In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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THE SCARECROW OF ROMNEY MARSH with Margaret H. Willison
Manage episode 320982656 series 2897379
Content provided by Chris Klimek & Glen Weldon, Chris Klimek, and Glen Weldon. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Chris Klimek & Glen Weldon, Chris Klimek, and Glen Weldon or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.
On February 9, 1964, Ed Sullivan introduced a band from Liverpool, England formerly known as The Quarrymen to an estimated 73 million viewers of his primetime CBS variety show. And down the dial on NBC, the anthology series Walt Disney's Wonderful World of Color drew an audience of something less than 73 million for the first installment of its three-part The Scarecrow of Romney Marsh, an adaptation of Russell Thorndike and William Buchanan's novel Christopher Syn starring our man Patty McG as an 18th century man of the cloth* by day/masked-smuggler-by-night who helps the common people by... paying their taxes, we think? Using the funds he earns from smuggling brandy and tobacco. He also helps them elude the pressgangs who roam the marsh looking for reasonably able-bodied youngish men to abduct into King George III's Royal Navy.
*Specifically, a "fuckable vicar" in the estimation of our generously oversharing special guest Margaret H. "Hula Hoop" Willison, whose effervescent personality really ties the room together. (Dang. That's the wrong Coen Bros. reference.)
The Scarecrow of Romney Marsh
Teleplay by Robert Westerby, from the novel Christopher Syn by Russell Thorndike and William Buchanan
Directed by James Neilson
Original airdates February 9, 16, and 23, 1964
Write to the Citizens Advice Bureau at adegreeabsolute dot gmail!
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Our song: "A Degree Absolute!"
Music and Lyrics by Chris Klimek Arranged by Casey Erin Clark and Jonathan Clark Vocals and Keyboards by Casey Erin Clark Guitar, Percussion, Mixing by Jonathan Clark Bass by Marcus Newstead51 episodes
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Manage episode 320982656 series 2897379
Content provided by Chris Klimek & Glen Weldon, Chris Klimek, and Glen Weldon. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Chris Klimek & Glen Weldon, Chris Klimek, and Glen Weldon or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.
On February 9, 1964, Ed Sullivan introduced a band from Liverpool, England formerly known as The Quarrymen to an estimated 73 million viewers of his primetime CBS variety show. And down the dial on NBC, the anthology series Walt Disney's Wonderful World of Color drew an audience of something less than 73 million for the first installment of its three-part The Scarecrow of Romney Marsh, an adaptation of Russell Thorndike and William Buchanan's novel Christopher Syn starring our man Patty McG as an 18th century man of the cloth* by day/masked-smuggler-by-night who helps the common people by... paying their taxes, we think? Using the funds he earns from smuggling brandy and tobacco. He also helps them elude the pressgangs who roam the marsh looking for reasonably able-bodied youngish men to abduct into King George III's Royal Navy.
*Specifically, a "fuckable vicar" in the estimation of our generously oversharing special guest Margaret H. "Hula Hoop" Willison, whose effervescent personality really ties the room together. (Dang. That's the wrong Coen Bros. reference.)
The Scarecrow of Romney Marsh
Teleplay by Robert Westerby, from the novel Christopher Syn by Russell Thorndike and William Buchanan
Directed by James Neilson
Original airdates February 9, 16, and 23, 1964
Write to the Citizens Advice Bureau at adegreeabsolute dot gmail!
Leave us a five-star review with your hottest Prisoner take on Apple Podcasts!
Follow @NotaNumberPod!
Our song: "A Degree Absolute!"
Music and Lyrics by Chris Klimek Arranged by Casey Erin Clark and Jonathan Clark Vocals and Keyboards by Casey Erin Clark Guitar, Percussion, Mixing by Jonathan Clark Bass by Marcus Newstead51 episodes
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Similar to A Degree Absolute!
In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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We see The Sci-Fi Christian, in all its iterations, as being about the collision between faith and nerdom. We believe that good genre fiction is about more than just entertainment. We seek to engage with the themes and philosophies behind our favorite stories, wrestling with the big ideas within speculative fiction. We’re unabashedly nerdy and unabashedly Christian. Even if your faith background differs from ours, we look forward to interacting with you at The Sci-Fi Christian!
…
continue reading
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continue reading
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