appropriation of popular culture and how this implies meta-textual elements and question the film’s complicated depiction of femin…
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Originally published in June of 2016, Zach Betonte, Andrew Swope and Simone Barros discuss Joseph Losey’s psychodrama, “Accident” originally released in 1967. The trio inquire about the role of subjective memory in relation to the narrative trajectory, the presence of animals throughout and its implications, and question whether the camera objectif…
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Originally published in May of 2015, Zach Betonte and Andrew Swope discuss Lucio Fulci’s spandex slasher film, “Murder Rock” originally released in 1984. The discussion elaborates on Fulci’s relationship to 1980’s American popular culture, the irrational character motivations, and how Fulci’s production restrictions enhance the formal atmosphere of…
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Originally published in February of 2015, Zach Betonte and Gary Sargenson discuss François Truffaut’s coming of age drama, “Two English Girls”. The discussion details the film’s portrayal of unrequited love, it’s continuity with Truffaut’s earlier film, “Jules and Jim” and how Truffaut may be the most conservative conspirator of the French Nouvelle…
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Originally published in November of 2014, Zach Betonte is joined by Chris Vander Kaay, screenwriter and co-author of the horror film interview book, "The Anatomy Of Fear: Conversations With Cult Horror & Science-Fiction Filmmakers". In this brief conversation, Chris shares insight into the writing process, his collaboration with co-author, Kathleen…
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Originally published in October of 2014, to celebrate the occasion of Halloween, Zach Betonte and Andrew Swope welcome twenty film podcast co-hosts, bloggers, and authors to share their favorite horror movie music. The guests include; Amy Andrews, Ashley Avard, Regina Barry, David Cummings, Jay Of The Dead, Jessica Elgenstierna, James Gillham, Mars…
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