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Cinema Australia
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Content provided by Cinema Australia. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Cinema Australia or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.
Collecting Australian filmmaking stories. Discover more at www.cinemaaustralia.com.au.
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123 episodes
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Manage series 1202793
Content provided by Cinema Australia. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Cinema Australia or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.
Collecting Australian filmmaking stories. Discover more at www.cinemaaustralia.com.au.
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123 episodes
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Cinema Australia

Hello, and welcome to the Cinema Australia Podcast. In this episode, I’m joined by Within the Pines writer and director Paul Evans Thomas, who gives us a great insight into the making of his unmissable new film. There’s no need for me to bang on about why I loved this film so much—because I do enough of that throughout this episode—but I do urge you not to sleep on Within the Pines. It’s an excellent film that I hope people enjoy as much as I did. Within the Pines follows Sam Evans, played by Brendan Cooney, an experienced sound recordist who travels to an isolated forest in order to capture sounds far away from the noise of civilisation. As Sam ventures deeper, his mic picks up a sound no one wants to hear while alone in the woods. Paul Evans Thomas is an Adelaide-based filmmaker and verified YouTuber with over 360,000 subscribers to date on his channel Paul E.T., where he dissects the ins and outs of filmmaking. Paul has been obsessed with film since he was big enough to hold a camera—specifically the thriller/horror genre. An obsession that, combined with his experience in post-production, has helped bring to life the story of Within the Pines. Anyway… enjoy.…
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Cinema Australia

Hello, and welcome to the Cinema Australia Podcast. In this episode I’m joined by Within the Pines writer and director, Paul Thomas Evans, who gives us a great insight into the making of his unmissable new film. There’s no need for me to bang on about why I loved this film so much, because I do enough of that throughout this episode, but I do urge you not to sleep on Within the Pines. I’d an excellent film which that I hope people enjoy as much as I did. Within the Pines follows Sam Evans, played by Brendan Cooney, an experienced sound recordist who travels to an isolated forest in order to capture sounds far away from the noise of civilisation. As Sam ventures deeper, his mic picks up a sound no one wants to hear while alone in the woods. Paul Evans Thomas is an Adelaide-based filmmaker and verified YouTuber with over 360,000 subscribers to date on his channel "Paul E.T." - where he dissects the ins and outs of filmmaking. Paul has been obsessed with film since he was big enough to hold a camera - specifically the thriller/horror genre. An obsession that - combined with his experience in post production - has helped bring to life the story of Within the Pines. Anyway… enjoy.…
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Cinema Australia

Hello, and welcome to the latest episode of the Cinema Australia Podcast. My name is Matthew Eeles. In this episode, I’m joined by Danielle Stamoulos, the writer and lead actor of the impressive new short film, Gorgo. Regular listeners will notice that this Podcast episode is shorter than usual as it was originally recorded for my radio show on 2RRR. Danielle is an AACTA-winning Greek-Australian filmmaker, actor, and writer working across film, TV, and theatre. Her short film GORGO, which she created, wrote, and starred in, won the 2025 AACTA Award for Best Australian Short Film. It also screened at major festivals, including Santa Barbara, Flickerfest (winning Best Original Music), St Kilda, Newport Beach, and Rhode Island. Danielle also won Best Performance at the recent 2025 Stellar Film Festival. Inspired by Greek ‘promised brides’ & Ovid’s Medusa myth, Gorgo is a dramatic short film that tells the story of a Greek bride’s cross-continental journey to marry a man she has never met. Matchmade by her best friend Athina, with promises of a new future in a distant land, Medousa finds herself arriving in Australia to a strange home—and a cold welcome. Thrust into her new marriage, she soon discovers a monstrous secret that threatens to tear apart the best friends’ vow of sisterhood. I really hope you get to see the incredibly moving short film at some stage. Keep an eye on cinemaaustralia.com.au and we will try to keep you as up to date as possible. Anyway… enjoy.…
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Cinema Australia

