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Overmorrow’s Library

Centre d'Art Contemporain Genève

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The Centre d'Art Contemporain Genève presents Overmorrow’s Library, a podcast series by Federico Campagna, available on the 5th floor (digital extension): https://5e.centre.ch/en/ The library for ‘the day after tomorrow’ is dedicated to books and authors whose work explores the limits of the ‘world’ as the frame of sense through which our consciousness experiences the chaos of reality. Each new episode presents a book that engages with the challenge of world-making, with the end-time of a wo ...
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Federico Campagna presents the philosophical take on children’s world-view and culture in Elemire Zolla’s 1994 “Children’s Awe” and Cristina Campo’s 1971 “The Flute and the Rug”. Image credits: Ivan Bilibin, Stage-set design for Scene Two, Act Four of the opera the "Tale of the Lost City of Kitezh and the Maiden Fevronia" by Rimsky-Korsakov, 1929.…
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Federico Campagna presents Russian theologian (and mathematician, engineer and philosopher) Pavel Florensky’s 1920 essay “Reversed Perspective” and his interpretation of the language of sacred forms. Image credits: Andrey Rublev, The Trinity or The Hospitality of Abraham, 1411-1427.By Federico Campagna, Centre d'Art Contemporain Genève
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American philosopher Tom Cheetham discusses the parallels between Henry Corbin and Jungian psychoanalyst James Hillman, looking in particular at the practice of “Creative Imagination”. Image credits: Elijah and Khidr praying together, XI century. Illuminated manuscript version of Stories of the Prophets.…
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Federico Campagna looks at Stefano Gualeni’s books “Virtual Worlds as Philosophical Tools” (2015) and “Virtual Existentialism” (2020) and at the cosmogonic function of play. Image credits: The Royal Game of Ur, 2600BC-2400BC. Wood game-board. © The Trustees of the British MuseumBy stefano gualeni, federico campagna
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