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Overmorrow’s Library
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Content provided by Centre d'Art Contemporain Genève. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Centre d'Art Contemporain Genève or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.
The Centre d'Art Contemporain Genève presents Overmorrow’s Library, a podcast series by Federico Campagna, available on the 5th floor (digital extension): https://5e.centre.ch/en/ The library for ‘the day after tomorrow’ is dedicated to books and authors whose work explores the limits of the ‘world’ as the frame of sense through which our consciousness experiences the chaos of reality. Each new episode presents a book that engages with the challenge of world-making, with the end-time of a world, or with the eternal unworldly. Spanning mysticism, politics, mythology, philosophy, video-game design and more, the shelves of Overmorrow’s Library are a space for experimenting with the apocalypse, and with the ignition of new cosmogonies. Federico Campagna is an Italian philosopher and writer living in London. His latest books are ‘Prophetic Culture: Recreation for Adolescents’ (Bloomsbury, 2021), ‘Technic and Magic: The Reconstruction of Reality’ (Bloomsbury, 2018), and ‘The Last Night: Anti-work, Atheism, Adventure’ (Zero Books, 2013). He is a lecturer and tutor at KABK, The Hague, and has presented his work in institutions including the Warburg Institute, the Royal Academy, the 57th and 58th Venice Biennale, Documenta 13, Winzavod Center, Jameel Art Centre, Tate Modern and the Serpentine Gallery. He is the director of rights at the radical publisher Verso Books. Image credit: The Gilgamesh Tablet (Library of Ashurbanipal), 7th c. BCE. The British Museum, London. © The Trustees of the British Museum.
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35 episodes
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Manage series 2946428
Content provided by Centre d'Art Contemporain Genève. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Centre d'Art Contemporain Genève or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.
The Centre d'Art Contemporain Genève presents Overmorrow’s Library, a podcast series by Federico Campagna, available on the 5th floor (digital extension): https://5e.centre.ch/en/ The library for ‘the day after tomorrow’ is dedicated to books and authors whose work explores the limits of the ‘world’ as the frame of sense through which our consciousness experiences the chaos of reality. Each new episode presents a book that engages with the challenge of world-making, with the end-time of a world, or with the eternal unworldly. Spanning mysticism, politics, mythology, philosophy, video-game design and more, the shelves of Overmorrow’s Library are a space for experimenting with the apocalypse, and with the ignition of new cosmogonies. Federico Campagna is an Italian philosopher and writer living in London. His latest books are ‘Prophetic Culture: Recreation for Adolescents’ (Bloomsbury, 2021), ‘Technic and Magic: The Reconstruction of Reality’ (Bloomsbury, 2018), and ‘The Last Night: Anti-work, Atheism, Adventure’ (Zero Books, 2013). He is a lecturer and tutor at KABK, The Hague, and has presented his work in institutions including the Warburg Institute, the Royal Academy, the 57th and 58th Venice Biennale, Documenta 13, Winzavod Center, Jameel Art Centre, Tate Modern and the Serpentine Gallery. He is the director of rights at the radical publisher Verso Books. Image credit: The Gilgamesh Tablet (Library of Ashurbanipal), 7th c. BCE. The British Museum, London. © The Trustees of the British Museum.
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35 episodes
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Overmorrow’s Library
1 S2E17 – Arturo Campagna on history for children 17:45
17:45
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17:45Image: The Rock Nobody Could Lft, etching by Rain Wu (2018)
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Overmorrow’s Library
Image credit: Ceramic figurine from the Moche culture of the north coast of Peru depicting a flute player.
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Overmorrow’s Library
Image credit: The prophets Elias and Khadir at the fountain of life, late 15th century. Folio from a khamsa (quintet) by Nizami (d. 1209); Timurid period. Opaque watercolor and silver on paper. Herat, Afghanistan.
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Overmorrow’s Library
1 S2E14 – Manlio Poltronieri on the Buddhist Dharma and the West 21:22
21:22
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21:22Image credit: Womb Realm (garbhakosa-dhatu or taizōkai) mandala. Shingon tantric buddhist school, Heian period (794-1185), Tō-ji, Kyōto, Japan.
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Overmorrow’s Library
1 S2E13 – Ananda K. Coomaraswamy, ‘The Christian and Oriental Philosophy of Art’ 24:32
24:32
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24:32Image credit: 10th century Chola dynasty bronze sculpture of Shiva, the Lord of the Dance.
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1 S2E12 – Prof. Saul Newman on political theology 29:22
29:22
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29:22Image credit: Detail from the frontispiece of Hobbes’ ‘Leviathan’ by Abraham Bosse,1651
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1 S2E11 – Max Stirner, ‘The Ego and Its Own’, Étienne de La Boétie, ‘Discourse on Voluntary Servitude’ 31:35
31:35
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31:35Image credit: Max Stirner in a cartoon by Friedrich Engels (1820-1895)
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1 S2E10 – Dr. Francesco Strocchi on life in the late Roman republic 28:18
28:18
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28:18Image credit: Roman coin celebrating the assassination of Julius Caesar, issued in 42 BC
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1 S2E9 – Rutilius Namatiuanus, ‘On His Return’, and Paulinus of Pella, ‘Thanksgiving’ 25:00
25:00
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25:00Image credit: Porphyry column decorated with group of two embracing older Tetrarchs. Rome. 293-305.
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1 S2E8 – Lucia Pietroiusti on analogical thinking 43:40
43:40
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43:40Image credits: Geometric nest of a pufferfish.
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Image credit: Ernst Jünger and Albert Hoffman.
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Overmorrow’s Library
1 S2E6 – Prof. Giulio Busi on Jewish mysticism 27:17
27:17
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27:17Image credit: Cosmic Rose Engraving from Amphitheatrum Sapientiae Aeternae by Heinrich Khunrath (1595).
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1 S2E5 – Giulio Busi, ‘Heavenly Palaces in Judaism’, and Abraham Joshua Heschel, ‘The Sabbath’ 23:41
23:41
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23:41Image credit: Throne Angels
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1 S2E4 – Huw Lemmey and Isabel Valley on psychiatry and unknown languages 36:03
36:03
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36:03Image credit: Antidotum tarantulae , a curative musical score from Athanasius Kircher (c. 1660).
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1 S2E3 – Álvar Núñez Cabeza de Vaca, ‘Shipwrecks’ 20:11
20:11
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20:11Image credit: Francesco Guardi, Marina in Tempesta , circa 1765/70.
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