Welcome to this very different episode of the Cinema Australia Podcast. So, what’s so different about this episode? Well, it’s the first-ever Cinema Australia Podcast recording with a live audience. This episode was recorded during the recent WA Made Film Festival, where we invited friend-of-the-fest Zak Hilditch to join me and other punters for an interview about his career and his new film, We Bury the Dead. We Bury the Dead was filmed in Western Australia and follows Ava Newman (Daisy Ridley), a desperate woman searching for her husband in the aftermath of a catastrophic military experiment. Hoping to find him alive, Ava joins a "body retrieval unit," but her search takes a chilling turn when the corpses she's burying start showing signs of life. We Bury the Dead will celebrate its official world premiere at SXSW from March 9 to March 13. As the film isn’t officially out yet, and I missed it at the Adelaide Film Festival, most of this episode focuses on Zak’s career as a whole—which is hard not to admire. Following Zak’s Backyard Trilogy, a series of low-budget films he made in the early stages of his career, the filmmaker went on to make the cult classic These Final Hours here in Perth, followed by the Stephen King adaptation 1922 and his horror thriller Rattlesnake, both made for Netflix. Thank you to everyone who attended this session during the WA Made Film Festival. We hope to bring similar sessions to future festivals. Anyway… enjoy.…
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Cinema Australia

Welcome to the Cinema Australia Podcast. In this episode I’m joined by Charles Williams to discuss Inside, a prison drama starring Guy Pearce, Cosmo Jarvis, Tammy MacIntosh and newcomer, Vincent Miller whose name you should make note of because you’re going to hear a lot more from this impressive young actor. Here’s the synopsis: After being transferred from juvenile to adult prison, Mel (Vincent Miller) is taken under the wing of both Mark (Cosmo Jarvis), Australia’s most despised criminal, and Warren (Guy Pearce), a soon-to-be-paroled inmate. As a paternal triangle grows between them, we see that even the worst of men have a little bit of good inside that will be their undoing. Charles Williams is an acclaimed Australian film director whose short film All These Creatures won the Cannes Film Festival's Short Film Palme d'Or as well as an AACTA award here at home. Charles grew up in a remote country town in northern Victoria. Since then, his films have gone on to screen at more than 200 of the world’s most prestigious festivals. He has also been selected as part of TIFF’s Filmmaker Lab, The Golden Globes Filmmaker Residency and is a member of the Academy of Motion Picture Arts and Sciences. Inside is Charles’ debut feature film. It has a discomforting psychological depth to it reminiscent of the films of Justin Kurzel like Nitram and Snowtown, and Thomas M. Wright’s The Stranger. There’s nothing familiar about Charles Williams’ filmmaking style though. Inside feels completely unique both visually and narratively. Anyway… enjoy.…
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Cinema Australia

Welcome to the Cinema Australia Podcast. In this episode, I’m joined by Under Streetlights writer, director and co-producer Danielle Loy to discuss this incredibly moving musical drama. This film is the exact reason why you shouldn’t sleep on independently-made Australian films. Quite often, they’re far better than a lot of the mainstream Australian films being made. Under Streetlights deserves all the attention it gets. Inspired by true events, Under Streetlights follows two young artists, Izak (played by Jacob Harvey) and Ella (played by Madison Hull) from vastly different worlds who collide through their shared passion for music, forging an unexpected bond that defies cultural barriers and fuels their fight to rise above their struggles. Danielle Loy is an award-winning filmmaker and lawyer from Alice Springs. Her documentary film Bush Law was awarded best documentary at the Melbourne International Film Festival by screen critic veteran Margaret Pomeranz. Danielle has spent her working life dedicated to bridging chasms of misunderstanding between indigenous and non-indigenous legal systems, and working in a plethora of roles in films and tv shows made in Central Australia. I can’t thank Danielle enough for sharing her personal stories that led to and inspired the making of Under Streetlights. This was an interview that I won’t forget anytime soon. Anyway… enjoy.…
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Cinema Australia

