On this week’s episode, I’m pleased to be joined by W. David Marx, author of the new book Blank Space: A Cultural History of the Twenty-First Century. Alongside Marx’s Status and Culture, this book is one of the key texts to understanding how and why the culture has shifted so radically so quickly: the combination of “poptimism” (we discuss what, p…

How, exactly, did Bari Weiss become the head of CBS News? We know that David Ellison, who bought Paramount last year, hired her — and bought The Free Press, the publication she started a few years earlier. But how did she get on Ellison’s radar? And why are so many media moguls, like Ellison, huge fans? New York magazine’s Charlotte Klein knows. Sh…

Craig Finn makes music — as the head of the Hold Steady, and on his solo records — about grown-up lives and bad decisions. Back in 2017, we talked about his life as a working rock musician — and how touring actually works, how the band found a second life, and why fans and friendship matter more than old ideas of rock stardom. Learn more about your…

PJ Vogt helped invent modern narrative podcasting with “Reply All.” Now he’s running “Search Engine” with a much smaller team and a lot more control. We talk through what he gave up this time around, what he gained, and how he actually makes the show each week. I loved this conversation when we recorded it earlier this year. And I think it’s just a…

On Monday, Sam Stein DMed me and asked if we could put together a little livestream event celebrating the work of Rob Reiner; he described it as sitting shiva, and I was happy to take the lead on putting this group of mourners together. I was joined by my colleague Bill Kristol, The Ankler’s Richard Rushfield (whose great column on Reiner you can r…

The backstory here is that weeks ago, Bloomberg’s Lucas Shaw agreed to join me for my 2025/2026 look back/look ahead episode. And then things got way more compelling, because Paramount and Netflix got into a truly unprecedented fight over the future of Warner Bros Discovery. So that’s what we’re talking about here, including: *Why this truly is a t…

On this week’s episode, I’m joined by Vulture’s Nicholas Quah to discuss his and Savannah Salazar’s piece on what Netflix might do with Warner Bros.'s tie-ins with Universal Studios and Six Flags, and then expanded the conversation to consider the vast universe of WB’s entanglements. The studio also owns an enormous video game company, the second-b…

I chat with lots of media reporters. Lachlan Cartwright is a different beast: An Aussie who started out working for Rupert Murdoch’s tabloids in London and New York, and then on to the National Enquirer — yes, that National Enquirer — back when it was catching and killing stories on behalf on Donald Trump. Now Cartwright runs Breaker, a must-read N…

In 2013, Netflix wanted to become HBO. Now Netflix is going to buy HBO along with the Warner Bros. Studio, in a blockbuster $83 billion deal. Wowza. Here to talk me through this is Bloomberg’s Lucas Shaw, who has been deep in the deal talks for weeks. Discussed in this one: *How did Netflix maneuver its way into a deal everyone thought Paramount wo…

On this week’s episode, I’m rejoined by Scott Mendelson of The Outside Scoop, whom I’ve tasked with answering a very simple question: Is there a good business case to be made for rebooting the Rush Hour franchise or is it merely a (very odd) sop to Donald Trump and his wife’s chronicler, Brett Ratner? (:47). Then we discussed Zootopia’s crazy popul…

The last time I interviewed PBS CEO Paula Kerger was 2019: Donald Trump was President, and Republicans were trying to defund public media — as they had been trying to do for decades. That didn’t happen then, but this year it did, and now Kerger is trying to fill a $1 billion funding hole. So far, she says, PBS and its member stations have held up o…

On this week’s episode, I’m rejoined by David Coggeshall (previously on to discuss Orphan: First Kill and the first Family Plan) to discuss his sequel to the surprise 2023 hit for AppleTV+. We talked shooting in London and Paris, the inspirations this holiday-season film, and what might come next for this series (and his career!). If you enjoyed th…

We built the modern media business for the web — for people who visited websites, read articles, and saw ads. What happens when no one does that anymore? That’s been one of the big themes of conversations we’ve been having on Channels with this year — with people who run big and small media properties, and with people who are trying to build media …

For a goofy franchise that started with gangsters stealing DVD players and wound up with a Pontiac Fiero going into space, The Fast and the Furious movies are a pretty fantastic lens through which to view the last quarter-century of Hollywood economics. From the DVD boom and bust to the internationalization and diversification of ticket-buyers to q…

If you watched something on TV that you liked in the past few decades, there’s a good chance Kevin Reilly was involved: at various times he’s held top jobs at FX, Fox, NBC, Turner and HBO Max. But that run ended in 2020, and now Reilly is running Kartel, an AI company that… well, I’m still not entirely sure what it does. (To be fair, as Reilly note…

On this week’s episode, I’m rejoined by Chris Yogerst, author of the new book from the University of New Mexico’s “Reel West” series on The Man Who Shot Liberty Valance. We discussed the making of the film, its place in the western canon as a sort of natural ending point for the traditional westerns made by John Wayne and John Ford, and the surpris…

It’s not unusual for a big TV network and a big TV distributor to fight about money. But the Disney-YouTube fight is unusual -- at the bare minimum, because it has stretched out for so long. CNBC’s Alex Sherman lives and breathes this stuff, so I asked him to walk me through it, and make some prognostications about when it might get settled (spoile…

