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The American Vandal

Matt Seybold, Center For Mark Twain Studies

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An ever-growing collection of conversations and presentations about literature, humor, and history in America, produced by the premier source for programming and funding scholarship on Mark Twain's life and legacy.
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Recorded at The Ohio State University, as part of the Project Narrative series, Matt Seybold reflects on the making of "Criticism LTD" [3:15], as well as ongoing Ponzi austerity, reassessment of close reading, and AI speculative euphoria since its conclusion [14:30]. James Phelan (Director of Project Narrative) argues for narrative theory's contrib…
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From the production studios of Ohio State University, American Vandal host, Matt Seybold, and James Phelan, the Director of Project Narrative, read aloud Chapter 18 of "Adventures of Huckleberry Finn" by Mark Twain [3:40], then discuss it [30:00] with emphases on the opportunities the chapter presents for types of close reading. This episode is a c…
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The finale episode of our miniseries on corporate allegory was recorded the day after the publication of Anna Kornbluh's "Immediacy, or The Style of Too Late Capitalism" by Verso. With numerous allusions to the book, Matt Seybold asks Kornbluh and "City of Industry" blogger J. D. Connor to consider the potential "perfect storm" of media disruption …
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Our series on corporate allegory continues with an extended discussion of Apple TV+, both its film and television offerings, as well as the relationship between such "content" and the corporation's primary business: selling iPhones and other hardware. Among the specific works discussed are "Severance," "Killers Of The Flower Moon," "Lessons In Chem…
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In an episode which operates as both coda to "Criticism LTD" and herald of 2024, Matt Seybold is joined by two scholars working on the complex history and sometimes conflicting methods of close reading. They also discuss the reception of Big Fiction: How Conglomeration Changed The Publishing Industry (Columbia UP, 2023) [31:00] and a bevy of novels…
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A new season on corporate allegory, business melodrama, and new releases from academic presses kicks off with a discussion of the recent Mike Flanagan adaptation of Edgar Allen Poe's "The Fall Of The House of Usher" for Netflix. For more about this episode, please visit MarkTwainStudies.com/Usher or TheAmericanVandal.Substack.com…
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"Criticism LTD" concludes its lengthy examination of the unanswerable questions about the state of literary studies with a lengthy consideration of "The Future of Decline" [8:00], the delusion of progress [16:00], the British model of declinist politics [22:00] and literary criticism [29:00], an insider's account of the long tail of "The Chicago Fi…
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In the second part of the finale of "Criticism LTD," we hear about the origins of Jacque Derrida's "Limited Inc." from its editor, the fraught alliance between criticism and history [17:00], the Center For The Literary Arts at Washington University in St. Louis [33.00], the transition from creative writer to working critic [62:00], and critical voc…
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The tripartite finale of "Criticism LTD" begins with a the feud between Matthew Arnold and Mark Twain, followed by "Bed Glee" [14:00], "Outing Criticism" [40:00], and "The Fate of Professional Reading" [59:00] Cast (in order of appearance): Beci Carver, Kim Adams, Ryan Ruby, Ainehi Edoro, Jed Esty, Matt Seybold, Gerald Graff, Harry Stecopoulos Soun…
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A sometimes uncanny Halloween week exploration of the EdTech griftopia. Who's monetizing our data? How is EdTech being used to bust unions [8:00]? How does EdTech reveal the interdependence of teaching and research, and the horror of their unbundling [36:00]? How does being a union member effect literary studies research [61:00]? Is AI the end of l…
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An appropriately rangy discussion of the podcast medium and its debts to existing print and audio forms. The origin story of The American Vandal Podcast is followed by comparison with several other podcasts, including Revisionist History [11:30], Remarkable Receptions [30:00], and High Theory [68:00], interspersed with analysis of podcast editing a…
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As mass-market literature has been consolidated into a small handful of publishing conglomerates, the critical work once done by publicity and editorial departments has been offloaded. In this episode we discuss the rise of literary agents and their function as critics [8:00] and the role of literary awards in canon formation and other processes of…
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What is literary knowledge? And, for that matter, what is literature? A survey of new literary media takes on audiobooks [5:00], BookTube and BookTok [26:00], and Wattpad [75:00]. Cast (in order of appearance): Christopher Newfield, Matt Seybold, Laura McGrath, Mark McGurl, Sarah Brouillette Soundtrack: Joe Locke's "Makram" For episode bibliography…
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What is the relationship between literary criticism and media studies? How has criticism adapted to the digital revolution? These questions are considered by examining the origins of the blogosphere [5:00], its recent reemergence [17:00], the specific case of "Brittle Paper" [29:00], and strategies of adaptation within the profession [46:00]. The e…
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An attempt to triangulate politicization, professionalization, and publication by examining several periods in the history of criticism. The episode begins with Joe Locke describing an overt turn towards social justice in his music following police murder of George Floyd, followed by a discussion of the misperception of "Professing Criticism" as a …