1 Episode #116 | Luke J.S. and Luke Wijayasinha-Gray 55:52
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Welcome to the latest episode of the Cinema Australia Podcast. In this episode, I’m joined by Luke J.S. and Luke Wijayasinha-Gray to discuss Your Love is Mine, a moody and atmospheric relationship drama with a touch of horror. Your Love is Mine explores the depths of love and desperation and tells the story of a couple whose relationship is put to the ultimate test when a sudden tragedy strikes. As one partner goes to unimaginable lengths to preserve their union, the film delves into the emotional extremes that love can drive us to. Your Love is Mine stars Senie Priti, Lester Ellis Jr, and Maurial Spearim. It’s always a thrill to speak with independent filmmakers who are starting out in their career. I really can’t wait to see what these two do next. Your Love is Mine is available to stream now via Bounty Films. Anyway… enjoy.…
In this episode I’m joined by Eliza Cox, a filmmaker who has dedicated years of her life to making this exceptional new documentary. Shot over eight years, Queens of Concrete chronicles the journey from childhood to adulthood and the moments that define us. It’s 2016 and Hayley (14), Ava (13) and Charlotte (9) are following their dreams to qualify for the first ever Australian Olympic skateboarding team for the 2020 games. The three girls are strong contenders, but they face crushing life lessons as they navigate heartbreak, betrayal, a global pandemic, and pressure beyond their years. In this interview, Eliza gives us a generous insight in the making of Queens of Concrete discussing the early beginnings of the film, when she first met Hayley, Ava and Charlotte, and the challenges she faced dedicating so many years of her life to this one single documentary. As a viewer, I can assure you it was worth it. Queens of Concrete is already one of my favourite films of the year. Queens of Concrete will release via Madman this year. Keep an eye on cinemaaustralia.com.au for updates on that. Anyway… enjoy.…
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Cinema Australia

In this episode I’m joined by The Demon Disorder director, writer, producer and special effects artist, Steve Boyle. The Demon Disorder follows brothers Jake (played by Dirk Hunter) and Graham (played by Christian Willis). When their youngest brother is believed to be demonically possessed, the estranged brothers reunite to confront a dreadful family secret. Charles Cottier, John Noble and Tobie Webster co-star. In my opinion, The Demon Disorder features some of the best practical effects you’ll see in a modern horror film. Working with some of the biggest names in film and television, Steve Boyle has built a reputation for world-class standards in Special FX Production within the industry. With over 30 years experience in Special FX, Steve’s credits as a designer include; Fear Below, The Portable Door, Love and Monsters, Daybreakers, BAIT 3D, Mental, Predestination and Jungle to name a few. In this interview, Steve gives us a great insight into the making of The Demon Disorder while sharing stories from his long career in the industry including his friendship and creative partnership with Michael and Peter Spierig, his time working on Star Wars: Episode II Attack of the Clones, and his upcoming work on Kiah Roache Turner’s highly anticipated shark horror, Beast of War. Anyway… Enjoy.…
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Cinema Australia

1 Episode #113 | Matt Formston & Daniel Fenech 48:10
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In this episode I’m joined by The Blind Sea writer, director and editor Daniel Fenech, and the film’s main man, Matt Formston. The Blind Sea follows Matt on his quest for sporting greatness to new heights, setting a new Guinness World Record for the largest wave surfed by a vision impaired male. Matt is a four time para surfing World Champion, former Paralympic Cyclist and World Champion. At the age of five, Matt was diagnosed with Macular Dystrophy, a rare eye condition that left him two life-changing things: 3% vision, and a desire ever since to do what everyone else says can’t be done. Daniel Fenech is an award-winning director with over 15 years production experience in commercials, music videos and documentary style content. Daniel’s most recent film prior to this was Christmess which he co-produced with the film’s writer and director, Heath Davis. The Blind Sea is one of the most compassionate, moving and visually breathtaking documentaries I’ve seen in years. Matt’s journey is nothing short of awe-inspiring and he’s also very personable which makes The Blind Sea an even more enjoyable film to watch. Before we jump into it, I need to let you know I did have some recording issues at the very beginning of this episode and I missed out on the introduction, so if it feels like we jump strait into it, that’s when the recording began. Anyway… enjoy.…
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Cinema Australia

