The Modern Art Notes Podcast is a weekly, hour-long interview program featuring artists, historians, authors, curators and conservators. Pulitzer Prize-winning art critic Sebastian Smee called The MAN Podcast “one of the great archives of the art of our time.” When the US chapter of the International Association of Art Critics gave host Tyler Green one of its inaugural awards for criticism in 2014, it included a special citation for The MAN Podcast.
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Politics & The Paracademy
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Manage episode 377766118 series 3330352
Content provided by Matt Seybold, Center For Mark Twain Studies, Matt Seybold, and Center For Mark Twain Studies. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Matt Seybold, Center For Mark Twain Studies, Matt Seybold, and Center For Mark Twain Studies or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.
An attempt to triangulate politicization, professionalization, and publication by examining several periods in the history of criticism. The episode begins with Joe Locke describing an overt turn towards social justice in his music following police murder of George Floyd, followed by a discussion of the misperception of "Professing Criticism" as a call to depoliticize [7:00]. An epilogue to "The Chicago Fight" [17:00] and humanist criticism [24:00]. Discussion of the implicit politics of the paracademy [51:00], its emergence in response to conglomeration [56:00], and the reemergence of patronage [68:00] precede profile of Las Vegas Review of Books [81:00] and epilogue at University of Puerto Rico [100:30]. Cast (in order of appearance): Matt Seybold, Joe Locke, Bruce Robbins, John Guillory, Eddie Nik-Khah, Tom Lutz, Katie Kadue, John Hay, Jeffrey Herlihy-Mera Soundtrack: Joe Locke's "Makram" For episode bibliography, please visit MarkTwainStudies.com/Paracademy, or subscribe to our newsletter at TheAmericanVandal.SubStack.com, where you will also receive episode transcripts.
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73 episodes
WAV•Episode home
Manage episode 377766118 series 3330352
Content provided by Matt Seybold, Center For Mark Twain Studies, Matt Seybold, and Center For Mark Twain Studies. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Matt Seybold, Center For Mark Twain Studies, Matt Seybold, and Center For Mark Twain Studies or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.
An attempt to triangulate politicization, professionalization, and publication by examining several periods in the history of criticism. The episode begins with Joe Locke describing an overt turn towards social justice in his music following police murder of George Floyd, followed by a discussion of the misperception of "Professing Criticism" as a call to depoliticize [7:00]. An epilogue to "The Chicago Fight" [17:00] and humanist criticism [24:00]. Discussion of the implicit politics of the paracademy [51:00], its emergence in response to conglomeration [56:00], and the reemergence of patronage [68:00] precede profile of Las Vegas Review of Books [81:00] and epilogue at University of Puerto Rico [100:30]. Cast (in order of appearance): Matt Seybold, Joe Locke, Bruce Robbins, John Guillory, Eddie Nik-Khah, Tom Lutz, Katie Kadue, John Hay, Jeffrey Herlihy-Mera Soundtrack: Joe Locke's "Makram" For episode bibliography, please visit MarkTwainStudies.com/Paracademy, or subscribe to our newsletter at TheAmericanVandal.SubStack.com, where you will also receive episode transcripts.
…
continue reading
73 episodes
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