I’m joined by Dave Itzkoff on this week’s episode to discuss Paddy Chayefsky’s classic film, Network. Dave literally wrote the book on Network in his history of the film, Mad As Hell, and had lots to say about the making of the movie, the minds behind it, and its ongoing relevance to our daily lives. I know what you’re thinking, I can practically h…

In some ways, the Bulwark feels like other small publishers in 2025: it’s found growth and profit by pushing itself out on any platform it can find. But that wasn’t the plan when the company started in 2018. Back then, it was a non-profit cofounded by Republicans who couldn’t stand their party’s embrace of Donald Trump, and wanted a place to organi…

On this week’s episode, I’m joined by Tom Nichols—staff writer at the Atlantic, professor emeritus at the U.S. Naval War College, and all-around nuclear arms expert—to discuss Kathryn Bigelow’s new nuclear war film A House of Dynamite. On this episode, we discuss how his students reacted to previous nuclear panic films like The Day After and Thread…

Would you pay $7 a month to stream CNN? Because CNN CEO Mark Thompson would like you to do that. I know, I know, I’m skeptical, too. But Thompson has been here before: At his last job, as CEO of the New York Times, he helped shepherd that company’s subscription business, which had a gazillion naysayers at the start. And now the Times’ business mode…

On this week’s episode, I’m joined by Katey Rich and Christopher Rosen of The Ankler to preview the awards season and give you tips on what to check out (spoiler: Hamnet’s gonna be a big one this year) and discuss the exquisite art of Oscar prognostication. (If you enjoy this episode, make sure to check out The Ankler’s Prestige Junkie newsletter a…

We spend a lot of time on this show talking to people who run media companies. We also spend a lot of time talking to media reporters. So here’s our one-man Venn diagram: Brian Morrissey runs The Rebooting, where he podcasts, writes and hosts events, all geared at making people in the media business smarter about the media business. If you want to …

Hey, so, I wanted to pull an episode from the archive this week because it’s relevant to the big movie hitting theaters this weekend: Black Phone 2 follows up the surprise 2022 hit, The Black Phone, resurrecting The Grabber (Ethan Hawke) and his iconic mask. Back before that movie came out, I talked to Jason Baker of Callosum FX Studios about helpi…

The AI story is changing fast. A few months ago, it was all promise and inevitability. Now even AI boosters are asking if the numbers make sense. Ed Zitron got there early. He runs a PR firm for a living, which means he’s supposed to help people sell their stories. But he’s become best known for tearing tech’s biggest stories apart. And he’s been p…

On this week’s episode, I’m joined by Raoul Peck (I Am Not Your Negro) to discuss his new documentary, Orwell: 2+2=5. We talked about his upbringing in Haiti and having to flee a dictatorial regime there, how social media and AI manipulations help degrade the idea of objective truth, and what can be done to combat this scourge. If you enjoyed the e…

In lots of ways Guardian Media Group is facing the same problems as every other news publisher: A tricky ad environment, platform problems, looming AI threats. One big difference: The Guardian also has a $1.5 billion trust backing the non-profit, which seems way, way better than being owned by a run-of-the-mill billionaire who might want to meddle …

Hey, before you listen to this week’s episode, do me a favor and watch the short film we’re going to be discussing. It’s only 17 minutes long, and if you’re between the age of 31 and 45 or so, I think it’ll trip a lot of your nostalgia circuits. (It’s fun for all ages, but Yourgo said this was the age range that best responded to the movie.) Here's…

In the future, digital publishers could get run over by AI. In the present, they are deeply concerned about Google, and the prospect that the search giant is going to choke off their last reliable traffic stream. That may explain why lots of publishers are making deals with OpenAI now -- and doing a lot of grousing about Google. Ziff Davis CEO Vive…

On this week’s episode, I’m joined by Nate Soares to talk about his new book, cowritten with Eliezer Yudkowsky, If Anyone Builds It, Everyone Dies: Why Superhuman AI Would Kill Us All. It’s a fascinating book—some will say fearmongering and sensationalist; I, frankly, think they’re overly optimistic about our ability to constrain the development of…

When’s the last time you stayed up to watch a late night TV monologue? Months? Years? Decades? I’m not sure, either. But I stayed up Tuesday night to watch Jimmy Kimmel’s return. James Poniewozik, who covers TV for the New York Times, just caught up with it the next day on YouTube. Which underscores one of the odder parts of the Trump v. Kimmel fig…

On this week’s episode, I’m joined by Matt Roller, the creator and showrunner of the new Netflix animated show Haunted Hotel. We discussed his background in television, how it helped prepare him for the long (shockingly long!) process of creating a full season of animated television, and why he is reading the comments. The show is live on Netflix n…

A year ago I got try a pair of $10,000 computer goggles from Meta. The tech was super-impressive, but you couldn’t buy them them. You still can’t. Now Mark Zuckerberg is trying a similar idea. But this time around the the tech is scaled-down, lighter and way cheaper: the new version costs $800, and you’ll be able to buy them in a couple days. Why w…