Welcome to the Cinema Australia Podcast. I can’t even begin to tell you how much I enjoyed recording this episode with Flathead writer and director, Jaydon Martin. Originally, this was meant to be a written interview, but as soon as I began chatting with Jaydon, my instincts told me that he was about to share some insights into the making of Flathead that I really needed to capture audibly. And I’m so glad I did. Simply put, Jaydon’s Flathead is a masterpiece - and it’s already one of my very favourite films of the year. It’s classified as docufiction, a new genre of cinema that even Jaydon believes is a newly coined term. It’s hard to explain what that means, but once you listen to Jaydon’s stories, you’ll understand exactly what docufiction is. Flathead follows Cass, played by actor Cass Cumerford. Late in life, Cass is drawn to his long-forsaken childhood home of Bundaberg, where he finds himself on a spiritual search for redemption. Anyway… enjoy.…
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Cinema Australia

I’m very excited to present this very special interview with Travis Jeffery, one of my favourite Australian actors whose work I have admired for many years. Travis is best known for his roles in Gallipoli, Angelina Jolie’s Unbroken, Pirates Of The Caribbean, Danger Close, The Preacher, Frayed, Last King of the Cross, Heart Break High, and more recently Before Dawn and Planet of the Apes. Three of my favourite films that Travis has started in are Spin Out, Top End Wedding and Bloody Hell. Travis will also star in a stack of upcoming films including Zoe Pepper’s Birthright, Myles Pollard’s short film, Inheritance, and Adam Morris’ Frederickstown. As well as those films I’ve just mentioned, Travis is also here to discuss his new short film, Dusty. An intensely emotional, moving, and often gut-wrenching film which follows the lead character Dustin, played by Travis. Unable to accept the death of his best friend, Ashely, Dustin goes into voluntary self isolation with a million beers and several bags of cocaine. Amidst the chaos of his grief-induced bender for one, he accidentally mixes his best friends ashes with a very generous line of cocaine, and to his complete and utter confusion, Ashleigh appears. Dusty is also written by Travis, and is direct Jeremy Lindsay Taylor, the veteran Australian actor’s directing debut. Throughout this interview, Travis gives us a highly educational insight into the mechanics of being of actor, detailing his journey from growing up on a farm, to starring in major Hollywood productions.…
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Cinema Australia

My guest on this episode is Bill Bennett, the writer, director, and co-producer of The Way, My Way - a charming true story of Bill himself, and one of his many walks on the 800-kilometer-long Camino de Santiago pilgrimage route through Spain. The film is based on Bill’s best-selling memoir of the same name. Bill is one of Australia’s most experienced and respected filmmakers, having made a ton of feature films and numerous documentaries over a forty-year period. Bill has received Australian Film Institute Awards for Best Film and Best Director; he’s had two films in the Official Selection at the Cannes Film Festival, four films in Toronto, and had three major international retrospectives. As usual with this podcast, we go much deeper than just a filmmaker’s most recent film. Here, Bill takes us all the way back to the beginning of his career and his almost-immediate success with early films like A Street to Die and Backlash. Bill also shares some incredible stories about making films like Spider & Rose, Kiss or Kill, Two if by Sea with Sandra Bullock, and The Nugget, which he filmed with a very ill Belinda Emmett while 9/11 was happening at the same time. Regular listeners will know how much I love doing these retrospective-style interviews, so this one was a real treat. Anyway… enjoy.…
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Cinema Australia