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The Chicago Critics won the Chicago Fight of the 1930s, but they lost the Chicago Cold War. Chicago Economics got its start dismantling the Chicago Plan. This episode covers the brief victory of the Neo-Aristotelians, the long tail of Economics Imperialism [18:30], the rivalry between economics and literary criticism [39:00], the Chicago Economists…
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A deep dive into the Chicago Critics who inspired John Crowe Ransom's 1937 essay, "Criticism Inc.," as well as their working conditions at the University of Chicago under Robert Maynard Hutchins. His implementation of "The Chicago Plan" and the resulting "Chicago Fight" [9:00], the afterlives of the Chicago Critics in contemporary literary studies …
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What is the political economy of New Criticism? Are the racist and reactionary Cold War politics of the New Critics immanent to their trademark method: close reading? The episode begins with the story of Langston Hughes testifying before the the House Un-American Activities Committee on what goes into the interpretation of a poem. What constitutes …
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Last week, West Virginia University announced that it would abolish its World Languages, Literatures, & Linguistics Department, proposing to replace it with automated digital instruction. This is the apotheosis of trends going back decades. In this episode we talk about the effects of monolingual education, the case study in Ponzi Austerity at WVU …
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How has the systemic defunding and deprofessionalizing of humanities academia impacted literary criticism? Why is there such a flourishing culture industry if demand for cultural education is supposedly declining? We look to megatrends like U.S. hegemony, organizations like the MLA (6:30), analogues like the Eurozone Debt Crisis (19:30), mechanisms…
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What is criticism? Why should it matter? Can it be saved from the gun-toting businessman? A crossover episode with the High Theory podcast connects internal and external crises (6:00), imagines confrontations with gun-toting businessmen (22:00) and sociopathic administrators (33:00), salutes the vanguard of academic labor (45:00), eulogizes the sta…
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The premiere of a new series, "Criticism LTD," on the contemporary state of criticism. This episode covers proclamations of crisis from legacy media earlier this year, demands for a cosmopolitan turn in literary studies (11:15), an alleged golden age of popular criticism (28:00), and the role of para-academic publications like the Los Angeles Revie…
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On the eve of the largest annual gathering of literary scholars, the MLA convention in San Francisco, a discussion of this year's presidential theme, Working Conditions, with the MLA President. For more about this episode, please visit MarkTwainStudies.com/WorkingConditions
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Two scholars embedded in publishing discuss the impact of chaos at Twitter and in social media more generally upon journalism and academic presses. Also, some brief discussion of "The Twitter Files" and Mastodon migration. For more about this episode, including a bibliography, please visit MarkTwainStudies.com/TheTwitterElegies…
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As the Elon Musk era at Twitter descends ever further into chaos, we discuss the canaries in the coal mine of surveillance, shadowbanning, algorithmic censorship, data firesales, and deplatforming: sex workers. For more about this episode, including a bibliography, please visit MarkTwainStudies.com/Bollocks…
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Earlier this month, The Atlantic published an essay by our guest, Ian Bogost, titled "The Age of Social Media is Ending." Since then there have been layoffs at several social media companies, including Facebook and Twitter, and collapsing stock prices throughout the industry. What's happening? And what's next? For more about this episode, please vi…
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With the end of Twitter seemingly imminent, content moderation and social media expert, Sarah T. Roberts, discusses Elon Musk's ideology, the labor of social media, and the migration to Mastodon. For more about this episode, please visit MarkTwainStudies.com/TheEndOfTwitter
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The series finale finds "Dear Television" correspondents joining the podcast to discuss the Fall 2022 franchise season, foremost HBO's "House of the Dragon," but also Disney+'s "Andor" and Amazon's "Rings of Power." For more about this episode, including a bibliography, please visit MarkTwainStudies.com/CashDragons…
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A ranging conversation inspired by two forthcoming books about genre, work, and visual culture. The authors consider HBO series like "The Baby," "Barry," "Curb Your Enthusiasm," and "The Larry Sanders Show." For more about this episode, including a bibliography, please visit MarkTwainStudies.com/Cringe…
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Inspired by HBO shows "Insecure" and "Rap Sh!t," as well as Yvonne Orji's new stand-up special and recent Emmy wins for Quinta Brunson's "Abbott Elementary" and Jerrod Carmichael's "Rothaniel," Matt Seybold discusses the often precarious role of Black comic creators with two scholars of race, gender, and comedy in the U.S. For more about this episo…
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Is Nathan Fielder's "The Rehearsal" a critique of Reality TV? Moreover, might it be read as an attack on HBO's new parent company, Warner Bros Discovery? A conversation about the show, the network, the conglomerate, and the streaming wars. For more about this episode, including a bibliography of works mentioned, please visit MarkTwainStudies.com/Th…
