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Storylanes

Joe Dzikiewicz

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If you want to know about screenwriting, the first thing most people will tell you is this: Read screenplays. Lots of screenplays. And analyze them. I want to know about screenwriting, so I read a whole bunch of screenplays. And to force myself to dive a little deeper, I decided to share my analysis with the world. Thus the Storylanes Podcast. Every episode, I do a deep dive into some screenplay. I look at how it is structured, at how the pieces fit together, and at what makes it special. An ...
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In this episode we return to screenplay analysis. And we return with a good one. CASABLANCA, which in my humble opinion is the greatest screenplay ever written. Give this episode a listen and you'll find out why I think that. For more details, including links to all the things mentioned in this episode, the Storylines analysis of CASABLANCA, and th…
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How making a movie sometimes means you spend all your time producing instead of writing and directing. Even if you got into filmmaking to write and direct. And we've got a new title for the movie, and a new website. It's DOMICIDAL, and you can find us at http://domicidal-movie.com. Plus, of course, check us out as usual at http://storylanes.com.…
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Season 2 is going to be all about making an independent feature. I'm applying everything I learned from analyzing scripts in season 1 and making my own film. And you can be along for the ride, because this podcast is going to cover the story of how I make the film. Today we start with how I ended up wanting to make my first feature when most of my …
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This week we turn our eyes to the world of television, and to the pilot episode for the TV series BREAKING BAD. This lets us look at all the things that a TV pilot needs to do to set up the series while still telling a great story that will bring the viewers back. Written by Vince Gilligan, this pilot is considered one of the modern class pilots. L…
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This week we analyze JOJO RABBIT. This one's hard to categorize. It's a comedy, but also a drama with tragic aspects. While, of course, having a historical setting. It's an interesting script, and one that lets us examine a new screenwriting model, the Mazin/LeFauvre model, used by top screenwriters Craig Mazin and Meg LeFauvre. For more details, v…
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This week we look at GET OUT, Jordon Peele's terrific horror film that's all about race in America. There's some interesting things to note here, including a different way of using the inciting incident which is all about tone and not at all about plot. For more details, including the Storylanes chart, visit https://storylanes.com.…
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A Storylanes deep-dive analysis of Greta Gerwig's script for 2019's LITTLE WOMEN. The script was nominated for the Oscar for Best Adapted Screenplay, and the film itself was nominated for Best Picture. There's some interesting things here, including interesting juggling of timelines, a couple of typographical conventions that I've already used. in …
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This week we analyze ALIENS, the great 80's sci-fi war movie. And one of the great sequels of all time - so we get to take a look at what makes a great sequel, and how ALIENS manages to be significantly different than ALIEN while still having many of the same story beats. Also, these movies give us a chance to take a look at the difference between …
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This episode, we do a Storylines-style deep-dive analysis of ALIEN, the great 70's sci-fi horror film. Find out about ALIEN's clean and symmetric three-act structure, with one of the best midpoints in all of cinema and a final act that combines some of the best tools of the suspense writer. But ALIEN is also a great example of 70's gritty realism, …
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We do our first deep-dive analysis of a movie, and it's a good one. DIE HARD, the great action thriller, written by Jeb Stuart and Stephen de Souza, directed by John McTiernan, and starring Bruce Willis and Alan Rickman. For more details on this episode, and to see the Storylanes analysis, visit https://www.storylanes.com/2020/04/21/episode-2-die-h…
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