1 Episode #109 | Davo Hardy And Kieran Hudson 55:58
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My guests on this episode are The Switchblade Sisterhood writer, director, producer and cinematographer, Davo Hardy, and actor Kieran Hudson, who makes his feature film debut as lead actor in this film. Regular listeners of the Cinema Australia Podcast will know that Davo is no stranger here. This is Davo’s third time as a guest, and it’s always a pleasure to hear from Davo as his career progresses. The Switchblade Sisterhood follows a young woman grieving the death of her mother. Discovering she has a half-sister, bearing a grudge over their late mother’s abandonment of her, the two take solace in exploring the deceased’s belongings; where they find a book on radical second-wave feminism and a literal switchblade. Both of which are used as weapons of choice in a bitter rivalry about fractured families, gender roles and personal, contemporary and intergenerational politics. The Switchblade Sisterhood is available to watch now via davohardyfilms.com where you can also find Davo’s previous films including features and shorts. Anyway… enjoy.…
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Cinema Australia

1 Episode #108 | Mark Leonard Winter, Geraldine Hakewill and Mahveen Shahraki 38:30
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My guests on this episode are The Rooster writer and director, Mark Leonard Winter, and co-producers Mahveen Shahraki and Geraldine Hakewill. The Rooster is simply must-see cinema. It’s an experience. The Rooster transcends cinematic boundaries, delving deep into the human experience and illuminating the darkest corners of our minds with a shining light. Mark Leonard Winter’s visionary storytelling proves that he is not just a talented actor, but a genuine filmmaker. The Rooster follows Dan, a small-town cop. When the body of his oldest friend Steve (Rhys Mitchell) is found buried in a shallow grave, Dan seeks answers from a volatile hermit (Hugo Weaving) who was the last person to see his friend alive. As Dan gets closer to the truth, he must confront his own personal demons and he discovers that hope can be found in unlikely places. This interview plays as a companion piece to my interview with Mark which I published last year ahead of the film’s screenings at MIFF and CinefestOZ. While that interview was a deep dive into the making of the film, this interview is a bit more playful. Anyway... enjoy.…
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Cinema Australia

Heath Davis joins the latest episode of the Cinema Australia Podcast to discuss Christmess which he wrote, directed and co-produced. If you keep up to date with the latest Australian film releases, you’ve no doubt heard about Christmess. It’s getting a lot of buzz at the moment with sold out screenings on the East Coast, upcoming screenings in Western Australia and Tasmania. There’s national media interest and you may have even spotted a digital billboard for the film on your way home from work. If you’ve already attended one of the screenings, you would have heard Heath talk during a Q&A. He’s doing his best to travel around the country with the film which is admirable. This is a filmmaker who backs and believes in his work. Heath is one of Australia’s most exciting filmmakers, and there are few filmmakers whose new films I anticipate more than his. If you haven’t seen Book Week, I highly recommend it. Heath’s other films include the crime thriller Locusts and Broke as well as a stack of shorts which have enjoyed success at Tribeca, Flickerfest, MIFF and more. Christmess follows Chris (played by Steve Le Marquand), a once famous actor who now performs as a shopping centre Santa Claus after his alcohol addiction puts a pause on his acting career. After bumping into his estranged daughter, he seeks help for his recovery in order to win his daughter's forgiveness. Christmess co-stars Middle Kids lead singer Hannah Joy in a breakout performance, and Darren Gilshenan in arguably the best performance of his esteemed career. Put simply, Christmess is unmissable. It’s the perfect tonic to most of the mind-numbing Hollywood dross currently saturating mainstream cinemas. The Hunger Games Part 47… really? More and more Christmess screenings are popping up daily, so be sure to follow Christmess on socials to find out where you can see it near you. Anyway… enjoy.…
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Cinema Australia