John Coogan knows what you’re thinking: the world does not need another tech podcast. And the world does not need another podcast featuring two dudes talking. Yet Coogan and Jordi Hays have started another tech podcast, featuring the two of them talking and… it’s a hit. In the span of a year, TBPN has become the place where tech execs go to chop up…

On this week’s episode, I’m joined by Tony Gilroy to discuss his work on Andor, the hit Disney+ series that’s a prequel to Rogue One but has ambitions beyond telling the backstory of the Death Star. It is, in a very real way, a TV show about our moment and the mounting tension felt throughout the political order: from Imperial troops on the streets…

Everyone agrees that the decline/disapperance of local news is a big problem. No one agrees about the best way to solve it. So let’s check in on a new AI push from Patch, the people who have been trying to do local news, online, at scale, for more than two decades. Last spring, Patch CEO Warren St. John announced that he was running local newslette…

On this week’s episode, I’m joined by Rep. Laura Friedman, the congresswoman from the area we colloquially refer to as “Hollywood,” to discuss her push for a national film tax credit of the sort used by the United Kingdom and other countries to lure production of movies back to the United States. We discuss her career in the TV and film industry be…

One thing about the internet is that it lets you build really, really fast. A little more than a year ago, Oliver Darcy was an unemployed former CNN media reporter. Today he’s the proprietor of Status, his must-read media newsletter. In our conversation, we spend a little bit of time talking through the mechanics of his two-man operation, and how h…

On this week’s episode, I’m joined by Tim League, one of the founders of the Alamo Drafthouse and the man behind Metro Private Cinemas in New York’s Chelsea neighborhood. It’s a pretty cool concept—half fine dining, half private cinema auditorium—and I was excited to discuss the evolution of movie theaters as both viewing and gastronomic experience…

Henry Blodget can’t help himself. The Business Insider founder is starting another media business, knowing full well how difficult the industry can be. You can watch him build it in real time: Regenerator on Substack, and Solutions on TikTok, YouTube and everywhere you hear your favorite podcasts. Henry — who hired me to work at Business Insider in…

On this week’s episode, I’m thrilled to be joined by Toby Huss, star of the summer’s most surprising smash hit, Weapons, as well as the rebooted King of the Hill on Hulu and Americana, in theaters and VOD now. We talked about all those, plus his weird and lovely photography book, American Sugargristle, which you can (and should!) order here. Toward…

The media industry has been waiting for ESPN to cut the cord for a decade. Now it’s finally happening: This week the sports TV giant will let you start streaming — without a cable TV subscription — for $30 a month. Why now? ESPN boss Jimmy Pitaro is quite frank about it: Along with his boss — Disney CEO Bob Iger — he wanted to make as much money fr…

On this week’s episode, I’m joined by New York Magazine’s Bilge Ebiri, who has an enormous, career-spanning interview with Ron Howard in the latest issue. We discussed what makes a Ron Howard movie a “Ron Howard Movie,” the incredibly under-appreciated Thirteen Lives, and that movie about J.D. Vance. And then we talked a bit about his fascinating h…

What makes a particular engineer worth $250 million to Mark Zuckerberg? What does Trump 2.0 mean — and not mean — to people building large language models? I didn’t know the answers to these questions either. So I got the New York Times’ Mike Isaac, who covers this stuff for a living, to walk me through some of the biggest questions in AI right now…

The last time I talked to Jesse David Fox about the comedy boom it was… March 5, 2020. Since then, some things have changed. But in other ways it’s just the same: comedy - or at least, some kinds of comedy - seems almost custom-built for our current technological and cultural moment, and it’s easier than ever to get this stuff on your devices whene…

I asked David Poland (read his Substack!) to come on this week to pick his brain about the state of the big studio comedy, a genre that has diminished in recent years as international grosses became more important and a lot of comedy releases shifted to streaming in an effort to reduce advertising costs. Which led to us talking about the states of …

A decade ago, Disney CEO Bob Iger freaked out the media industry by acknowledging something many of us saw coming — his previously unassailable TV business was starting to erode. But even with a 10-year warning, today’s moguls seem unable to cope with 2025’s reality: The pay TV business is permanently eroding, and there’s nothing in its place that’…

On this week’s episode, I’m rejoined by Puck media correspondent Julia Alexander to discuss the absurdities of Jubilee. You might not recognize the name of the company but you’ve probably seen some of their clips; most recently, Mehdi Hasan went up against 20 self-described far-right conservatives that resulted in at least one of the participants l…

Reporting on the place you work is not fun. But it is an occupational hazard for media reporters — particularly for NPR’s David Folkenflik. That’s because National Public Radio — along with Public Broadcasting Service, its TV counterpart — is quite frequently the target of attacks from critics on the right, who would like the federal government to …

On this week’s episode, I’m rejoined by Crunchyroll EVP Mitchel Berger to talk about anime’s increasing popularity with those yearning for community. We reference a report on the state of anime several times; you can read it here. The long and the short of it, though, is that anime is increasingly popular with Gen Z and Gen Alpha, which will likely…