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Our sixth season - "HBO, From Pulp to Prestige" - kicks off with a discussion of conglomeration, collective intention, and corporate authorship through HBO's original programming and especially "Succession," the Emmy-winning tentpole drama produced by Jesse Armstrong and Adam McKay. For more about this episode, including a bibliography, please visi…
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This seminal book in Twain Studies was a decades-long undertaking. Kerry Driscoll explains how she became "an accidental Twain scholar," and discusses with Mika Turim-Nygren the multifold archival discoveries - "good instincts and good luck" - which took Mark Twain Among The Indians from a short paper to a magnum opus. For more about this episode, …
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A new series hosted by Mika Turim-Nygren premieres with a discussion of Kerry Driscoll's 2019 book, "Mark Twain Among The Indians & Other Indigenous Peoples," featuring three established scholars in Twain Studies, all of whom regard in as one of the most important works in the field in the past quarter century. For more about this episode, includin…
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Produced in observance of and solidarity with the Worldwide Teach-In On Climate & Justice taking place on many campuses today, including Elmira College, we host discussion of a CliFi novel by Kim Stanley Robinson which helps us get "Beyond Climate Despair." For more about this episode, include a complete bibliography, please visit MarkTwainStudies.…
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Is is possible to imagine a world without work? Or, at least, a world in which work is not romanticized, is not treated as defining element of social and individual achievement? James Livingston has predicted that we need to prepare for a postwork world, and David Graeber has challenged us to imagine alternatives to organization by bureaucracy, cre…
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Wes Anderson's acclaimed new movie, The French Dispatch, draws inspiration from the Golden Age of The New Yorker magazine, a period from roughly the early 1940s to the mid 1970s. This episode features two scholars researching that period in the publication's history. They are uniquely situated to consider the selections from the magazine's back cat…
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How do we explain the Great Resignation? Or, for that matter, other mysteries of the contemporary economy, like the high price of culture work and the low wages of culture workers? Two scholars of Post45 literature and culture discuss the work of art and the art of work. For more about this episode, visit MarkTwainStudies.com/GreatResignation…
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A conversation about the personal essay boom, iterations of the memoir in other literary genres, the constructive use of social media, the style of "too late capitalism," and other means of self-indulgence with two decorated literary critics and theorists. For more about this episode, visit MarkTwainStudies.com/AutoEverything…
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A ranging conversation with two scholars - Heather Berg (Porn Work: Sex, Labor, & Late Capitalism) and Michelle Chihara ("Radical Flexibility: Driving for Lyft & The Future of Work in The Platform Economy") - about platform capitalism from the perspective of gigworkers. For more about this episode, including a bibliography, please visit MarkTwainSt…
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"The World's Work" begins with a discussion of student debt, faculty deskilling, outsourcing, adjunctification, EdTech, and the financialization of U.S. higher education. Special theme music: "Work Song" by Dan Reeder For more information, visit MarkTwainStudies.com/EdWork
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The season finale of Billions aired exactly 17 months after the season premiere. This was not by design. In this episode, scholars of finance and popular culture discuss the popular Showtime series and how its handling of the pandemic disruption is represented in both content and form. For more about this episode, please visit MarkTwainStudies.com/…
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A discussion of the Antiracism project sponsored by University of Maryland's Center For Literary & Comparative Studies with three faculty members heavily involved in the project, as well as their insights into the Netflix original series, The Chair, which dramatizes a contemporary university English department.…
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In her recent PMLA essay, "The Shush," Kyla Wazana Tompkins writes, "The future of the English department cannot be the same as its past." The recent Netflix original series, "The Chair," offers one vision of that past and thus serves to generate conversation about "The Shush," the state of literary studies, and higher education. To learn more, inc…
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The new Netflix original series, The Chair, focus on the first woman of color to Chair the English Department at fictional Pembroke University. Dr. Karen Tongson (University of Southern California) can empathize with this character, played by Sandra Oh, but she is also an exceptional media critic. She talks with Matt Seybold about the reception of …
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On a special Emancipation Week episode, three scholars with both personal and professional ties to the Southern Tier of New York, discuss the recently-reconstructed speech by Frederick Douglass which was part of the Emancipation Day celebration which took place in Elmira in August of 1880. For more information about this episode, visit MarkTwainStu…
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With a series of recent events indicating bipartisan interest in antitrust reform from Congress and the Supreme Court, host Matt Seybold speaks with Law Professor, Sanjukta Paul, and economist, Marshall Steinbaum, about the history of antitrust movements in the United States from Mark Twain's Gilded Age to the New Gilded Age, as well as why they ad…
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