In this episode of the Cinema Australia Podcast, I’m joined by internationally-renowned filmmaker Scott Hicks for what I consider to be a very special interview. Interviews like this are the exact reason I launched Cinema Australia just over ten years ago. I set out to capture Australian filmmaking stories, and th those that Scott shares here about his career are priceless. As a keen Australian film enthusiast, I spent most of this interview in a state of awe. Scott shares previously untold stories here, such as the complete narrative behind the production of his unreleased tele-movie, Call Me Mr. Brown, and the time he tactfully guided a inebriated Bill Hunter back on track. Scott also talks about learning from filmmaking giants like Peter Weir and Bruce Beresford, his creative partnership with Australian acting legend Chris Haywood, and of course we talk about Shine. Scott and I actually got so caught up talking about his career that we almost ran out of time to discuss his latest film, The Musical Mind… A Portrait in Process. We do get there eventually towards the end of the interview, so if you’re here specifically for that, hang in there. An Emmy, Peabody and multiple AACTA award-winning filmmaker, Scott Hicks has also been nominated for two Academy Awards as Director and Writer, and British Academy Awards for Directing and Best Film. His documentary on Philip Glass was short-listed for Oscar® nomination and nominated for an Emmy. He was honoured as South Australian of the Year in 1999 and then as Australian of the Year for South Australia in 2008. Scott received a Doctorate of Letters and a Premier’s Lifetime achievement award. Together with his close friend David Chiem, CEO of global company MindChamps, Scott formed MAY30 Entertainment to create quality entertainment for the international market. The Musical Mind… A Portrait in Process marks the first releases for MAY30. Sparked by the impending 25th anniversary of the Academy award-winning blockbuster Shine, The Musical Mind… A Portrait in Process explores the power of the musical brain. Featuring exclusive, intimate footage of super-star international musicians in their private worlds, it opens an intriguing portal into the musical mind. Anyway… enjoy.…
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Cinema Australia

In this episode I’m joined by The Big Dog writer and director, Dane McCusker. The Big Dog follows Richard Morgan, a stockbroker, suburban family man - and secret findom addict. On the morning of his son’s graduation party, Richard discovers his dominatrix has cleaned out all of his bank accounts including the money for the graduation present – a new car. Now over the course of one Saturday, Richard must try and recover the $76,000 without his wife discovering his secret life. Dane McCusker is a writer, producer and director of award-winning content across multiple mediums. Originally hailing from Bathurst, NSW, he moved to Sydney in 2009 to participate in the Australia Film Television and Radio School. With a film debut as good as The Big Dog is, Dane is certainly a filmmaker to keep an eye on. Anyway… enjoy.…
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Georgia Eyers is an Australian actress from Brisbane who has gained some serious recognition recently following her impressive lead role in the supernatural horror film Godless: The Eastfield Exorcism alongside Dan Ewing and Tim Pocock. Prior to Godless, Georgia appeared in the WA film, The Xrossing, and recently reunited with that film’s director, Steven Mihaljevich, for his surreal and unsettling psychological drama, Violett. In Violett, Georgia plays a sick Mother who fears unspeakable evil will soon snatch her 11 year old daughter. With both The Xrossing and Godless: The Eastfield Exorcism now available to watch via different formats, a brief cinema release was recently announced for Vioeltt here in WA via Halo Films. Screenings for other states are set to be announced early next year. In this interview, Georgia takes us back to the beginning of her career and how she got started in the industry. She also discusses being embraced by the horror community, and tells us about the impact making two psychologically demanding horror films back-to-back can have on a young actor. Anyway… enjoy.…
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Cinema Australia

Hello, and welcome to the Cinema Australia Podcast. My name is Matthew Eeles. In this episode I’m joined by actor Jordan Fraser-Trumble who gives an outstanding performance in The Cost which is written and directed by Matthew Holmes. Matthew was a recent guest on this Podcast also discussing this new white-knuckle thriller. In The Cost, Jordon plays David - one of two ordinary men intent on dispensing their own brutal form of justice after abducting a felon who committed a horrific crime many years before. Jordan is a great actor whose career I have been following for many years now since his debut feature film performance in Holmes’ The Legend of Ben Hall back in 2017. Jordan’s other feature film credits include West of Sunshine, and Freelance and Love, Tea and Epiphany which Jordan discusses here also. This is a shorter episode than usual as this interview was originally recorded for my radio segment on the Community Radio Network. The Cost is available to rent now across the usual VoD platforms, and is also available on DVD and Blu-ray. This one is getting some great reviews, folks, and I can’t recommend it enough. Anyway… enjoy.…
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Cinema Australia

In this episode of the Cinema Australia Podcast, I’m joined by director, writer, co-producer, co-cinematographer, editor and visual effects supervisor Jack Dignan to discuss his latest film, Puzzle Box. Jack began his career as an Australian film journalist, publishing written reviews across multiple platforms while working on his own DIY short films. In the lead up to After She Died, Jack spent some time working on high-profile Hollywood productions such as Thor: Love and Thunder, Furiosa, Elvis, Shang-Chi and the Legend of the Ten Rings in various roles. Puzzle Box follows substance abuser Kait who flees to a house in the woods to self-rehabilitate, while her sister Olivia joins to document the process. Following their arrival the house's layout begins to change, trapping them inside an inescapable puzzle box. When I interview a filmmaker like Jack, I’m quickly reminded why I started Cinema Australia. To me, there’s nothing quite like interviewing an independent filmmaker at the beginning of their career. Hearing Jack’s stories about the making of his two films was a great thrill for me and I can’t thank Jack enough for being a part of this Podcast. Anyway… enjoy.…
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1 Episode #101 | Paul Goldman and Robert & James Farnham 33:56
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Hello and welcome to the Cinema Australia Podcast. My name is Matthew Eeles. This episode is one of those “other” episodes of the Cinema Australia Podcast where I bring over two of my recent interviews for the Community Radio Network and publish them here. These interviews are much shorter than usual, but just as enjoyable. Filmmaker Paul Goldman kicks things off as he joins us to chat about Ego: The Michael Gudinski Story. Following that is Robert and James Farnham, the two son’s of Australian music icon John Farnham, who discuss their father’s new documentary, John Farnham: Finding The Voice. Anyway… enjoy.…
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Episode #100 | Gabriel Carrubba by Cinema Australia
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Cinema Australia

This episode is a little bit different than our usual episodes in that it features two interviews with two very talented filmmakers - Matt Vesely who has directed a neat sci-fi thriller called Monolith, and Callan Durlik who has made a very funny romantic comedy called It Only Takes A Night. Monolith which follows a headstrong journalist, played by Lilly Sullivan, whose investigative podcast uncovers a strange artefact, an alien conspiracy, and the lies at the heart of her own story. It Only Takes a Night follows four best friends on a girl's night out who end up on a path none of them expected and find out it really does only take one night to change your life. These two interviews were originally recorded for my radio show on the Community Radio Network, so they’re not as in depth as the usual Cinema Australia Podcast episodes, but there’s still plenty covered for each film. Anyway… enjoy.…
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In this episode I’m joined by the frighteningly talented filmmaking duo, and twin brothers, Danny and Michael Philippou to discuss their new horror film, Talk to Me, which is already making waves around the world and has caught the attention of filmmakers like Jordan Peele and Steven Spielberg, as well as author Stephen King. Talk to Me follows a group of friends who discover how to conjure spirits using an embalmed hand. They become hooked on the new thrill, until one of them goes too far and opens the door to the spirit world, forcing them to choose who to trust: the dead or the living. Danny and Michael Philippou, who some of our listeners will know better as YouTube sensations RACKARACKA, are online purveyors of comic horror and action. Their Youtube videos have been watched over 1.5 billion times and amassed over 6.6 million subscribers. In 2015 their channel was awarded Best International YouTube Channel at the 6th Streamy Awards. Named one of Variety’s 2016 Fame Changers and ranked 5th on Financial Review’s Cultural Power List, the brothers have won numerous awards, including Best Overall at the Online Video Awards and the Australian Academy of Cinema and Television Arts Award for the Best Web Show. Talk To Me is their debut feature film. I’m sure a lot of you will find that hard to believe once you see it such it the world-class quality of the film. In this interview Danny and Michael discuss their horror inspirations, signing a deal with American mega-distributors A24, the disturbing event which lead to the themes explored in the film and more. Anyway… enjoy.…
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In this episode, I’m joined by Rampage Electra writer, director and producer Hassibullah Kushkaki who takes us on a deep dive into the making of this independently produced, action thriller gem which was shot throughout many Perth locations including the historic Fremantle Prison where a majority of the film was shot. Rampage Electra follows an outcast teenager Hannah who finds herself framed as a violent delinquent owing to the undisclosed history of her family’s troublesome past. As 17-year-old Hannah is coming to terms with the revelation of her mother’s circumstances, she witnesses the untimely death of her father. A story of wrong doing and revenge, Hannah’s longing for a maternal kinship fuels her arbitrary decisions and drives a revolt into an uncontrollable rampage. In this interview Hassibullah discusses the making of Rampage Electra as well as his move to Perth four years ago, the cultural impacts of growing up in Germany and the US, and how Rolf de Heer’s Bad Boy Bubby and Alex Lorian’s Good For Nothing Blues inspired his filmmaking career. It was a great joy to welcome Perth-based filmmaker Hassib Kushkaki to the Cinema Australia Podcast recently. Hassib is a filmmaker who I have a tremendous amount of respect for and a filmmaker whose career I will be keeping a close eye on over the next few years. This chat truly is great insight into making a grand independent feature film which I’m sure listeners will get a lot out of.…
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Alena Lodkina’s Petrol will stick to you like glue. If you dive deep enough into the film's subtexts, and if your experience with this film is anything like mine, it will take weeks to shake. In this episode, Alena joins me to take a very deep dive into the making of Petrol which follows Eva, an impressionable film student, who befriends an enigmatic performance artist named Mia who quickly takes hold of Eva’s imagination. Petrol is Alena’s second film following her debut, Strange Colours. If you haven’t already that film, then I recommend putting it at the top of you must-watch list. Anyway… enjoy.…
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Cinema Australia

Hello and welcome to the Cinema Australia Podcast. My name is Matthew Eeles. In this episode I’m joined by writer, director, co-producer, director of photography, editor and composer Ivan Sen and actor Simon Baker to discuss their masterful new film, Limbo. In Limbo, Simon Baker plays Travis, a jaded detective who arrives in the remote outback town of Limbo to investigate the cold case murder of local Indigenous girl Charlotte Hayes 20 years ago. As truths about the murder begin to unfold, the detective gains a new insight into the unsolved case from the victim’s fractured family, the surviving witnesses and the reclusive brother of the chief suspect. A poignant, intimate journey into the complexities of loss and the impact of the justice system on Aboriginal families in Australia. Anyway… enjoy.…
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Cinema Australia

In this episode of the Cinema Australia Podcast, I’m joined by Perth filmmaker Scott Quayle to discuss, The Grey Line - a powerful, eye-opening WA-shot documentary which tells the story of Helen Dwyer, also known as Ellen Collard. Taken from her parents during a time when Aboriginal children were removed from their families through Government mandated policy, Helen was raised by a middle-class family in the suburbs of Perth and believed she was their biological daughter until the age of 14. Despite being raised by a very loving foster family, Helen has never felt like she truly belonged. Not white, not black, she walks a very lonely grey line. This is her story of hurt, a longing to find her true self and to finally be accepted for who she is. As you will hear in this interview, Scott is a relative newcomer to documentary filmmaking of this scale. Scott has released two short films previously: the 2019 documentary, Coming Home: Isle of Man TT, and the short documentary SHIL about a public speaker with a stutter. With a background in corporate marketing, Scott now runs his own production company called Life Films creating one hour documentaries of everyday people for their family and friends. Having moved to Australia at the age of ten from the Isle of Man, Scott tells Cinema Australia that making The Grey Line has been a confronting experience which you will hear more of in this interview. Anyway… enjoy.…
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Cinema Australia

The legendary and iconic Australian filmmaker, Rolf de Heer, joins the latest episode of the Cinema Australia Podcast to discuss his new film, The Survival of Kindness. Written, directed and produced by de Heer, The Survival of Kindness uses allegory to analyse race and privilege, as it follows protagonist BlackWoman (South Australian Mwajemi Hussein), abandoned in a cage in the middle of the desert. Following her escape, she walks through pestilence and persecution, from desert to mountain to city, only to find more captivity. Anyway… Enjoy.…
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